Name: Mammoth by The Institute 91' in Synthwave Playlist
Duration: 3 min 38 s
Description: From the album “Cairn”, available on my bandcamp.

Synthwave Playlist

Another Day

Paralysis (Intro)

Bel-Air Arcade (Instrumental)

Luna Coverdale Live on KSWV Radio Shockwave Episode 30 featuring tracks and a Premiere Track of Sonar 4.. Featuring

Sonar 4 -A New World (Montage Collective Remix)
LɅNights -HURRICɅNE
Glamouria -Digital Girl
Josh Dally -Speak Your Mind
HeartBeatHero -Fading Love
Night Vision -Runaway (feat. Dave Maverick)
Thought Beings -Trailblazer
Your Friend Esteves -This Time
Pensacola Mist -The Dying Light
KAL - ELLE JAGGER  feat. SYST3M GLITCH -FAITH (LOST IN SPACE)
Timecop1983 & Waves On Waves -  The Quiet Life
2DCAT - Believe
VVMPYRE -Your Last Kiss (feat. Maverick)
Mondträume -Free
NEUROTICFISH  feat. MARI KATTMANN  -Agony  [Assemblage 23 Remix]
Mike Templar - Turn Off The Screen (feat. Strike Eagle)
The Institute 91’ -A crown for all
Apoptygma Berzerk -Kathy's Song
Nuvolino -Copper Love (Fel in Love Mix)
Young Empress -Home (Arduug Remix)
Michael Oakley -Control (Syst3m Glitch Remix)
Honey Beard -Through The Dance Floor
Dream Shore - Surrounded
Ross Copperman -Hunger

Luna Coverdale Live on KSWV Radio Shockwave Episode 30

Dance With the Dead - Hex (Original Mix)
Album : Driven to Madness
SynthWave / DarkSynth / NewRetro / RetroWave / Future Synth / Synth

Driven to Madness

Dance With the Dead - Hex (Original Mix)

Timecop1983 - Lost Time (Original Mix)
RetroWave / Synth / SynthWave / 80s / Retro / New Wave / Future Synth

Timecop1983 - Lost Time (Original Mix)

Futurecop! Feat. Dreamers Avenue - My Love (Tlf Remix)
Album : From Oceans Within
SynthWave / Synth / Synth Pop / 80s / Retro Wave / Synthwave Retro / New Retro

Futurecop, Dreamers Avenue - My Love (Tlf Remix)

A tribute to one of my favorites songs ever!

Volny (Molchat Doma Synth Cover)

Remastered this recently, because I've learned a lot more about how to master my tracks, and this is by far my most popular track.  
I knew it was gonna be awesome the minute I sat down and wrote in that melody.  I'm still trying to figure out the process that led to its creation.  I think its the span of the octave from start to finish, its quite different by the end of the phrase, so it provides enough movement in the track to carry it.

Enter The Sprawl

From the album “Cairn”, available on my bandcamp.

Mammoth

Somehow this managed to get deleted from my Soundcloud..  So I'm reuploading it.  Because its the original release version of the track.

A great collaboration between myself and a friend, he's the one you hear shredding on those guitar solos.  We originally were going to do a cover of the theme from escape from new york, but he got inspired and did a few things with the tune.  I also had an idea I wanted to try involving tempo and time signature change ups.  By the time I was done chopping up guitar parts and putting them all back together several times over, it was clear it was its own, separate thing.

Escape Theory (None Given)

Darkness

my mind is playing tricks
playing tricks on me
filled with emptiness 
no place to hide 

my heart is aching for
for the days gone by
cant make sense of it
stay by my side
- - -
no one ever came this close
no one ever stayed this long

always searching for this peace
and now it finally feels like home
- - -
will you go with me
through every valley
please dont leave me
stay by my side

when im feeling good
dancin' on the heights
every move I make
stay by my side
- - -
no one ever came this close
no one ever stayed this long

always searching for this peace
and now it finally feels like home
- - -

stay forever (by my side)

Memories

My latest Darksynth track with heavy influences from Italian Giallo/Horror movies from 70s / 80s

Quella vecchia casa (That old house)

From the EP °Quella Casa ai Confini Della Notte°

Disco Terror

GAIA was created with the purpose of helping producers or new artists to have support in their tracks and being that for free.......so feel free to send your new tracks if you follow us. 

*remember that gaia only supports those who follow gaia on the soundcloud !

*check out our playlists separated by musical styles ! 

''many artists have no incentive or help in the beginning and helping is the only purpose of gaia''.

Contac us : 
gaiamusicart@gmail.com

Youtube Channel : 
https://www.youtube.com/channel/UCSeaKxnWud5wHO9FYFbLb_Q

(New album “Schema” available for purchase on bandcamp! Moving forward I won’t be posting as much on here, reached the ol’ limit)

In the year 1991 The Institute released a miasma of chemicals into the atmosphere.  Some say it was an accidental explosion. Some say it was all part of some grand conspiracy. What is known is that this miasma hovered for weeks and grew, covering the land and plunging it into chaos. This event came to be known as “The Release.”

Most of those who came in contact with it died, the ones who didn’t were scattered abroad and they struggled to survive.  That which was unleashed during the release, caused the dead to come back, yet they were different. They were ravenous and murderous. They would bite, claw, wail and moan.  They could not be reasoned with. This forced the survivors into hiding, many could not find their families and lost friends in the confusion.

Time seemed to come to a standstill, the 90’s never progressed. Art was unable to flourish. Yet, where others had tried to survive, one particular man stumbled upon a sanctuary, or at least it was unto him. It had a generator, food production, and clean water. Inside was a man, a musician, whom lay dead upon the floor.  He must have been preparing for something like this but something had gotten to him. The man buried the musician and took up residence.

    With time, the place remained unaffected. The man who had found it had finally begun to flourish. He had time to ponder now, he decided that the only good work he could do now was record the stories of those he knew and loved, some whom he did not know and hated. The tale of what The Institute had done and how it affected everything. With nothing but the instruments left there, he began to record it all. He scrawled on the front of each recording... 

The Institute 91’

Mammoth

The Institute 91'

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