Pot's - World of Folk, Ballads and Soft Indie

I DON'T KNOW AND I DON'T GIVE A DAMN
Music by Overdrive & Lux Mala
Guitar solo by The Boilerman

Check out the promo video on Instagram:
https://www.instagram.com/p/C-EjErMuerv/

Listen to Lux Mala's amazing music on Soundcloud:
https://soundcloud.com/lux_mala

Also, check out The Boilerman's great material on Soundcloud:
https://soundcloud.com/boilerman-615719656

I Don't Know And I Don't Give A Damn (ft Lux Mala & The Boilerman)

Escape From The Cyber Cube [ ᔕᑭᗩᑕE ᑕᗩT 🚀😺 - ALIVE & WELL - THANK THE PAWS ]

Relic

Hey,
here is my new song "The Lights Will Not Go Out In Darfur". This song is a comment to the very brutal and sad reality in Darfur, Sudan. There are many wars around the world worth talking about, but in my opinion, the genocide in Darfur is very underrepresented in the news and media. So, I wrote this song, trying to raise people's awareness. And if anyone read this song-description and feels the need to inform themselves about the situation, I've succeeded.
Thank you for your time. And if you liked the song, leave a like, comment or a repost. You can also follow me, to never miss a song again. And if you want to, check out my other work.
Any kind of support is appreciated - Thank you! :)

A small introduction into the topic: https://www.bbc.com/news/articles/c511vgzvl2eo

The Lights Will Not Go Out In Darfur

This track is a tribute to the unforgettable Italian composer Nino Rota. The thematic opening from the soundtrack of the movie "The Godfather" is recognizable, but in a syncopated and obsessive form that suggests a tormented nightmare of "mafia power" where everything is out of balance, creating a tension that doesn't feel the need to resolve until towards the end of the track.

sMELL OF mAFIA

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

All Is Aglow

"Blue Clarinet" is one of Eryk Sowa's finest compositions, a mesmerizing concert dance piece celebrated for its sophisticated melodies and vibrant energy. This remarkable work highlights the clarinet's expressive potential, weaving intricate solos with dynamic orchestral arrangements. The definitive recording on the "Ariola" label features Kurt Henkels' orchestra, with the legendary clarinetist Rolf Kühn delivering an exceptional solo performance. Blue Clarinet remains a standout piece in Sowa's repertoire, captivating audiences with its rich, evocative soundscapes and masterful musicality.

Sheet music available, please contact us by Email = info@edition-sowa.de

Blue Clarinet (Slow) | (Brass Music Version)

Blue Clarinet (Brass Music Version)

Eryk Sowa - Blue Clarinet (Slow Jazz) | (Brass Music Version)

"Morpheme" by Jeremias Langsämmer is a delicate and introspective journey into the realms of lo-fi piano and harp. Drawing inspiration from the evocative simplicity of Joji and the nostalgic soundscapes of Nujabes, Langsämmer weaves together soft, minimalistic piano melodies with the ostinato of a lo-fi harp. The track captures a dreamy, meditative atmosphere, with the piano's warm, melancholic tones perfectly complementing the harp's airy resonance, creating a sound that is both soothing and deeply reflective. "Morpheme" invites listeners to slow down, breathe, and lose themselves in its tranquil, yet emotionally rich soundscape.

COVER PHOTOGRAPHY: Fraser Cormack - A Stag At Huntley

Morpheme by Jeremias Langsämmer [Lo-fi piano]

I wrote the lyrics and tried several different music AIs to see if they understood my prompts, and this is the one that did - this is my words that I have made to c ome alive with hours of trying to make the machine understand what I aimed for. Hope you like this too-

Waiting foir death

Waiting for Death

For me, "Breathe with the Earth" is an expression of my journey toward inner peace and balance. Through this song, I wanted to share the deep connection I feel with nature and how it helps us rediscover ourselves. Collaborating with Michael has brought a new dimension to the song, blending our different yet complementary perspectives. Together, we’ve created a soundscape that merges the tranquility of nature with urban vibes, inviting listeners to pause, take a deep breath, and reconnect with their essence.

Breathe With The Earth (feat. Michael Brown)

A piece of alternative pop that blends orchestral elements with powerful bass and drum rhythms, creating a dramatic and cinematic atmosphere.

lyricist - Alexandra Ratsouk

No Chance

Love Has Served Us Well

🌫️ Last Haze 🌫️

Last Haze is a reflective journey through misty soundscapes and ambient textures, capturing the fleeting beauty of moments before they fade. Each track blends soft, dreamlike melodies with a gentle sense of nostalgia, perfect for meditation, relaxation, or quiet contemplation. Let Last Haze guide you through a haze of calm, where you can find peace and clarity amidst the mist. 🌌✨

#LastHaze #TranquilSoul #MeditationMusic #CalmVibes #InnerReflection #PeacefulMelodies #SereneSoundscape #NostalgicJourney #AmbientSounds

Dew On Dusk

DESCRIPTION-Calm, reflective solo piano.
MOODS- Reflective Melancholic Sad Poignant Lonely Calm Romantic
CHARACTER- Ethereal Sparse Sophisticated 
MOVEMENT -Flowing	
SIMILAR TO- Rachel Grimes, Jon Dahlander, Frenmad - Alfred Hitchcock Presents, Tire Le Coyote, Bernward Koch, Kirk Nurock, Erik Satie × Arashk Azizi, Frenmad, Chewie Melodies, Matthias Gusset


TM PIANO #18

Not only do the sticks and stones hurt, turns out "Words" hurt too.
Is the last thing you say, something you want them to remember you by? 
Blessings to all!

Bryanscottmusic.com

Words

http://potbarley.com
Crash 'n Burn was charting up to no. 3 in RepostExchange!  
Hole In The Sky was picked in a significant Spotify playlist: Deep Dive: Pop & Rock along with a new article in Static Dive: https://staticdive.com/2024/08/14/pot-barley

Check out the reel made by Overdrive on my YouTube Channel of "Crash'n Burn": https://www.youtube.com/shorts/aCx2da8Vxl8 and another one "Release Me": ttps://www.youtube.com/shorts/uCavmdcdtdY!

YT channel: https://www.youtube.com/@PotBarley
Instagram: https://www.instagram.com/potbarleyofficial

Musician & songwriter driven just by passion for songwriting and singing. I am releasing "SoundCloud first" but some selected songs are also on https://potbarley.bandcamp.com or Spotify etc, sometimes in older versions though.
Since spring 2023 I have been writing and recording mainly as a "one man band", using acoustic & electric guitars, bass guitar, keyboards, an old piano, conga, etc. and a voice.
Former member of German bands: In Rags (with Sami Yli-Sirniö and Roman Keymer), Sharkpool and Dutch bands Garbitsjkeng, The Wit, Trio van Putten and and a few others. I baptized my Alter Ego and named him "Pot Barley".

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

Morpheme by Jeremias Langsämmer [Lo-fi piano]

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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