Original Song: Caribou - Ravi
Slowed/Reverb/Vinyl Sim
All credit to Caribou

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Caribou - Ravi (slowed + reverb)

Buy → l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters — to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality.

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year. Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

Static Doesn't Exist

WHERE DO WE FALL

DAFFODIL

Pre-order: https://www.monkeytownrecords.com/even-more-d4ta-the-moderat-remix-album/

Following an extended hiatus, @moderat-official (consisting of @apparat and @modeselektor)returned to the spotlight in 2022 with 'MORE D4TA'. Now, the celebrated Berlin trio release a remix album comprised of 10 enormous new edits.

Bristol alchemist @batuuk strips 'DOOM HYPE' down to the studs, reconstructing it atop a shuffling techno pulse.

EVEN MORE D4TA

More exclusive music

Premiere: Moderat 'DOOM HYPE' (Batu Remix)

Okongola Caucus

Patali

lone Swordsman-Daniel Avery (Slowed & edited 1st)

Out Now: https://beesemyer.lnk.to/verge

Connect:
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Twitter - twitter.com/johnmonkman
Facebook - www.facebook.com/JohnMonkmanLIVE/

John Monkman closes out the year on his imprint Beesemyer Music, with a new Melodic, dance-floor heater
‘Verge’. Gated synths and chopped vocals, dance on top of thundering drums, whilst all underpinned by a
roaring baseline. ‘Verge’ follows on from a series of high impact releases on the likes of Siamese, Ellum and
Anjunadeep. It’s been an impressive year from Monkman, where he continues to grow, spreading his unique
sound across the planet.

John Monkman 'Verge' [Beesemyer Music]

Romancin EP

Somethin Bout U (ft. Yoshe)

The debut collaboration between London-based artists SUN/MGNETK & Jupiter Grey

Clear View

All Set Let's Swim

Kill the Future

Inspired by "The Robots [August 8th - USA, New York City, The Ritz]" with vocals from the Virtu Ex Machina bootleg album.

This is a reimagination of the electronic music group Kraftwerk 1981 World Tour. It's a recreation of the Kraftwerk's 1981 World Tour with a Screen Projection Concept in a VHS style.

After years collecting materials, I finally did a final version of this longing project of mine.

The sounds and the songs were entirely made in FL Studio by me.
The samples I used here were only for Ralf Huetter's vocal tracks taken from the actual live performances and some others effects like the Texas Instruments, the Votrax SC and the Pollard Syndrum Sounds.

The percussion was made in an "analog way", at the time Kraftwerk built an all-analog drum kit, so I decided to use the same concept.
So my drums is created in the same way with an analog synthesizer, although it's a virtual version of it and has many effects plugins to achieve this similarity to the Herr Fluer and Herr Bartos original ones.
It's not the same sound I must admit, but to me it's sounds almost the same and it's great, so anyway.

The 80s KW setup is:
Ralf Huetter plays a MiniMoog and two PolyMoogs;
Karl Bartos plays a Korg PS3100 and a custom-made electronic percussion device;
Wolfgang Flur plays a custom-made electronic percussion device and
Florian Schneider-Esleben plays a Prophet V and some others devices for the effects.

This is not an official product or a bootleg recording, it's just a tribute project to the Kraftwerk 81 concerts performances that I tried to match the originals as closely as I could, so there maybe some differences to the original ones.

There's no copyright infringement intended.

I hope you like it as much as I did making it.
-LuPPs

*Screen Projection link(soon)
There're a few sources about the screen projections that were shown during the performances and most of them are just photos that fans secretly took, because cameras were banned at live performances.
So the motion design here was completely recreated according to the era theme of the shows and the images generated by computers at the time.

The Robots

The Robots (Kraftwerk Cover)

Hello, 
I'll be posting some of the creations I've made here, like soundtracks, covers, game environments... so feel free to come back later.