Sharona Lico Frequency Original Mix

Taken from the upcoming album 'Watering a Fake Flower'.

..........

Open to the Sea are Enrico Coniglio & Matteo Uggeri...

Enrico Coniglio: piano, organ, Yamaha TX7
Matteo Uggeri: rhythms, field recordings, samples, sort of backing vocals

with:

Mattia Costa: drums
Alessandro Sesana: trumpet
Andrea Serrapiglio: cello, drones

Recorded by Enrico Coniglio and Matteo Uggeri in Venice and Milan.
Drums recorded by Gianmaria Aprile at Argolab, Varese.
Cello recorded by Andrea Serrapiglio.
Additional VOG treatments on “I Can Hear…” by Gianmaria Aprile.

Mixed and produced by Matteo Uggeri
Mastered by Ian Hawgood
Artwork by Daniel Crossley

www.fluidaudio.co.uk

Watering a Fake Flower

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

What should I do 
my Ep  🎙 
bass, guita,r synth , vocal by zarrbi (Arash Zarabi)

What should I do at should I do

Lonely robot

Lonely Robot

† Written and produced by Thomas Kuratli
† Recorded and mixed by Michael Gallusser at QFLM Studio
† Mastering by Rea Dubach at Centraldubs
† ‚Höllentor‘ Violin played by Chadi Najari

T†tz

Kollaps

This album is part of Lost Tribe Sound's 11 album series, 'Maps to Where the Poison Grows.' Subscribe to the series to receive a discounted price on the CD or digital version, here: https://lnk.to/poisonmaps

Texas-based experimental percussionist Lavatone makes a commanding entrance on the Lost Tribe Sound label, with the new double album, ‘Lunar Mining and Excavation’. LM&E embarks on a rare concept album from the artist. This is heavy, filthy, industrial workplace, Total Recall eyes-popping-out-of-your-head type stuff, only no air this time, Cohaagan. It’s the ugly side of Space Music… overworked machinery, duct taped space suits, turds hovering at low-gravity in the porta-johns, pounding, grinding, noise and catharsis. 

If all that comes across as hellish and unapproachable, rest assured Lavatone’s a master of low-frequency sound and polyrhythms. While the label first discovered his impressive back-catalog in 2021, Drew Holder, the guy behind the alias, has been making his special breed of drone and thump music since the mid 90’s. While his mechanized approach takes on structural similarities to that of electronic music, Holder doesn’t even own a synth, and the percussive elements are all created by hand before being fed into a machine for further manipulation. This lends a deep, tactile richness to the music. This electroacoustic effect was well apparent in works like 2021 ‘Elevator,’ where these steady, brutish rhythms were aided by a multitude of strangely exotic offshoots, as they tunneled their way through a steely latticework of controlled noise.

Lunar Mining and Excavation

Fire Light Star Man

Lavatone - Fire Light Star Man (From Lunar Mining and Excavation - Maps Series)

2025-01-12 pv undground rave hybrid set 02:00-04:00

Lyrics:


2x
And so, 
Beneath this endless night,
I vow once more:
Though time erases,

My love will wander the dark
Seeking you,
Though death divides,
Until the stars themselves 


Once,
We swore under the stars
That nothing could break us.
Now those same stars 
Watch me alone,
Of promises buried in dust.

I long for the days 
when your voice was enough
But those days—
Like petals in the river—
Have drifted beyond my reach.


2x
And so, 
Beneath this endless night,
I vow once more:
Though time erases,

My love will wander the dark
Seeking you,
Though death divides,
Until the stars themselves 


Composed, Mixed, and Mastered by Past Encounters

Vocals by Past Encounters

@pastencounters

Mixed, and Mastered by Past Encounters

And so

Idontneeditanyways (prod.unknown)(2024)

Greg Haines - Two Rotations

Bidding Farewell (A Late Quartet)

Averti Accanto

Drawn from his love of electronica, dark wave and kraut, Pyrit creates songs and soundscapes of a futuristic world. Desires, questions and anxiety melted together into one musical entity, into Thomas’ own cosmos - a unique, experimental, electronic and dark Populärmusik.

Kollaps

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