As Bright Patterns completes its fourth trip around the sun, we welcome Imaginary Softwoods as the special guest for November. It’s been a dream of mine to have John Elliott on the show. He’s been a part of so many incredible projects: Mist, Outer Space, Organic Dial, Emeralds—not to mention all of the eternally awesome records that were released via his expert curation on Spectrum Spools. It’s a treasure trove. All that said, the vast output of John’s solo project, Imaginary Softwoods, sits firmly atop this immense pile of sonic wonder. So many of these cuts have been played on Bright Patterns over the last four years. It is a vibe I carry with me, one that’s deeply embedded in my relationship to music. The last time I heard a mix from John was 2017 and I still talk about how good it is. With all of the gratitude to everyone who listens, I hope you’ll enjoy this mix of what he’s been listening to lately. Designed as a bit of a balm for a world in pain, it covers contemporary selections with a few new age classics, reflecting the daily eclecticism of his auditory diet. It also ushers in a new era for Bright Patterns, where it will run from 9am to 10am ET with the same Thursday cadence as it has been, each month, since the beginning.

http://www.instagram.com/imaginarysoftwoods

Bright Patterns with Imaginary Softwoods @ The Lot Radio 11-09-2023

Sad Entity Hips is a swedish DIY indie pop alternative, electronic,  and art music project/one man band created in the year 2006 by Henrik Svensson from Malmoe, Sweden.   Some influences are: My Bloody 
Valentine, Eddie Cochran, Felt, Teenage Fanclub,  Grandmaster Flash And The Furious Five, Afrika Bambaataa And The Soul Sonic Force, David Bowies "Low" Prince, The Clash, MIA, The Jesus And Mary Chain, Sonic Youth, Miles Davis, Funkadelic, Kraftwerk, MC5, Pastels The Stooges, Mudhoney, Jack Keroac. Bob Dylan, Ian Brown, DAF, Bassholes. Brian Eno.neil young, dry cleaning, Galaxie 500, Ride, Dean Blunt, King Krule, Hype Williams,  Spectrum, Spacemen 3, Sonic Boom, Ramones, Ariel Pink, and much more....

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

I'm not an artist in the psy-scene, I just love interesting sounds, experimental psycore is my favorite. 
So mostly experimental-dark-happy-powerful music it is, bpm doesn't always matter... My collection includes experimental psycore, darkpsy & forest, psybient, folk whatnot. 

We are one. 🌍

"Distinct, coldly, calmly distinct, fell those few simple sounds within my ear, and thence, like molten lead rolled hissingly into my brain."

An intimate frontier.  A melody lost on waking.  A memory from childhood.  A hope for forgiveness.  A season ended.  A photograph of a moment you don’t remember.  A treasured object found and lost.  A thought interrupted.  A mirror in an empty room.  The dust of an evening.  An incomplete equation.  A discussion with possibility.  A missing adversary.  My impression from our last meeting.

Additional Music and downloads available on Bandcamp: 

https://softlands1.bandcamp.com/

On Spotify

https://open.spotify.com/artist/5YG49h7BY6wDxSpnDZpHDo