Bobbi's Second World, written with the addition of a new member on keys, exhibits an explosion of new sounds and ideas that came to fruition after a long summer of playing festivals and taking inspiration from music that made us dance. It centres around the story of a cat named Bobbi who, in order to become a lady, has to experience the extremities of two complex and differing realities- situated in her front and back gardens respectively. The eccentric instrumentation, influenced by northern soul, post-punk and funk music, matches the quirkiness of the lyrics to create a song that concerns a young cats maturity whilst displaying a certain maturity in the music itself. 

OUT ON HEAVENLY RECORDINGS NOW

Bobbi's Second World

'Content Crush' - Music Video:

https://www.youtube.com/watch?v=qn36a4BC3t0

Content Crush

A late-stage rehearsal straight to cassette for reference. Recorded shortly before going into the studio, probably at John Henry rehearsal rooms. This is Mark on guitar, Lee on drums, and myself on piano and organ (the bass was always addressed in the studio once the basic track was down, which is why it doesn't feature here).
It's best to take the 8 minutes out and listen to the end, preferably in headphones, and in a quiet space,

Eden rehearsal cassette

Taken from the upcoming 'Taking My Time To Be EP' - out 27/9.
Available to order on 180g bone coloured download here:
https://bit.ly/32L5LHC

Buy 180g Vinyl

Strawberry Guy - Mrs Magic

LOVE GIRL - International Teachers of Pop (The ORIELLES remix)

prawn pour

PINS X ORIELLES (PONYTAIL REMIX)

Come Down On Jupiter (Jane Weaver, Dreamy Party Remix)

Hope you enjoy the second single from our upcoming record, Disco Volador! 
Heavenly Recordings 
Produced by Marta salogni, Engineered by Joel Patchett 
Artwork by Raissa Pardini

Space Samba (Disco Volador Theme)

Silver Dollar Moment

Borrachero Tree

EGG020 - Ana Mae - Gobstopper

Hailing from Halifax, The Orielles are sisters Sidonie B and Esmé Dee Hand Halford and their best friend Henry Carlyle Wade whom they met at a house party just a few years ago. The then teenagers bonded over their shared love of alternative US bands from the 90s such as Sonic Youth & Pixies as well as pioneering filmmakers including Quentin Tarantino (The Orielles have cited his work in their songs and consider his work a major lyrical and aesthetical influence). Keen proponents of the DIY aesthetic, they learned their instruments on the road through gigging and the band have spent the past few years polishing their sound, with a steady string of singles previously released.