Powerful vocal performance and wonderful guitar !!

Wow, my tiny brain will never be the same!

Amazing progressive track. Great guitar & vocals

Great songwriting and performance! Really wonderful vocals!

Dance Adrift

Music & Lyrics, Drums, Bass, Synth, Organ, Piano, Vocal : Jan Schonander
Music & Guitar: REKHA IYERN [FE] https://soundcloud.com/rekha-iyern-fe

Some rough’n’ready rocking with REKHA….

Too much time with over 300 passed away every day.

THE 300

A dependable man
Drives his kids to school
Takes his time from work
Doesn’t miss an event
Or a single bedtime story	

A standout woman
Young and old they need her
It’s her life’s work
Behind every event
And never needing glory

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

Just a boy and a girl
A hand, a touch
A caress, a first kiss
Don’t miss a glance
Never straying afar

A curly haired child
Tent torchlight at night
An adventurous life
Doctor, astronaut, explorer 
A movie star

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

They’re all together
The three hundred
They’re all together
The three hundred
They’re all together
The three hundred

You’re gonna be
One of three hundred
You’re gonna be
One of the lucky
You’re gonna see
How you blundered
Didn’t have to be 
Three hundred
Two hundred
One hundred

The 300

The 300 | REKHA-IYERN [Fe] 🎸

Music & Lyrics: Jan Schonander
Video: https://www.youtube.com/watch?v=HpuhD4uGJXM

All synths are Nord Stage III native - with plenty of tweaks to all aspects. Apart from the drums there is no programming and everything is performable.

About volatility and self-control. Nearly all the time is not all the time and it’s worth remembering that.

SCREAM

Don’t you worry baby, it’ll all be fine
Don’t you worry baby, it’ll be alright

Who…
It’ll all work out
Not a scream or a shout
Who….
Sometimes
Nearly all the time

Don’t you worry baby, it’s gonna get better
Don’t you worry baby, it’s gonna be alright

Who…
Again and again………
Who…
Sometimes 
Nearly all the time
Sometimes
I wanna scream
Nearly all the time
I wanna scream
Again and again ...

Don't you worry baby, it'll all be fine
Don’t you worry baby, it's gonna be alright

I’m in control
Yeah, I’m in control
Sometimes
Don’t you worry
Don’t you worry baby, it’s gonna be fine
Nearly all the time

Scream

Spotify

Music & Lyrics: Jan Schonander

This is unapologetically inspired by the A-side to one of my favorite albums of all time. I'll let you guess which album that is - if you are older than 50 it will most likely be easier.

A lot of us spend our lives chasing a dream, and despite reaching milestone after milestone the dream is always just beyond our reach. If you're lucky all you need to do is stop and think - maybe you're already there. I was reminded about this when told a story about a popular beach boatman asked by a hedge fund manager why he doesn't invest in an additional boat. After many questions the investor tells him that after years he could become so financially successful that he could spend his afternoons with his family and friends. The boatman tells him that after his morning fishing run that is already what he does. 

The guitar is a Logic Pro X Heavy Metal Guitar. For the drums I "mixed it up" a bit by using more reverb on the snare than on the rest of the drums. Also had a hi-hat in there initially but I took it out as I thought it muddied up the sound too much. In general I debated how much reverb to use and progressively used less and less to try and warm it up. For the bass I combined an electric bass with a traditional standing base. I departed from my usual approach of trying to reproduce as natural a piano sound as possible by using equalization to mainly remove some of the high and low end - the purpose being to create a "lo-fi" sound. Finally, the synth is Nord Native and treated with some ringshift to get the moving in and out your ears effect.  

LATELY MAYBE

Too much
Not enough
Will I ever
Is it never
I can’t see
Will it ever be

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Is this the end
Or could it be the beginning
I can’t tell
It seems a bit like hell
So many moving parts
So many false starts

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Too much
Not enough
Lately
Maybe
Lately it’s been too much
Maybe it’s been too much

Lately Maybe

Music, Lyrics, All Instruments, Vocal: Jan Schonander
Music, Vocal: REKHA IYERN [Fe] https://soundcloud.com/rekha-iyern-fe

All sounds except the drums are Nord Stage 3 native.

Anything wrong with right now? It is sometimes easy to fall into the trap of thinking  that everything was better before, especially as a parent. Thought I'd look up some statistics and see how things stack up vs around 30 years ago. Turns out violent crime is down by over 50% since a high in the early 90s - property crime is also down by 40% - of course there is nothing about that meaning we shouldn't strive to improve further and try to get back to the even lower rates in the 60s. Like the crime rate, the poverty rate fluctuates a lot, but in 1990 it was estimated that 13.5% of the US population lived under the poverty line whereas in 2021 it had been reduced by 14% to 11.6%. In this song I have focused a bit on hard to measure things like the choices a lot of people have today compared to before, in terms of finding their own path vs being set on a path by parents and, importantly, the choice to love who you want. So, we are safer, less poor and have more freedom, but overall happiness levels in the US are apparently at the lowest level in 50 years. Given that the US is predominately a middle class society this might be explained by a fifty year trend of increasing income inequality. The wealthy and poor are better off economically but for a very large swath of the US population things have become more difficult. Clearly there are things to work on. Nevertheless, in many ways, especially with a longer perspective we are so much better off today vs before. 

THIS TIME

Talk about the past
About early and late
What might happen

They say it was better 
You gotta watch your watch
Soon it’ll all pass you by

Why can’t you be like them
Perfect, always
Right there, right now

I feel it, I need it
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

In this time black or white
I could choose a boy
I think I’ll choose a girl

At this time or any other  time
I choose, I choose what to say
I think, I don’t have to care

For this time I might be there
I could change my mind
I think I’ll change my mind, yeah

Right now
I feel it, I need it
Right now
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

Yeah, oh yeah....

In this time
At this time
For this time

This Time

This Time | REKHA-IYERN [Fe] 🎤

Music & Lyrics: Jan Schonander

A lot going on in this song. The original idea was to take the idea of ostinato to the extreme. This was accomplished by using an arpeggiated Eb throughout - of course there was some work that went into the modulation and envelope of the synth I chose. I used the same synth varying the number of notes and direction of the arpeggios to get the sounds that define the track. 

In music, an ostinato (Italian: [ostiˈnaːto]; derived from Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's Boléro and the Carol of the Bells, and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from Peter Gunn (1959), The Who's "Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997).[WikiPedia]

Lyrically I wanted to capture the hysteria of the Chinese balloon while addressing the fact that many of us voluntarily allow ourselves to be monitored by the government and private enterprises. We pay for Google Assistants, Alexa, Siri etc and I think I'm not the only that get's the AI saying it didn't understand after periods of absolute silence. It is also a known fact that private enterprises monitor our e-mails and we voluntarily sign up for this  - who knows who is analyzing and parsing that information. I have worked for decades in the telecommunications business and for those that don't know there is a feature called "Lawful Intercept" that all suppliers are obliged to enable - this allows authorities to listen in on any communication they deem fit. Lastly, while using free services like Facebook we allow the monitoring of our habits, many of us with a grudge, but still we allow it, and social media is becoming more and more pervasive so it seems we want more.

SHAKE THE FEELING 

What are they looking at
What could they be looking for
Looking for
Looking for

What are they looking at
What could they be looking for
Looking for
Looking for

Sometimes you feel like
Someone is listening
Hear voices in your head
Sometimes you feel like
Someone can see you
Looming over your shoulder

It’s not the first time
It’s not the second time
It’s not the last time, no

High and low
In and out

Can’t shake the feeling
Runs through your body
High and low
Can’t shake the feeling
A drug in your mind
In and out

What are they looking at
What could they be looking for
Looking for
Looking for

What are they looking at
What could they be looking for
Looking for
Looking for

Sometimes you can hear
A stranger in your house
And you spent all your money
Sometimes think you know
A machine is reading
You signed the dotted line

Sometimes you’re afraid
A lawful intercept
You voted for them
All the time you don’t care
They’re recording you
Nothing is for free

Can’t shake the feeling
I never ever wanted this
High and low
Can’t shake the feeling
Why can’t I say no
In and out

Can’t shake the habit
It’s my addiction
Ask for more
Can’t shake the feeling
I don’t want to
I want more

What are they looking at
What could they be looking for
Looking for
Looking for

Sorry I didn't quite get that

Shale The Feeling

Shake The Feeling

Music: Jan Schonander
Percussion: Belial Pelegrim https://soundcloud.com/belial-pelegrim

A story of an unfortunate drift off to sea ...  it all ends well albeit after some delirium.

Many thanks to Scott for sending me the drum track which inspired this tune.

Dance Adrift | Belial Pelegrim🥁

https://open.spotify.com/intl-ja/track/3A0iDF1VasIoNHj4cNinTd
Hey friends! 
I posted a new song! I would be happy if you could follow me on Spotify too!

Mad 2023

Thank you for listening!
Picture: Emilio GS

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Legendary Heroes

Turnstyle

takechee

Unbreakable

Lyrics:-
Almost there yeah we're almost there we keep hanging on

Hold on tight , 'cause it's feelin' right we keep hanging on

Almost there , We're almost there

winkandwoo 2024

Almost There

Cast of Characters:

~Mark F-- @mark_fosella -- bass guitar, composition
Llanpsych -- @llanpsych -- Tez – first screaming electric guitar
TexMex Shaman–@texmex-shaman –Stephen– second psychedelic electric guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-organ
This song is the first The Eclectic Collective has done with Mark, and we all had a great time making it with him. This song started with Mark, who is a bass player's bass player, giving his raw bass track to Ken, who brought it to the group. Ken laid down his exciting drums to match Mark's bass line before anything else happened, though. Once we had a rhythm section, JJ laid down his dancing electric piano. Once that was in place, Josh laid down the organ. Then it was time for the guitars, played electrifyingly by both Tez and Stephen. Tez plays throughout most of the song, and Stephen added his part towards the end. Stephen also mixed this for us expertly, as always. If you have a beverage in your hands, you might want to set it down. We hope you enjoy listening to this as much as we enjoyed making it.

Esophagus Metamorphosis- - The Eclectic Collective

70's French Movie End

A few months before my dear friend and collaborator Pat Howell passed away, he shared a chord progression with me (heard at the beginning) that became the song's foundation and wanted to see if I could make something of it.  I fleshed out the progression into a song, but by then he had become too ill to help me finish it.  The song languished for months and then I thought maybe Seagull could finish the thought Pat and I started.  His additions were superb and not only completed the song, but a weave of friendship that started with Pat's inspiration. Rest in peace my friend, and thank you dear Seagull for making our initial weavings a reality.
Hear more of Seagull's finely crafted music @farout-music-studio

Weave Of Friendship

Music : Janne Hennie & PJ Project
Vocals & lyrics : Janne Hennie

Trying not to look at you
When I see you are coming this way
Trying not to show
That you are on my mind all day..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Trying to turn away, so you won't se me drool
Failing to tell myself, that you are just a fool..

When you give me a smile like that
Im melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Trying to resist your charm
But you are like a magnet
Hoping that you won't see, that I am so in my knees..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Doing stupid things, every time you're near
Saying stupid words, don't mean them all i swear..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling..

Wondering if there is any point in holding back
Loving you and your being
Loving that tickling feeling..

When you give me a smile like that
I'm melting, can't resist your being
Your eyes shine like the sun in the sky
You give me that tickling feeling...

That Tickling Feeling W/ Janne Hennie

Original composition, all guitars, piano, synth and mix by Neno J.

Jump Into The New Dimension

Thanks for visiting. This is a retro eclectic music mix with a strong keyboard base.  Looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. The songs are mostly about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me.

To all of you likers and reposters that don't listen - what's the point?

The 300 | REKHA-IYERN [Fe] 🎸

TheGat(s)

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