Name: Change Everything by The Somehows
Duration: 2 min 21 s
Description: YouTube: https://www.youtube.com/channel/UC4E91iv6ciiQBtsyQaprtug

This realy rocks 😊👍 Thanks for waking me up this monday morning 😄🎶🎸

This is blistering great! Added to my Apr 22 Freak Radio playlist

First off that guitar riff and tone set this song up for Hotness \m/

YouTube: https://www.youtube.com/channel/UC4E91iv6ciiQBtsyQaprtug

Change Everything

YouTube

Majesty

This track was created in response to someone's inquiry about what our sonic interpretation would be of Robert Frost's poem, The Road Not Taken. We felt this tied into our planned topic for our upcoming release of Acceptance, perfectly.
We all "find ourselves" at the proverbial "fork in the road," throughout our lives. We can choose to sit there and "drown" or become "paralyzed" in worries about which fork will be "the right one," while trying to "sift through the evidence" of what's worked well for others... or we can do what simply feels right for us, radical Acceptance of Self. 
Additional choices will have to be made by us, upon reaching each impending upcoming fork, and we can become more "in tune" with the wisdom we've gained in life... looking at everything we know, everything we thought we knew, everything we want to learn, experience, feel, express, etc. and realize maybe the purpose of C19 "on a grander scale" was to help us realize the brevity of life, what's truly important to us underneath everything... all the judgments, fears, facades, aka... the absolute BS... and help hopefully more people figure out it's up to each of us to set boundaries we want and deserve for healthier living. 
If we want all people within our life purview to respect and honor us with honesty, loving, and fully supportive relationships, etc. then, we need to set the boundaries of intention to not be treated as a game, as an option, etc. no matter the relationship type. It's up to us to make our wants and needs of support known to those within our circles and make the necessary changes when we are shown anything "less than" what we know and have stated in clear, (not uncertain or "disguised" terms or methodologies,) we need. Stating what we want or need and honor those who have the forthright energy and awareness to tell us exactly what they want and need and whether they are in alignment with our wants, needs, goals in living healthily... and make the best decision for us. 
The frequent misinterpretation of Robert Frost's poem is The Road Not Taken has changed to The Road Less Travelled, whereby folks believe in one fork or path is better than the other. Evidently, that was not Mr. Frost's intention, as this poem was a sort of mockery at a friend's indecisiveness and choosing military service; and where because of his indecisiveness, in part, it caused his friend's swift demise. Therefore... for me/us, our interpretation is to simply not stand "forever" at the forks in the road. Don't be dwelling upon every shoulda, coulda, woulda... but, know who we are, stand firm in all we are, know what and who it is we want in our life, and be bold and brave enough to clearly and decisively tell them... not play games or "try to protect ourselves" from potentially being turned away, having our feelings hurt by being "rejected" which is never truly about us anyway... it's about each of us being who we are and feeling and living fully into ourselves being who we are called to BE and HOW we are called to BE. So much of life can be spent in riddles and going in circles; but, if we'd stop "spinning our wheels" and simply choose the fork that we are drawn towards... it is ALWAYS the right one, at the right time, going the direction for the life lessons we need in that timeframe. The roads are similar and may often go towards the same destination. It's all about the different lessons and scenery we'll see along the way. Some may have more waterside, some more rocky cliffs or terrain; but, it doesn't make one any less beautiful or worth taking. Our forks are the forks that spoke to us in each moment, new forks always arise... and one may eventually traverse towards the same path or road we chose not to initially take, if and when the timing is right for us. Until then, follow the fork or road of our heart's whisper... it doesn't ever steer us wrong. Even in the potholes along the way... there can BE BEautiful reflections in the puddles from any rain.

Road Not Taken

Made a 8 bar loop on my Roland spds with diy senfsounds. Played Drums on it. Took one loop and Played with sidechain on bass  and gated reverbs on Kick and snare. Not a Song just playing arround. 

Gatemess 8 bar drum & senf.wav

That

Identity

Bonus track from the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Album

Blink Twice - The Brighter The Moon, The Darker The Shadows

track created using samples by sonic kitchen.
https://soundcloud.com/sonic_kitchen
From his freesound page:
https://freesound.org/people/strangehorizon/
/// samples by sonic kitchen.
mixed by sabila orbe / vocals: Mist Spectra.-

HorrorLake

Sonic Kitchen X Humanfobia - A Drowned Zombie  Stalking Me

Sugar and spice… Little Miss Maisie

[ d o w n l o a d a b l e ]

Cute

Indian Liver Macrodose

Original song created and recorded with the Bertiewolf Band. Lyrics and melody by Blanche, Bass guitar and production by Dan Perfect, Drums by Mike.

People Say - original song

In a way or by some means that is not known or not stated:
It won't be easy, but we'll get across the river somehow.
I'm not sure how, but somehow or other we'll raise the money.
​for a reason that is not clear:
I know what we're doing is legal, but somehow it doesn't feel right.
News of the pay cuts had somehow leaked out.
A small dog had somehow managed to survive the fire.
She's managed somehow to procure his phone number.
Although her name is Clare, her little sister called her Lali, and somehow the name stuck.
Money has been extremely tight, but we’ve managed somehow.
He felt that everything was somehow connected.
He saw that the intellectual side of him could not be wrong, somehow he must baptize it.
One could point to facets of the system and to the ideal of public service broadcasting, but somehow the whole defied adequate description.
The pages turn, but somehow it never seems to get going.
Vanished now are the untroubled meadows of spring, and the landscape acquires a realism that is somehow a little harsh.
An architecture without rhetoric is evidently an architecture that does not set out to persuade, yet somehow convinces.
The only concern is somehow to ensure nice convergence.
We can see that gerund constructions only gained frequency in those areas where they somehow came in useful.
Is not everything on this planet somehow influenced by humans?
They already know something of this from the words and meanings somehow retained in the letters and words in books you can read. 
The screen window may somehow constrain wider semantic construction of the text, and foster more literal attention to the wording.
Dreaming consists of a transparently meaningful and organized perceptual world, not of random noise that the brain struggles to make sense of somehow.
However, in 54% of the threatening events the dream self was reported to react somehow to the threatening event.
There were, however, many areas that were regularly raided and somehow survived.
None of this proves it to be somehow unfair if nobody rules at all or if social order is maintained without resorting to governance.
inputs in (51a, b) must somehow yield the corresponding outputs.































SOME REVIEWS FROM 
Yankel Muromachi 
ヤンケル室町 
Янкель Муромати
of the "The Eniwetok Symphony Orchestra"

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"As usual, The Somehows make a great sound that’s musically compelling, navigated by very listenable vocals. Even though the genres change from song to song there’s an underlying coherence provided by a distinct sound."
on Some Of That Days
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"Great soaring melody. Excellent vocal performance makes this a catchy tuneful experience"
on If You Only Were Here
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"Laidback, pensive mood"
on See You Again
---
"What a terrific racket! This what happens when combining the DNA of Mark E. Smith & John Lydon."
on Postmodern Nightmare
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"Pounds along like an HGV with no brakes, beyond all appealls & negotiaton. Nice guitar work"
on Never Ever Give Up
---
"Heavy as depleted uranium, wildman screams into the wilderness. Is the Last Train a metaphor? Big noise done with style & vigour."
on Escape Plan
---
"Tones of PIL"
on It Ain't Easy

Change Everything

The Somehows

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