ARCTIC  BIRDS    4

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Violet Screen

Vampire Night

We Can Dream

Three Ships (Oct. 2025)

autumn afternoon

Trepperl

- Picture -
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl 
Quality Editor. Shyntwirl
Effects Editor. Shyntwirl
Lightning Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Synthesizers. Shyntwirl
Reverb. Shyntwirl
Echoes. Shyntwirl
Pads. Shyntwirl
Strings. Shyntwirl
Leads. Shyntwirl
Synths. Shyntwirl
Keyboard. Shyntwirl
Fx. Shyntwirl
Quality Audio. Shyntwirl

PROD. Shyntwirl 

Shyntwirl - Pollination

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

more halF unusuaL

halF spooK [disquiet0722]

I love this time of year when the light seems to play on the floors.  It's just a peaceful thing I notice.  Certainly not earthshaking, but lovely.
Thank you to David Dunham for his friendship and his unending help in mastering my piano tracks.
@david-dunhamuser589535203

The Evening Light

Another work in progress! I've got the feeling I'm almost there with this track, but not quite. Maybe it needs something more. Or maybe something less. 

Wayback (w.i.p.)

I create ambient music, drones, and soundscapes that invite deep listening.

Recorded with guitar, pedals, and laptop in my small one-man studio.

For news, official releases, merch, communication, head to my Bandcamp:

http://thenextcommuter.bandcamp.com

On my SoundCloud you'll find live recordings, demos, experiments,... Official releases will always appear through Bandcamp first, and later here on SC as well. 



Wayback (w.i.p.)

The Next Commuter