Beautifull track once again TSOM! You sure did a great job with those sounds, the guitar is mind blowing!

At least a sample with poring rain is missing. ;) Good job with this track. The end sound great!

Lovely outro. I really like how you put the synth through its paces, here. Great variety in sound design and composition.

This part reminds me very much of sounds and phrases found on the album "Anderson Bruford Wakeman Howe". Very nice!

Great song with many good ideas and skillful chops! Always keeps your attention and never gets boring.

Basically +1 to all the things others have already said: solid composition, great to be a journey, lots of interesting parts, I'm jealous of u pros :)

Beautiful runs.  It made me think of Al Di Meola.

One Synth Challenge #198: Any One Synth

Composed and produced by Liqih for OSC 186 at KVR.
Using only 10 instances of Primer VST synth by Audible Genius.

1x Kick Drum
2x Snare
1x Hi-hat
1x Bass
1x Skank chords
1x Synth vocals
1x Synth plucks
1x Percussions
1x Pad


# DAW : Ableton Live
# Ableton effects: Delay, Reverb, Compressors, Gate, EQ-Eight
# Free FX: Cymatics Space Lite, Master compressor: BeatSkillz Max 1 

Catch The Tail

PrimeCut

Certain To Fall

This is my submission to the #kvraudio #OneSynthChallenge #197 featuring the VST Synth Odin 2 by The Wave Warden

All sounds are coming from the Synth acompanied by a number of moderate tone shaping, mixing and mastering fx. I Mix/Master with MeldaProduction EQ/Compressor, Auburn Lense, Loudmax Limiter. All fx free or built into the DAW. DAW is Bitwig 5.3.x. No Samples. No Postprocessing after the audio export.

Odin 2 -  by The Wavewarden, now with an updated interface.

The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla! There are three oscillators whose types include analog, wavetable, vector, chiptune, FM, phasemod and noise. Waveforms can also be hand drawn. These can be routed through up to three excellent filters with all the usual types plus comb, formant and ring modulator. For modulation there are envelopes, LFO's, an  x-y pad and an arpeggiator, along with a mod-matrix  for easy routing. The FX section includes delay, phaser, flanger, chorus and reverb, all of which can be easily reordered using drag and drop. The interface is an intuitive semi-modular design, making sound design easy and fun. Odin 2 is free, powerful, fun, and available for Mac/Windows and Linux.

The Administration 【peter:H】【OSC197】

KVR OSC197 Odin2
32 Instances of Reaper 7.3

ReaLimit, Valhalla SuperMassive, Raum,TDR Kotelnikov, ChowTapeModel,ReEQ, Deelay, LoudMax .... and added OTT to the piano. 

All sounds from init except the vocal pad is a tweaked factory patch. 

What does the title/pic mean? 
I have had many dreams throughout my life about finding hidden doors that lead to magical places. The picture is of a abandoned stairway in a house I lived in for a few years in college. Leads to the backside of a refrigerator. I had dreams about that house, that there were secret floors burrowed back into the hillside, etc. And at one point years later I couldn't remember if this abandoned stairway really was there or I just dreamed it.

Anyway making this triggered another of that type of dream.

OSC197 That One Door (Odin2)

Created for the One Synth Challenge #197 with 32 Instances of Odin 2 by The Wavewarden in FL Studio 2024. Every sound is made from scratch with Odin 2

--- CHANGELOG 31.07.2025 - 21:59 ---
Changed a transition at 3:43
Changed weird repetition in the outro section, it felt a bit off
Played with the mix / mastering a bit, i'm still not completely happy with it but it's a bit better now
Fixed incorrectly placed space in the track-title inside the thumbnail

Link One Synth Challenge: https://sites.google.com/site/kvrosc/2025/osc-197-odin-2
Link to current VST: https://thewavewarden.com/pages/odin-2

„Nichts Halbes und Nichts Ganzes“ is a german saying for something that is „half baked“ [Translation: „Nothing half, nothing complete“].

Technical Details:
Every sound is made from scratch (init Preset).

DAW: FL Studio 2024
Instances: 32
BPM: 179 and 159
Total Bars: 197

FX:
Fruity Limiter	 [3]
Fruity Maximus [1]
Youlean Loudness Meter2 [1]
Fruiyt Compressor	[2]
Fruity Parametric EQ2 [2]
Fruity Reeverb 2 [2]
Channel EQ [3]

Nichts Halbes und Nichts Ganzes (OSC #197 - Odin2)

Vancouver

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

After the Rain (OSC#198-Cherry Audio PS-3300)

Hey ! Here's my entry to OSC 200 !

All sounds are synthesized using Native Instrument's Massive X.

Daw : Ableton Live
Massive X : 21 instances including 
- The preset "Full Blown" for the flute
- The percussions are tweaked from the base library presets
- The hurdy-gurdy is made from scratch

FX from Ableton :

- ∞ x Compressor
- ∞ x Auto Filter
- 2 x Delay
- 2 x Auto Pan
- 4 x Glue Compressor
- ∞ x Utility

Free plugins :
2 x KHearts Trance Gate

Paid plugins :
- 3 x FabFilter Saturn (Drum bus and Basses, subtle Warm Tube)
- 1 x Valhalla Vintage Verb
- 2 x Eos 2 
- 1 x FabFilter Pro-G
- 2 x NI's Replika
- ∞ x FabFilter Pro-Q 3

Mastering (paid) :
- 1 x Endless Smile (Pace Melting Joy preset = delay + filter)
- 1 x TRacks Saturator X
- 1 x FabFilter Pro-L 2
- 1 x TRacks 5 Quad Imager

Metering :
- Youlean Loudness Meter (free)

The Oneiric Ball (OSC #200)

One Synth Challenge #198:  AnyOneSynth => Apricot

https://sites.google.com/site/kvrosc/2025/osc-198-any-one-synth
https://nakst.gitlab.io/apricot/

-------------------------------------------------------

Although OSC is currently celebrating its 200th anniversary, this track was created for the 198th challenge – a small tribute to the series that nevertheless captures the groove of the anniversary energy.

With 92 BPM, catchy harmonies, a concise bass hookline, and crisp kicks, FractiQ takes you straight to the dance floor. The melodic fractals weave together into a catchy tune that sticks in your mind.

Perfect for all fans of melodic music, hypnotic chords, and pulsating energy.

NJoy. Any feedback welcome.

-------------------------------------

SiL3NC3_SWX - FractiQ
https://soundcloud.com/soulwerx/sil3nc3_swx-fractiq-osc198

-------------------------------------

DAW: Bitwig 5.3.8
15 instances of Apricot

FX:
- Bitwig: Arpeggiator, Dynamics, Convolution, EQ+, Delay-1, Vocoder, Humanize, Compressor+
- Valhalla Supermassive
- Wider

Mastering:
- Free Clip 2
- LoudMax
- TDR Kotelnikov
- Peak Limiter (Bitwig)

Analysis:
- MAnalyzer
- YouLean Loudness Meter2


Keep on Looping... ;)

-------------------------------------------------------
~ Copyright : SiL3NC3 - 2025 : All Rights Reserved.

SiL3NC3_SWX - FractiQ [OSC198]

My KVR OSC#198 ENTRY

30 instances of Babylon 2 synth by W.A.Production
all presets made from scratch (init)

FX used:
TR6 Equal
TR6 Classic Clipper
TR6 Opto Comp
Dropkick
kHs Haas
Melda MDynamicEQ
Melda MVibrato
AAS ObjeqDelay
Stereo Savage
bx_enhancer
bx_masterdesk Pro

DAW: Renoise 3.5.2


PeterBPL - Spotlight

My Submission for August 2025 OSC. 7 Tracks, powered by FLStudio and Quilcomm's Trout. Maximus for loudness.

Based on various incarnations of the Trautonium - a Synth Design originating in the 1930's. I chose Trout because I've wanted to try my hand as something very old and very strange with the plugin. And oh my - it's strange.

Cover is AI generated this time - Colors and some things fixed/added afterwards. My blender skills aren't THAT good. 

Early synths defined some of the sounds and vibes that powered Science Fiction, so I went with something that evoked a dangerous and strange job in space. Enjoy!



Starsickle - Nebulous Journey

Track for KVR's One Synth Challenge - 198:
https://www.kvraudio.com/forum/viewtopic.php?t=622721

Only used Vital, free and stock plugins.

YYeet - Rattlepit

deus / blame it on ur luv

[Verse]
I was born to love you
But I couldn't tell you
You were born to love me
So it's written
So it shall be

[Verse 2]
I was born to love you
I was born to love you
You were born to love me
You were born to love me

[Chorus]
I was born to love you
I was born to love you
You were born to love me
You were born to love me

[Verse 3]
I was born to love you
But I couldn't tell you
You were born to love me
So it's written
So it shall be

[Bridge]
I was born to love you
I was born to love you
You were born to love me
You were born to love me

[Verse 4]
I was born to love you
I was born to love you
You were born to love me
You were born to love me

Endless Love

The Sound Of Merlin is about sharing the passion for music and sound. About sharing knowledge and experience. The sheer fun of making music together. The magic of it all.

Join the challenge by going here: https://shorturl.at/bhBFQ

After the Rain (OSC#198-Cherry Audio PS-3300)

The Sound Of Merlin

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