This is really cool, but haven't you used percussion before? Maybe I'm losing my mind. Anyway, very nice, and definitely scary. The percussion is really effective BTW, as a percussionist, I really appreciate the interesting beat patterns.

I like the subdued percussion a lot. It really works well.

Love the drums in this... Understated but super effective! Such a cool mixture of synths & orchestral elements, beautiful sonics! 💫

Love this. I can imagine this being used in a lot of applications.

I would call this more mysterious than scary.  More ambient than film score,  I liked it. [via https://sc.repostexchange.com]

Really great, once again, I really like the percussion patterns in this one with the delay effect.

A nice track, good instrumentation and realization. [via https://sc.repostexchange.com]

nice, very complex sounding. perfect lanndscape.. background drums is perfect.. sound is little bit lofi i dont know why but sound perfect.

Amplify Me

Halo Complex by Jeremias Langsämmer is the second track composed for his 3rd album "When The Silent Scream".

You can preview the other tracks in the work at https://soundcloud.com/these-guitars-say-sorry/sets/when-the-silent-scream

Halo Complex by Jeremias Langsämmer

Written during recuperation from a head injury Jussi wrote "I Used To Remember", to echo the faint recollections of things past. The guitar resonates in the open space set by Bjarne's bassline atop the Jamaican dub style rhythms of Matthias' drums, while Mike's keyboards subtly weave their way through the piece.  

Icelandic post-rock.

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards

I Used To Remember" by Laxá: Icelandic Post-Rock

Every which way - Robert Grigg & Combstead

Incorporating percussion for the first time Jeremias Langsämmer's "Every Scarred Memory" is  a soundtrack piece featured on his latest album.

Taken from  Jeremias Langsämmer's 3rd album "When The Silent Scream", "Wake The Sleeping" is the 3rd track exploring the theme of sleep following "Still Sleeping" https://soundcloud.com/these-guitars-say-sorry/still-sleeping and "I May Never Wake" https://soundcloud.com/these-guitars-say-sorry/i-may-never-wake 

You can listen to the new album as it unfolds at  soundcloud.com/these-guitars-say-sorry/sets/when-the-silent-scream

Every Scarred Memory by Jeremias Langsämmer

15.08

Mixed this mostly on headphones, and now, listening back to a month later with different headphones, imagine my suprise! Shock and horror! And then on proper speakers... So I had to remix it, a little tweaking here and there,  and it sounds a lot better to me. Lesson learned, never mixing on headphones for the levels ect!

This was originally just a track I worked on to experiment with sounds, ebows ect, it was also an effort to find back the sound I had for drums and stuff after changing a harddrive (I lost some presets earlier).. then the Soundcloud algorithms figured to promote this more than any of the tracks that I've been more serious about!  At least its improved now.

What they told you (instrumental)

ALFONSO LLORENTE: LYRICS, VOCALS. ACOUSTIC GUITAR, ELECTRIC GUITARS, BASS, DRUMS & SYNTH

Just an ecological song.....

START ALL OVER AGAIN

And the sun will shine
As the sky cries
And the moon smiles
As you don´t deny
To start all over again
All over again

And the birds will sing
As the seas rejoices
Mother Nature´s rules
We shall embrace
To start all over again
All over again

The sun shall shine
The birds shall sing
The moon shall smile
The bees will fly
As the wind blows
Our sorrows away

And the sun will shine
As the skies cry
And the moon smiles
As you don´t deny
To start all over again
All over again

Let´s take it easy
The world won´t crack
The seas won´t dry
And the skies remain blue
As the new day comes
The sun will shine
As the moon shines
And we embrace Mother Nature´s rules

And we will start all over again
All over again

And the birds will sing
As the seas rejoices
Mother Nature´s rules
We shall embrace
To start all over again

Do all again!

START ALL OVER AGAIN (Alfonso LLorente)

Taken from the forthcoming album "When The Silent Scream", "The Demons Chase The Poet" is a reflective meditation on aspects of Dante's Inferno.

You can preview the other tracks in the work at soundcloud.com/these-guitars-say-sorry/sets/when-the-silent-scream

The Demons Chase The Poet by Jeremias Langsämmer

"Catchpenny" by Siegfried Jünger is a captivating electronic dance music track that transports listeners back to the pulsating energy and euphoria of the 90s rave culture. Seamlessly blending elements of acid house, ambient techno, and electronic genres, "Catchpenny" captures the essence of a bygone era while infusing it with a modern twist.

At its core, "Catchpenny" pulses with infectious rhythms that beckon listeners to the dance floor. The intricate beats, reminiscent of classic 90s club anthems, drive the track forward with an undeniable groove, setting the stage for an electrifying sonic journey. Yet, within the framework of these pulsating rhythms lies a depth and complexity that keeps listeners hooked from start to finish.

Interwoven with the rhythmic backbone of the track are melodic synthesizers that soar and swirl, adding layers of emotion and intrigue to the sonic landscape. From shimmering arpeggios to haunting melodies, the synthesizers in "Catchpenny" create a mesmerizing interplay of sound, drawing listeners deeper into its hypnotic embrace. Each melodic motif serves as a testament to Siegfried Jünger's mastery of sonic craftsmanship, evoking a sense of nostalgia while still feeling fresh and innovative.

But perhaps most striking of all are the atmospheric soundscapes that envelop "Catchpenny" in a blanket of immersive sonic textures. From the ethereal pads to the pulsating basslines, these soundscapes paint vivid sonic landscapes that transport listeners to otherworldly realms. It's within these sonic realms that "Catchpenny" truly comes alive, inviting listeners to lose themselves in its hypnotic embrace and surrender to the music's transcendent power.

With its unique blend of complex rhythms, melodic synthesizers, and atmospheric soundscapes, "Catchpenny" stands as a testament to Siegfried Jünger's artistic vision and creative prowess. It's a track that pays homage to the golden age of rave culture while paving the way for the future of electronic dance music, leaving an indelible mark on listeners' hearts and minds long after the music fades away.

Catchpenny by Siegfried Jünger  [ acid house, ambient techno, electronic]

I first heard Navid cover my song "Scars & Stripes" on acoustic guitar and asked if he'd like to do a version on piano. He hadn't played the song for a couple of years, he remembered the lyrics and this is the second take of the These Guitars Say Sorry song.

You can hear more of his music here https://soundcloud.com/bodiesonthebeach

These Guitars Say Sorry - Scars And Stripes performed by Navid Eliot (Live Take)

"Ten Seven" is taken from the forthcoming album by Siegfried Jünger, "Between The Daylight".

Siegfried Jünger's third album "Between The Daylight" is available for preview track by track here... soundcloud.com/these-guitars-say-sorry/sets/between-the-daylight

Ten Seven by Siegfried Jünger

So this is like one of the very first tracks that drew me into dance music/dubstep and I've been obsessed with it ever since. Just a quick speendrun house flip on an amazing OG dubstep banger.

Liquid Stranger- Rocket Fuel (JAYA HOUSE FLIP) FREE DL

Matan Arkin - Symbiosis


Tease Ep > https://open.spotify.com/album/5k1Un4nkZwbpSh2lzTtpMp?si=65N11MVwQ2qNzli0N-r-_Q


Artwork by Carolin Junge

23/03/2023

Symbiosis

Just an Acid illusion (Imagination Remix)

Imaginacid

Track image collage includes photos from Unsplash by Ryan Moreno (leftmost) and Andre Hunter (2nd from right).

Stop That Feeling

Hailing from Groningen, NL, Dutch producer and guitarist Amplify Me preaches about escaping the rat race and living life in your own way and at your own pace, in his latest single ‘Solemn Rock’.
Atmospheric keys, a steady drum beat and nostalgic vocals of the Voice USA contestant Jenna Cogan are interrupted by roaring and fiery guitar solos, for a rock sound that blends the best of pop, punk and progressive elements.

Solemn Rock feat. Jenna Cogan

SolemnRock feat. Jenna Cogan

Northern Stories

Crossing the Bay

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

Amplify Me is the artist name of producer and guitar player Wim van Winsum. He lives in Groningen, the Netherlands.  All music of Amplify Me is produced on the Ableton Live DAW. All instruments are played by him. He loves to make electric guitar music.  His greatest inspirations have come from great guitar players such as Jimi Hendrix and Eric Clapton but also from players such as Mark Knopfler and Steve Vai. The most important thing about a good piece of guitar work is that it reaches you emotions and when the player experiences a direct line from the soul to the fingers while playing it. Some of his songs are guitar instrumentals, and some are recorded with Rick Winsome, one of his sons who is a great singer, especially rock, country rock or R&B. He does not focus on one particular style but all songs are recognizable as having a typical 'Amplify Me' style.
If you like his songs, share the links of the songs and include them in your playlists.

Every Scarred Memory by Jeremias Langsämmer

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

Recent comments

God $on

Sönderrevet

Martin Slivka

Levinsky

Related tracks