Dreamish and original, great ambience. High quality of everything including the cover image.

Super nice the track man, is so nice to hear some music like yours...

Wow very nicely composed, is the cello live recorded?

Another one from The Slingers.... check out where they took this #inspiredresponse......

@moys_calm on vocals
@icepicksyndicate on drums

be sure to check us out over @bandlab.com....

#LKTRAR....✌🤘👊🤘✌

#the_slingers #nirvana #inspiredcover # HvyMtlHpp 

Polly... Nirvana #inspiredcover... The Slingers... (w/ @moys_calm and @icepicksyndicate)

here is my third title with a synthetic voice from the vocal synthesizer "Synth V". The vocals are those of Nathali and Mai (for the refrains). This song was created in a disco spirit. I hope you enjoy listening to it as much as I do composing it.

Virtual Singer

Lifetime

Now, sleep

Aire Libre

Welcome to the second in the musical series "Of Fire and Ice", where we explore the mysterious world of ancient Norse Myths! What did the Gods hear in their minds during their adventures? Listen to the distinct sounds of pagan frame drums and soaring targelharpa ‘fiddles’, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of the trumpet of James Hill.
Video: https://youtu.be/LUZZAIqfW1s?si=2UTzLkz6QgLLKLQJ

Episode #2:  “The Mead of Poetry”
After war between the Aesir and Vanir gods, a peace was sealed by creating a being named Kvasir from their combined saliva. However, two dwarves, Fjalar and Galar, killed Kvasir and mixed his blood with honey to create the ‘Mead of Poetry’, which granted anyone who drank it the ability to compose poetry and gain wisdom.
The dwarves later killed a giant named Gilling and his wife, attracting the wrath of Gilling's son, Suttung. To save themselves, the dwarves offered the mead to Suttung, who hid it in a cave guarded by his daughter, Gunnlod.
Odin, seeking the mead, embarked on a complex quest, using trickery and disguise. He worked for Baugi, Suttung's brother, and eventually convinced Baugi to help him reach the cave. Odin seduced Gunnlod, spending three nights with her in exchange for three sips of the mead. However, Odin drank all of it, transformed into an eagle, and escaped back to Asgard. Odin distributed the mead to the gods and the most talented poets, although a small portion was lost, thus becoming the source of poetic inspiration.

The Mead of Poetry

Get this beat now! 🛸

I Don't Need Eyes to See Who You Truly Are

Jerry Matheny - Guitars • Spencer Brochard - Lead Guitar
Pete Miller - Bass • Josh Rodgers - Drums
Milo Deering - Mandolin
Spencer & Julie Brochard - Backup Vocals
Will Montgomery - Lead Vocal
Engineering - Paul Osborn @ Audio Dallas

Written & Produced by Will Montgomery

"Quarter-Life Circus" captures the chaotic experience of navigating early adulthood with humor and raw honesty. The song reflects on the confusion, frustration, and societal pressures of trying to "have it all" by a certain age. From mounting bills to unfulfilled dreams, it paints a vivid picture of feeling like a clown in the circus of life, where nothing seems to make sense and every attempt to succeed falls short. With biting wit and self-reflection, this track serves as both a personal anthem and a broader commentary on the challenges many face in their twenties, offering a relatable mix of humor and vulnerability.

Demos 2024

Quarter Life Circus

What happens when you strip a SUNO chanteuse (kinda Indian) from all her instrumental appendage, and you put her to a totally independently created track (kinda Balearic)? 
Have a listen ...

Balearic Chant

"Darkness Falls on Granite City" is a slow-breathing urban lament, capturing atmosphere and shadow. Jeremias Langsämmer cinematic soundtrack crafts a sonic landscape with brooding strings, and soft, layered tones reflecting the damp streets and clouded shy. The cello weaves in and out, its melancholic phrases adding a sense of weight to the scene, while sparse, echoing piano notes occasionally punctuate the darkness. This piece moves with deliberate stillness, evoking the quiet desolation of a city at night, where every sound is softened by the heavy air, and time seems to stretch in the dim glow of streetlights.

[COVER ART BY: Fraser Cormack. See more of his work at https://www.facebook.com/profile.php?id=61559043332127]

Darkness Falls On Granite City - Jeremias Langsämmer [Classical | Soundtrack]

Testimony

This track is based on an open collaboration offer from IPG1, which you can find here:
https://soundcloud.com/ipg1/taking-it-back-vocals-95-bpm
Please enjoy!

Credits:
Vocals sung and lyrics created by Ian Greaves - @ipg1
guitar, bass, drum production, final mix and mastering - @nobsmeyer

Taking It Back

Taking It Back | IPG1 & N.o.b.S.

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

Darkness Falls On Granite City - Jeremias Langsämmer [Classical | Soundtrack]

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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