Psychedelic Elevator is a psychedelic-pop band from Prague, Czech republic.

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Singer songwriter from Prague

solo projects (2002-2004, 2015-up to date)
ex-member of The Faint Smile (2005-2015)
ex-member of Underwear (1995-1998)

https://hannahinthewars.bandcamp.com
https://www.youtube.com/watch?v=YtJUf5pBN1Y
https://www.facebook.com/hannahinthewars

“The amazing performances and arrangements somehow pull you in and take you somewhere else. Somewhere Hannah has been but you haven’t, she shares her secrets and tells her stories…Its been a pleasure and a privilege to work with her.” 
Roger O’Donnell, The Cure

"Live, the presence of these four women on stage is something to behold. The raw power of Curwood's voice and guitar rides atop a shimmering curtain of sirenic vocals and strings, like nothing I have ever seen before."
Pony Express

Songwriter Hannah Curwood originates from the stark, remote region of Central Otago in New Zealand. Now based in London, Hannah in the Wars is a new project, the result of working alongside Roger O'Donnell of The Cure and a handpicked group of musicians. 

This eponymous debut album showcases a collection of lyrically robust emotional narratives. Curwood’s distinctive and powerful vocals are accompanied by Telecaster, piano, synth, delicate string arrangements and the brooding pulse of an orchestral percussionist. 

O'Donnell has supported the band by providing his country home studio as a recording base, and lending guidance with vocal performance, arrangements and his expertise in synth programming.

The resulting ten songs evoke the likes of Hope Sandoval, P J Harvey, Anna Calvi, Sharon Van Etten, Laura Marling and Smog - delicacy entangled with intensity. 

The album was mixed by Paul Corkett (The Cure, Nick Cave, Bjork) and released via O'Donnell's 99X/10 label on May 25th 2015.

Hannah’s previous releases, Sky Above, Horse Below (2007) and The Blind Love EP (2009) both received resounding critical acclaim, with tracks such as the murder ballad ‘It's Been Snowing All Winter’ (http://www.youtube.com/watch?v=LuQK7Z_9Cuc)  showcasing Hannah's use of dark lyrics, twisted imagery and ethereal melody, earning her a place as one of New Zealand's celebrated alternative folk writers.

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

hey;) Did we comment on your track?! You got real potential and we will help you get more plays now!  link in my backgroud picture above!

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