Name: As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra] by TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs in The Fall by Jeremias Langsämmer. Contemporary classical and minimal composer.
Duration: 4 min 3 s
Description: "As The Leaves Do Fall" is the second track from Jeremias Langsämmer's new modern classical and piano album "The Fall". The album is an orchestral interpretation of Black Metal.

Beautifully done my friend. Very atmospheric and dramatic. The synths work well, as does that powerful piano line. Really nice work.

Superb track. Love the intense beauty in the sad melodies and how it keeps changing and developing. Wonderful composition

Really well crafted. Portraits a tragic beauty with a hint of distant  hope

A little bit of dark overtones. Overall, a nicely written and executed song.

Super tonal painting, the melodies are both grief stricken and comforting at the same moment.

"Embark on a transcendent musical odyssey with Jeremias Langsämmer's latest album, 'The Fall.' This visionary work represents an orchestral interpretation of modern black metal, an audacious venture into the realms of contemporary classical music. Langsämmer, known for his innovative compositions, intricately weaves melodies beneath the surface of the black metal genre, unraveling a captivating exploration of the intricate relationship between Black Metal and classical music.

Throughout 'The Fall,' strings and piano take center stage, accompanied by the haunting resonance of the cello. Together, they craft a rich tapestry of mournful emotive music that serves as a bridge between the raw intensity of black metal and the nuanced elegance of classical compositions. The album is a sonic journey that transcends traditional genre boundaries, inviting listeners to immerse themselves in a unique and compelling fusion.

Langsämmer's meticulous craftsmanship is evident in each track as he navigates the shadowy landscapes of modern black metal, infusing it with the sophistication of orchestral arrangements. The result is an immersive auditory experience that captures the essence of both the dark and the sublime. 'The Fall' stands as a testament to Langsämmer's ability to merge disparate musical worlds, creating an atmospheric and introspective collection that resonates with emotion, depth, and innovation."

The Fall  by Jeremias Langsämmer. Contemporary classical and minimal composer.

It Doesn't Hurt Anymore by Jeremias Langsämmer is the final track on his new album, "The End Of Everything". It will be released on May 27.

It Doesn't Hurt Anymore by Jeremias Langsämmer

"Embark on a profound sonic exploration with 'At The Beginning,' a captivating track by Jeremias Langsämmer from his album 'The Fall.' As part of his orchestral interpretation of modern black metal, this contemporary classical composition delves into the intricate relationship between Black Metal and classical music.

Guided by strings and piano, accompanied by the haunting resonance of the cello, 'At The Beginning' unfolds as a mournful emotive journey. The track invites listeners into a slow and meditative atmosphere, enriched by the presence of piano, clarinet, and viola. The deliberate use of pizzicato strings adds a delicate touch, creating a unique blend of sound.

Langsämmer's meticulous craftsmanship is evident in the slow sweeping drone strings that envelop the composition, accompanied by subtle hints of choir. 'At The Beginning' is a multifaceted piece that captures the essence of both black metal's intensity and the meditative grace of classical music. Immerse yourself in this symphony of emotions, where each note weaves a tale of introspection and musical innovation.

A fellow composer shared, 'Really beautiful track. This is the music I imagine one has in the background when passing from one world to the next...' This profound sentiment, along with the review of 'gorgeous opening chords,' further emphasizes the evocative power of Langsämmer's composition, inviting listeners into a transformative and sonically rich classical experience."

At The Beginning by Jeremias Langsämmer. Soothing classical music. A soundtrack composition.

Kat The Raker by Laxá & Heima Kvartett seamlessly blends strings with post-rock elements. Distorted guitars layer alongside haunting string melodies, offering depth to the instrumental. Dynamic shifts evoke the genre's emotive depth. The track's raw power feels cinematic and worthy of soundtracks, showcasing post-rock's emotive resonance and the band's skillful fusion of orchestral and rock influences.

Wren

Kat The Raker by Laxá & Heima Kvartett. [Post rock from Iceland]

"The School Of Disappointing Poets" by Siegfried Jünger is a mesmerizing journey through the juxtaposition of distorted sounds and delicate piano melodies. Within the realm of drone and ambient music, Jünger showcases unparalleled imagination and originality, pushing the boundaries of sonic exploration. The deliberate contrast between the harshness of distortion and the ethereal beauty of the piano creates a captivating sonic landscape that challenges traditional notions of harmony and dissonance.

The School Of Disappointing Poets by Siegfried Jünger. Drone music. Ambient music.

"As The Leaves Do Fall" is the second track from Jeremias Langsämmer's new modern classical and piano album "The Fall". The album is an orchestral interpretation of Black Metal.

As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra]

"From The Furthest Shore" by Jeremias Langsämmer offers a mesmerizing blend of Ambient Music and Modern Classical elements. Langsämmer's Experimental Music approach seamlessly integrates intricate Piano Music melodies with lush Orchestral arrangements, creating a captivating journey through sound. The piece explores themes of distance and longing, evoking emotions through its Minimalism and expansive Soundscapes. As a Contemporary Composer, Langsämmer showcases his mastery as a Composer, skillfully weaving together piano and orchestral textures to craft a cinematic experience. "From The Furthest Shore" stands as a testament to Langsämmer's artistic vision, offering a poignant soundtrack to the imagination, and demonstrating his prowess in Music Production.

From The Furthest Shore by Jeremias Langsämmer [Ambient Classical]

In "The Still Dark Waters Speak" by Jeremias Langsämmer, echoes of Hans Zimmer's cinematic touch reverberate through a poignant orchestral canvas. The piano takes center stage, casting its luminous glow over a backdrop of gentle strings and subtle synths.

The piano's melodies delicately weave through a somber string drone, evoking a sense of melancholy tempered by glimpses of hope. Each note carries a weight of emotion, resonating with longing and introspection. Meanwhile, the strings provide a tender support, their harmonies rising and falling in sync with the piano's plaintive refrain.

Within this musical landscape, Langsämmer crafts a narrative of contrasts—sorrow and resilience, despair and determination. Through the simplicity of piano over strings and gentle synth, "The Still Dark Waters Speak" offers a poignant reflection on the complexities of the human experience, leaving an indelible impression on the listener's heart.

The Still Dark Waters Speak by Jeremias Langsämmer. Orchestra music. Soundtrack. Piano music

I am hoping to maybe drop this before the end of the month. But because that's kinda hard, here's this demo.

Masterpiece

Appearing on their forthcoming "Wren" album, ቱ የጠፉ ካሴቶች was created when two lost DAT tapes were found after Mike had mislaid them when moving apartments. On there were the drums and bass tracks that are the glue that hold the piece together, from there, with the Kvartett to the fore, the piece was created.

Laxá & Heima Kvartett are:

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

ቱ የጠፉ ካሴቶች by Laxá & Heima Kvartett

On Our Flanks

"Tears And Violins" by Jeremias Langsämmer, featured on his latest album "The Fall," is a mesmerizing orchestral composition that seamlessly blends the emotive depth of a cello with the rich resonance of strings. In this musical masterpiece, Langsämmer orchestrates a sonic narrative that captures the essence of sorrow and passion. The strings, serving as a rhythmic counterpoint, add a layer of complexity, reminiscent of the minimalist precision found in Philip Glass's compositions. The result is nothing short of breathtaking, evoking a sense of melancholy that resonates with the listener's soul. This composition can be likened to an orchestral interpretation of black metal, where the intense emotions and dark aesthetics are skillfully translated into a classical arrangement. "Tears And Violins" stands as a testament to Jeremias Langsämmer's ability to transcend genres and create a musical experience that transcends boundaries.

Tears And Violins by Jeremias Langsämmer. For Cello and Strings.

Another

Let The Phone Ring

Dawn Raid

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

As The Leaves Do Fall by Jeremias Langsämmer. [Classical piano and orchestra]

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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