Lil' intro to me on le dex ~ some of my fave flavours and artists!!! 
Originally aired on FBi 94.5 <3

'Who is she?'
Aquenta’s sound is a genre-blending mix of syncopated beats, bubbly pop, sugary trap, jagged synths and other surprises thrown in for good measure. The Dominican-Australian always draws on her Afro-Caribbean heritage when crafting her sets, but then spices things up by adding her other favourite flavours. The result has been described perfectly by her bro as akin to a Warhead lolly: sometimes sweet, sometimes sour, intense and not for everyone 🤪😈
Like all her work across creative and legal spaces, she sees her DJing as a form of activism: radical space-making through occupation and sonic curation, aimed at expanding club culture. COME TASTE!!

BTW: This mix features an excerpt of a speech by the late Australian disability activist Stella Young. Very important talk. If you wanna hear the full version, go to: https://www.ted.com/talks/stella_young_i_m_not_your_inspiration_thank_you_very_much?language=en

FBi Pleased To Meet You Mix

@@@ Christmas Gift @@@
Hello fam. This is not a real new track .
Just my vision of the trip hop history .

TRACKLIST : 
Portishead - Strangers 
DJ Shadow - Midnight in a Perfect World 
Wax-tailor - Que Sera
Massive Attack - Safe From Harm
Chinese Man - I've Got that Tune
RJD2 - Ghostwritter
Quantic Music - Time is the Enemy
Lovage - To catch a Thief
Etienne de Crécy / La Chatte Rouge - Ecoutez ... Fumez ...
Amon Tobin - At the end of The Day
DJ Shadow - Organ Donor
Kid Koala - Third World Lover
Lovage - Stroker Ace
Télépopmusik - Breathe
Moby - In this World
Bonobo - Believe 
Hooverphonic - Mad about you
Morcheeba - Big Calm 
DJ Vadim - The terrorist
RJD2 - Smoke & Mirrors
Archive - Again
RJD2 - Silver Fox
DJ KRUSH - Kemuri
Tricky - Overcome 
Thievery Corporation - Until the Morning
Sneaker Pimps - 6 underground
Neneh Cherry - Woman
Portishead - Glory Box


Peace 
https://www.facebook.com/KognitifOfficial/
https://kognitif.bandcamp.com
https://www.youtube.com/user/cyrilcapra

KOGNITIF - THE TRIP HOP HISTORY IN 4 MINUTES

02 Give Me Some Water

Listening to Country: Exploring the value of acoustic ecology with Aboriginal and Torres Strait Islander women in prison.

The aim of ‘Listening to Country’ is to explore the value of acoustic ecology in promoting cultural connection, maintenance and wellbeing among Aboriginal and Torres Strait Islander women in prison. In early 2019, an interdisciplinary team of researchers worked with women in Brisbane Women’s Correctional Centre (BWCC) to produce a 1-hour immersive audio work based on field recordings of natural environments (of country) for the purpose of stress relief and relaxation. Aboriginal and Torres Strait Islander women are overrepresented in Australian prisons. The majority are mothers, experiencing the trauma associated with separation from family, community and country. 

‘Listening to Country’ represents an innovative and creative approach to promoting cultural maintenance and wellbeing among mothers, daughters, sisters, aunties and grandmothers in prison. The research use principles and processes from acoustic ecology, Indigenous storywork, dadirri (deep active listening), and arts-led inquiry to explore notions of cultural connection and maintenance for the participants, and the effects of the project on their wellbeing.

This project responds to a direct request from a group of Aboriginal women at BWCC to create a culturally appropriate sound recording for the purpose of reducing stress and connecting to natural environments and to country. It has been built on a strong foundation of previous creative engagement and consultation with women incarcerated in Queensland. The project team consists of two Aboriginal and two non-Aboriginal researchers working in collaboration. Dr Vicki Saunders (Gunggari) is an emerging scholar who works using arts-led and poetic enquiry in the field of child protection and family wellbeing. Dr Bianca Beetson (Gubbi Gubbi/Kabi Kabi) is a visual artist and curator, and Director of the Contemporary Indigenous Art Program at Griffith University. Dr Sarah Woodland has been developing creative arts-based approaches to wellbeing in Brisbane Women’s Correctional Centre (BWCC) for the past seven years, recently finding radio drama, audio recording and soundscape to be highly effective in engaging the women. Dr Leah Barclay is a sound artist whose work investigates the value of acoustic ecology as a socially engaged, accessible, interdisciplinary field that can inspire communities across the world to listen to the environment. This team is supported by an advisory group that includes members of the Brisbane Council of Elders, Dr Claire Walker, (Director of the Murri Dhagun cultural unit of Queensland Corrective Services) and criminology expert Professor Andrew Day from James Cook University.

The pilot project in BWCC has enabled the researchers to develop and hone this approach to wellbeing among Aboriginal and Torres Strait Islander women in prison. It is anticipated that the ‘Listening to Country’ model might be transferable into a number of different wellbeing contexts, including with at-risk youth, Elders/seniors in care or off-country, women transitioning from prison to the community and more. The pilot will inform further development of the approach with additional groups in the community, with capacity development and knowledge translation activities occurring in Mitchell, Sunshine Coast and Cherbourg, Queensland to explore these possibilities in 2019.

This soundscape is a short excerpt from the 1-hr immersive audio work produced with the women during the pilot phase in prison in early 2019.

Visit the website for further details: www.listeningtocountry.com

Listening to Country (soundscape excerpt)

Originally broadcast on Ears Have Ears on FBi Radio in Sydney, listen back to the show here: https://fbiradio.com/945fm/programs/ears-have-ears/2019-08-01/

In response to our recent announcement about Ears Have Ears ending on 29 August, Forest Swords has made us an exclusive contribution called 'A Joyful Finale', an uplifting mix themed around the idea that "endings don't always have to be sad occasions."

Hailing from Merseyside in the UK, Forest Swords has collaborated with Massive Attack, remixed Björk, was a recent curator in the DJ-Kicks compilation series, has explored multidisciplinary work in the form of Shrine, a contemporary dance piece, and earlier this year he scored 'Ghosts of Sugar Land', a film that won Best Documentary Short at Sundance Film Festival.

Tracklisting:
Alex Zhang Huntai – Pierrot
Ben Vince – What I Can See
Kaitlin Aureliya Smith – Stratus
Quirke – Acid Beth
Anenon – Two for C
Shida Shahabi – Pretty In Plums
Laraaji – The Dance #1

https://soundcloud.com/forestswords

EHE 01.08.19 - Forest Swords - A Joyful Finale Mix

Originally aired on Ears Have Ears on FBi Radio in Sydney. Listen back to the full broadcast here: https://fbiradio.com/945fm/programs/ears-have-ears/2019-06-27/

An exclusive soundtrack by Glasgow based artist Mark Vernon. His clever and striking work often exists on the fringes of sound art, experimental music and broadcasting - centring around the re-appropriation of found recordings, environmental sound and obsolete media. He is an avid collector of domestic tape recordings; audio letters, dictated notes, home sing-alongs, answer-phone messages and other lost voices that he incorporates into his compositions. A keen advocate of radio as an art form, he co-runs Glasgow art radio station, Radiophrenia. His solo music projects have been published through labels including Kye, Flaming Pines, Misanthropic Agenda, Entr’acte, and 3Leaves.

'Elsewhere is a negative mirror' is based around an incredibly intriguing and somewhat menacing voice recording from a Dictaphone micro-cassette bought at a car boot sale. It continues a series of works that marry found recordings from the past with contemporary field recordings of the same location to accrue sedimentary layers of time and blur chronologies.

"On one side, the tape documents the dissolution of a relationship and the aftermath of a separation in a series of text message exchanges read aloud into the Dictaphone for some purpose unknown. Equally puzzling, on the reverse side of the tape the same voice lists a mundane catalogue of company vans and their contact details observed whilst driving down the motorway." - Mark Vernon

EHE 27.06.19 - Mark Vernon - Elsewhere is a Negative Mirror

This originally aired on Ears Have Ears on FBi Radio in Sydney. Listen back to the full broadcast here: https://fbiradio.com/945fm/programs/ears-have-ears/2019-07-04/

An exclusive soundtrack by Utility, a collaborative project of Australian sound artists Austin Buckett and Thomas Smith. Utility explore the tension between the real and the artificial by focusing on the preset nature of contemporary music and media production. They work across multiple forms in both music and visual art contexts by using and contextualising common musical tropes and other production techniques. 

Utility produce commissions and sound design for visual artists and choreographers, release electronic music through independent labels, produce music for rap and rnb vocalists, and perform/exhibit in visual art contexts. They just released this mixtape.

Their exclusive soundtrack Nexus Destiny (Winter Edition) is a mix of the "most emotionally ambiguous arpeggios" from their recent release, Nexus Destiny. 

"This collection exists simultaneously as a sequence of short etudes for listening, and as a library of materials for reuse by other composers, producers and DJs. In its dual function as composition and technical demonstration, Nexus Destiny occupies a musical uncanny valley in which human emotion is captured and stored for the purposes of automation and reproduction. Nexus Destiny is a digital still life that re-performs the 'preset' nature of 'in the box' authorship, while also celebrating the preternatural, hi-definition aesthetics immanent to commercial sound design tools." - Utility

EHE 04-07-19 - Utility - Nexus Destiny (Winter Edition)

A CALTEX SPECTRUM - Daniel Jenatsch & Sezzo [Original Composition]

@davidshawty
@hoodwtch
mastered by @safeguardbeats
on all platforms
https://youtu.be/wQrJacW2Lhs

LYRICS:
under pressure
nitemare pack
im smoking pressureeee
ima bag getterr
if its fuck me then fuck you its for the betterrr
in the basement
all up in her mouth like some braces
alot of bullshit on the table, nice arrangement
i dont want u to talk to me, like im gamingggg

aaaa
talk to meeeee,, dont talk x4

iiiiii like being sticky cause im tacky
put the apples and the berries inna basket
i might make some shit but ima trash it
i dont wanna live bro u can have it
put the fucks that i give inside a chamber
she said she wanna hang with me like t-shirts onna hangerrr
and if you cross me one more time then you might just be in danger
empty cups on the desk im just desperate for a buzz
flee market buy some trading cards with gold doubloons
i jus popped like half a pill and then i snorted two
acting like a bitch dont be surprised if im ignoring you
take the ball away and put it in i had to score on u
sorry i had to
talking crazy thats a bad move
nitemare got me stuck like a statue
i want this shit forever like a tattoo
be careful dont passout from the gas fumes
oh..

be careful
rolling off some shit at the park like a skateboard
she gave me 3rd base were not playing baseball
shawn white my mastercard, winter games, the 8ball
feel like a professor i got so much chalk
feel like a professor- lemme show u how to get to this guap
i got ethika on my dick
i got erika on my dick
put a hairbrush in ur -
smoke a usb dont needa bic
fly on the wall wont get flicked
dont ask me to be in ur flick
i told her to bussdown, jus like a glick
ima delete her number
ima burn me a bridge
-------

Pressure ft. David Shawty (prod. Hoodwtch) video in description **

Compelled To Move

Matt Cornell is a Dancer Maker and Composer. His favorite radio program is Ears Have Ears on FBi Radio. please go to http://MattCornell.com for more breadth and depth :)

Compelled To Move

The Mattmosphere

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