Name: As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra] by TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs
Duration: 4 min 3 s
Description: "As The Leaves Do Fall" is the second track from Jeremias Langsämmer's new modern classical and piano album "The Fall". The album is an orchestral interpretation of Black Metal.

Beautifully done my friend. Very atmospheric and dramatic. The synths work well, as does that powerful piano line. Really nice work.

Superb track. Love the intense beauty in the sad melodies and how it keeps changing and developing. Wonderful composition

Really well crafted. Portraits a tragic beauty with a hint of distant  hope

A little bit of dark overtones. Overall, a nicely written and executed song.

Super tonal painting, the melodies are both grief stricken and comforting at the same moment.

It was a metaphor really. He left the room. He was never coming back, but the shadow of his memory danced on the wall as the band remembered him. 

Lisbeth gave the idea form, with the dark engaging intro and Jussi built on that with his guitars, allowing Matthias and Bjarne to subtly shift the mood of the piece to capture all the facets of his memory while Mike sets a somber elegiac tone with his organ playing.

All That's Left Are Shadows by Laxá. Post rock. Iceland music.

Laxá - Iceland | San Francisco | Everywhere

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Synths

All That's Left Are Shadows by Laxá. Post rock.

"After Death We Speak" by Jeremias Langsämmer is taken from his 4th album of classical and post-classical works

You can listen to the rest of the album here: soundcloud.com/these-guitars-say-sorry/sets/the-end-of-everything

After Death We Speak by Jeremias Langsämmer

"Embark on a profound sonic exploration with 'At The Beginning,' a captivating track by Jeremias Langsämmer from his album 'The Fall.' As part of his orchestral interpretation of modern black metal, this contemporary classical composition delves into the intricate relationship between Black Metal and classical music.

Guided by strings and piano, accompanied by the haunting resonance of the cello, 'At The Beginning' unfolds as a mournful emotive journey. The track invites listeners into a slow and meditative atmosphere, enriched by the presence of piano, clarinet, and viola. The deliberate use of pizzicato strings adds a delicate touch, creating a unique blend of sound.

Langsämmer's meticulous craftsmanship is evident in the slow sweeping drone strings that envelop the composition, accompanied by subtle hints of choir. 'At The Beginning' is a multifaceted piece that captures the essence of both black metal's intensity and the meditative grace of classical music. Immerse yourself in this symphony of emotions, where each note weaves a tale of introspection and musical innovation.

A fellow composer shared, 'Really beautiful track. This is the music I imagine one has in the background when passing from one world to the next...' This profound sentiment, along with the review of 'gorgeous opening chords,' further emphasizes the evocative power of Langsämmer's composition, inviting listeners into a transformative and sonically rich classical experience."

At The Beginning by Jeremias Langsämmer. Soothing classical music. A soundtrack composition.

Kat The Raker by Laxá & Heima Kvartett seamlessly blends strings with post-rock elements. Distorted guitars layer alongside haunting string melodies, offering depth to the instrumental. Dynamic shifts evoke the genre's emotive depth. The track's raw power feels cinematic and worthy of soundtracks, showcasing post-rock's emotive resonance and the band's skillful fusion of orchestral and rock influences.

Wren

Kat The Raker by Laxá & Heima Kvartett. [Post rock from Iceland]

"The School Of Disappointing Poets" by Siegfried Jünger is a mesmerizing journey through the juxtaposition of distorted sounds and delicate piano melodies. Within the realm of drone and ambient music, Jünger showcases unparalleled imagination and originality, pushing the boundaries of sonic exploration. The deliberate contrast between the harshness of distortion and the ethereal beauty of the piano creates a captivating sonic landscape that challenges traditional notions of harmony and dissonance.

The School Of Disappointing Poets by Siegfried Jünger. Drone music. Ambient music.

"As The Leaves Do Fall" is the second track from Jeremias Langsämmer's new modern classical and piano album "The Fall". The album is an orchestral interpretation of Black Metal.

As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra]

"The Trains Run On Time" sets the tone as the opening track of These Guitars Say Sorry's latest album, "You're Not Listening." This soul-stirring composition seamlessly integrates subtle sweeping strings, adding an ethereal dimension to the artist's signature sound.

As the melodic journey unfolds, the song paints a vivid picture of life's intricate tapestry. The lyrics delve into the daily hustle, capturing the essence of existence through the metaphorical imagery of trains running on time, smoke, shadows, and reflections in windows. The artist skillfully weaves a narrative around the circus and side shows of our lives, exploring themes of compromise, trade-offs, and the relentless chaos that never ceases.

The inclusion of sweeping strings elevates the emotional depth of the song, creating a symphony that resonates with both passion and contemplation. The acoustic guitar remains a steadfast companion, guiding listeners through the intricate landscapes of the artist's musical expression.

Below are the poignant lyrics that accompany this compelling piece:

```
Outside the trains run on time 
The smoke and the shadows 
Reflections in windows 
The circus and side shows of our lives 

Forgetting the pay offs 
The compromise and the trade offs 
Living through all the dead loss 
The calculation and chaos, never stops 

And I doubt we'll speak again 
And I doubt you even care 
I can't turn the other cheek 
If you're not even there 

From the windows and our doorways 
You can always see the sky 
And from the seat of my worn trousers 
I'm learning how to fly 
And if you're going to ask me questions 
I'm going to have to lie 
And if you're telling me I am to blame 
Then you might just be right 

The streets that deceive us 
Houses keeping our secrets 
Do they think they can see us 
And if they believe us, why the fuss? 

For heaven's sake I'm just hell bent 
I'm torn and I'm tempted 
Wish sometimes you meant it 
All the goodwill I spent it, long ago 

And I doubt we'll speak again 
And I doubt you even care 
I can't turn the other cheek 
If you're not even there 
Outside the trains run on time

The Trains Run On Time by These Guitars Say Sorry. Singer songwriter, acoustic guitar. Unplugged.

On this one, I wanted something dark, tense and a certain granularity... afterwards, it's always difficult for me to stay in something too sad on the length... ;)

https://music.apple.com/us/album/darkly-happy-single/1659785931
http://itunes.apple.com/album/id/1659785931
https://open.spotify.com/album/6pFHdBPhhYfdhRIhh0iekD

Darkly Happy

Experimental piano and other instruments imply magenta roses

Magenta Roses

Techniquealities

Why do we travel? Why to leave our comfort, family, friends, habits and context? For the sake of leaving our comfort, family, friends, habits and context! To change, to shake the dust, to try new things, to put ourselves in relative danger, to be surprised, to learn, experiment, discover. How many expectations to we carry along in our backpack? The hope to fall in love with another culture, to meet inspiring people, to learn new language and codes, to live unique experiences…

Quand je voyage, c’est un mélange d’espoir, océan, sourires, pluie, mouvement, Suisse, corps, musique, merveille, différence, liberté, vivre, transporter, respirer, retour, train, souvenirs, oubli…  

When I travel, it doesn’t matter how it turns, if my hopes are fulfilled, if my expectations are met… I always come back full of memories, some strong, some sweet, some I keep thinking about, some which pop up unexpectedly. And it always feel good to come back home after an intense period of travel, to get back to my comfort, family, friends, habits and context. It feels safe, warm, easy, quiet.  

Cover photo by MaKo

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In the Box

Quand je voyage

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra]

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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