Lots going on here some great instrumentation

There is something attracting me to this track that I can't put my finger on. It is experimental and I like it. Good stuff man

Fuckin unexpected track broh! Really great work

Another excellent composition, great use of space, the synths and drum tracking is first class.

A jam🔥🔥  & thank you IV the support 

Cool arrangement, luv all the layers, well put together... 🙏✌️😁

I Appreciate!! Another epic-sounding, larger-than-life amazing track. I like the orchestration in this one!

The first track from Siegfried Jünger's new album "Things Get Sharp".

Three Thirteen - by Siegfried Jünger

"The Harrowing" by Jeremias Langsämmer experiments with mood and timing. The tension between notes on the piano played in irregular time, hanging in the air, expecting to be played but absent. A mournful and at times and atonal classical piece that resolves to a halting piano melody, synth drone and arrhythmic timpani.

The Harrowing by Jeremias Langsämmer. Contemporary classical.

It Doesn't Hurt Anymore by Jeremias Langsämmer is the final track on his new album, "The End Of Everything". It will be released on May 27.

It Doesn't Hurt Anymore by Jeremias Langsämmer

A song for the age in which none of us are seen. The band retreated to studio in northern Iceland to finish the album. starting with shrill distortion it soon finds it's mellow groove before ramping up in true  Laxá style to that pleasing mix of post rock and dub reggae.

From here no-one can see us, just hear the distant echo of faraway guitars.
Listen to the unfolding album here: soundcloud.com/these-guitars-say-sorry/sets/where-the-sun-stands-still-by

Laxá - Iceland | San Francisco | Everywhere

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards

Watch Me Disappear by Laxá

"Embark on a profound sonic exploration with 'At The Beginning,' a captivating track by Jeremias Langsämmer from his album 'The Fall.' As part of his orchestral interpretation of modern black metal, this contemporary classical composition delves into the intricate relationship between Black Metal and classical music.

Guided by strings and piano, accompanied by the haunting resonance of the cello, 'At The Beginning' unfolds as a mournful emotive journey. The track invites listeners into a slow and meditative atmosphere, enriched by the presence of piano, clarinet, and viola. The deliberate use of pizzicato strings adds a delicate touch, creating a unique blend of sound.

Langsämmer's meticulous craftsmanship is evident in the slow sweeping drone strings that envelop the composition, accompanied by subtle hints of choir. 'At The Beginning' is a multifaceted piece that captures the essence of both black metal's intensity and the meditative grace of classical music. Immerse yourself in this symphony of emotions, where each note weaves a tale of introspection and musical innovation.

A fellow composer shared, 'Really beautiful track. This is the music I imagine one has in the background when passing from one world to the next...' This profound sentiment, along with the review of 'gorgeous opening chords,' further emphasizes the evocative power of Langsämmer's composition, inviting listeners into a transformative and sonically rich classical experience."

At The Beginning by Jeremias Langsämmer. Soothing classical music. A soundtrack composition.

Kat The Raker by Laxá & Heima Kvartett seamlessly blends strings with post-rock elements. Distorted guitars layer alongside haunting string melodies, offering depth to the instrumental. Dynamic shifts evoke the genre's emotive depth. The track's raw power feels cinematic and worthy of soundtracks, showcasing post-rock's emotive resonance and the band's skillful fusion of orchestral and rock influences.

Wren

Kat The Raker by Laxá & Heima Kvartett. [Post rock from Iceland]

"The School Of Disappointing Poets" by Siegfried Jünger is a mesmerizing journey through the juxtaposition of distorted sounds and delicate piano melodies. Within the realm of drone and ambient music, Jünger showcases unparalleled imagination and originality, pushing the boundaries of sonic exploration. The deliberate contrast between the harshness of distortion and the ethereal beauty of the piano creates a captivating sonic landscape that challenges traditional notions of harmony and dissonance.

The School Of Disappointing Poets by Siegfried Jünger. Drone music. Ambient music.

Cover art "Truth stolen away by Time beyond the reach of Envy and Discord", Nicolas Poussin (1641).

Track art "Envy", Raphael Kirchner (pre 1917).

Envy

Must Be The Weed

An up-tempo little number.

Background image by Gerd Altmann on Pixabay: https://bit.ly/30KZBdX

Mesmer

"Astapovo" by Jeremias Langsämmer is a classical music work crafted for cinematic or game soundtrack. This slow evolving piece features French Horn and the title references the place of Leo Tolstoy's death.

Dawn Over Arras

Astapovo

Astapovo by Jeremias Langsämmer. Modern classical and contemporary classical music.

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

Watch Me Disappear by Laxá

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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