Flavours of the month come and go but when you've been in the game for nearly 30 years you know a thing or two about how to make people dance.

As the name states Live at Robert Johnson is the associated label of the respected venue in Offenbach and incorporates what the club stands for. The imprint has been establishing a solid ground for the new Frankfurt sound since 2009. By featuring internationally acclaimed artists LARJ has been providing DJs and audiences with essential tunes in an extensive range of high-quality house music. Laid-back dance-floor awareness with a sense for particularity in sound is what might describe best most of the releases and artists.

Berlin based Italian Filippo Moscatello, 

Equally prolific as remix artist and producer, Filippo has reinvigorated tracks for artists of the caliber of Goldfrapp, Fischerspooner and Kosheen, and recently Roisin Murphy to mention but a few. Filippo's sound resonates throughout his releases on seminal labels such as Moodmusic, Eskimo and K7!, and reflects in his relationships formed with studio mates and kindred spirits Ewan Pearson and Sasse. A flag-bearer for DJ Hell's genre redefining International Deejay Gigolo label in the late 90's with his release 'Boing Bumm Tschag', Filippo cemented his big player status as resident of infamous Berlin club Cookies, as well as highly coveted DJ at parties for everyone from Karl Lagerfeld to Mario Testino. Artist album Disco Volante and collaborations with Terranova and The Cosmonauts of Innerspace followed, further distinguishing his place at the helm of the disco charged house aesthetic at the birth of the millennium.




SELECTED DISCOGRAPHY
Disco Volante – International Dj Gigolo Records – 2001 (album)
Pagliaccio – Moodmusic – 2009 (album)
Disco Volante - International Dj Gigolo Records – 2000
Hot Disco Cakes EP – Goodlife
Pagliaccio Remixes – Moodmusic 2009
Blu - Save The Black Beauty 2012
Rosso - Save The Black Beauty 2013
Goldfrapp – Fly Me Away (The Naughty Rmx) – Mute
Louie Austen – Hold On (FNM Remix) - Louie Austen Music
Jazzanova – I Can See Feat. Ben Westbeech (Filippo Moscatello Rmx) Sonat Kollektiv
John Selway – Shake The Snow (Fliippo Moscatello Houz Mix) – Throne Of Blood

Eskimo Recordings is a label based in Ghent, Belgium, and was founded in 2000. Eskimo has always approached the divide between electronic and indie music with a reckless abandon that suggests that there is no divide at all. A mix of Indie Dance / Cosmic & Balearic Disco / Italo / EBM / House and more. Welcome!

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

With a career spanning over four decades, that began in what many consider to be the most important and influential club of its generation, Fac 51 The Haçienda, and continues with his residency for the award winning I Love Acid club night, few of today’s DJs can boast a pedigree like Jon Dasilva. 

Considered to be Haçienda’s most singular resident DJ, Jon Dasilva was fresh to the scene in '87, finding DJ inspiration in the House and Disco DJs of deepest New York and Chicago, amidst a sea of influences, from Bowie to Dub Reggae to Kosmische Musik to Disco. His broad musical tastes and ability to work so many genres into proper dance floor action mark Dasilva out as a next level DJ. 

His greatest legacy from that period, alongside championing the early Chicago and Detroit sound, was his imaginative take on the idea of the DJ set. Not content with simply mixing one track into another, Dasilva wove a cappella and sound effects into a broad selection of House, Acid, Disco, Techno and even Brazilian Batucada, intuitively mixing in key, building a set dynamic that until then was rarely heard on UK shores.

A lesser known side of his influence was Jon’s inspired warm-up sets at the Haçienda. This was Dasilva's first experience of playing in such a major club, and realising the potential to have fun in the first hour or more of the night, he went about mixing up Dub Reggae, Latin, Disco and Post Punk oddities, interspersed with BBC sound effects. Word spread and soon these mixes would become the inspiration for another set of DJs, who later went on to form the backbone of the soon-to-emerge Balearic DJ scene, as well as artists like the The Chemical Brothers, The New Fast Automatic Daffodils, Matthew Herbert, The Stone Roses, Happy Mondays and many more. 
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Jon still retains a freshness of approach, and this can be heard in his recent DJ mixes. His penchant for the varied shades of acid, techno and house, as well as his keen nose for sniffing out the most interesting modern producers, are evident.
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More recently, Dasilva has forged an ongoing relationship with the London club night, I Love Acid and the club’s promoters, Posthuman, regularly doing back-to-back DJ sets with Posthuman. I Love Acid won the Best Club Event in DJ Magazine’s ‘Best Of British’ 2019.

the Glimmers is following