Ever found yourself lost in the timeless echoes of Stevie Nicks’ ‘Edge Of Seventeen’? I have, time and again. That haunting melody and rhythm, it’s impossible not to be captivated. So, in true Marksman fashion, I took on a challenge 💪

I’ve always been mesmerized by this legendary track. One day, a thought struck - “How can I fuse this classic into the pulsating beats of a live set?” And voila, an edit crafted with the progressive melodic touch that is unmistakably Marksman was born 🚀

Free DL

[Free DL] Stevie Nicks - Edge Of Seventeen (Marksman Edit)

Producer, DJ and Mixing/Mastering Engineer.
@elevationlondon Boss

Marksman is a standout force in progressive melodic house and techno, emanating from the heart of London’s vibrant dance scene. Known for crafting emotive sonic journeys, his music blends diverse influences with a progressive edge that captivates audiences worldwide.

With performances at iconic London venues like Ministry of Sound, Egg, E1, XOYO, and Steelyard, Marksman has shared the stage with industry heavyweights including Klangkarussell, Darin Epsilon, Booka Shade, Eelke Kleijn, Einmusik, Solee, Deeparture, and Joachim Pastor. His global appeal has taken him to stages across Spain, The Netherlands, Germany, Ireland, and beyond, including headlining Eyeife Festival in Cuba.

Marksman’s music resonates on an international level, with standout releases like “Evocation” (with TJ Lawton) on Nora En Pure’s Purified Records and Beatport #1 hits “Until I See You Again” and “Close To Me / Your Eyes” on his label, Elevation London. His productions and live sets weave rich emotional tapestries, exploring the light and shadow of human experience.

Beyond his artistry, Marksman is a passionate mentor, coaching aspiring producers to create professional-level music and sign with top labels. As the leader of thriving producer communities with over 5,000 members, he empowers the next generation of talent.

Producer, DJ, label head, and coach, Marksman is redefining what it means to shape the future of dance music.