Syringe
By Seap for One Synth Challenge 196, June 2025


Instruments:
12x  VST3i: Primer 2 (Audible Genius)
2x   VSTi: RandARP (x86) (CodeFN42)

Effects:
1x   VST3: LoudMax (Thomas Mundt)
3x   VST3: MAutopan (MeldaProduction)
3x   VST3: TAL-Filter-2 (TAL-Togu Audio Line)
2x   VST3: ValhallaSupermassive (Valhalla DSP, LLC)

Syringe [OSC196]

Composed and produced by Liqih for OSC 186 at KVR.
Using only 10 instances of Primer VST synth by Audible Genius.

1x Kick Drum
2x Snare
1x Hi-hat
1x Bass
1x Skank chords
1x Synth vocals
1x Synth plucks
1x Percussions
1x Pad


# DAW : Ableton Live
# Ableton effects: Delay, Reverb, Compressors, Gate, EQ-Eight
# Free FX: Cymatics Space Lite, Master compressor: BeatSkillz Max 1 

Catch The Tail

Spaghetti Code Groove
By Seap for One Synth Challenge 197, July 2025

Instruments:
12x  CLAPi: Odin2 (TheWaveWarden)

Effects:
1x   VST3: LoudMax (Thomas Mundt)
4x   VST3: MAutopan (MeldaProduction)
2x   VST3: ValhallaSupermassive (Valhalla DS

Spaghetti Code Groove [OSC197]

Odin 2: 13 instances 
DAW: Reaper 7.42
Reverb/Delay: Deelay by Sixth Sample
EQ: Graphic EQ by Viator
Compressor: EDComp by Analog Obsession

Inside Outside (OSC#197)

KVR OSC197 Odin2
32 Instances of Reaper 7.3

ReaLimit, Valhalla SuperMassive, Raum,TDR Kotelnikov, ChowTapeModel,ReEQ, Deelay, LoudMax .... and added OTT to the piano. 

All sounds from init except the vocal pad is a tweaked factory patch. 

What does the title/pic mean? 
I have had many dreams throughout my life about finding hidden doors that lead to magical places. The picture is of a abandoned stairway in a house I lived in for a few years in college. Leads to the backside of a refrigerator. I had dreams about that house, that there were secret floors burrowed back into the hillside, etc. And at one point years later I couldn't remember if this abandoned stairway really was there or I just dreamed it.

Anyway making this triggered another of that type of dream.

OSC197 That One Door (Odin2)

My entry for OSC#197

"There's almost something spiritual about two proud gnomes on unicycles - accelerating to battle speed, each holding aloft a large frozen herring."

Borderline self-parody, I see this as the last hurrah on a string of increasingly silly songs.

20 instances of Odin

DAW: Reaper
No external Reverbs
Dead Duck: Filter, Autopan
JS Channel Time Delay
Khs Gain
ReaEQ ReaXComp
Limiter No6
SPAN & Youlead Loudness Meter

Unicycle Jousting

Entry for the OSC #197 Every sounds made with WaveWarden's Odin 2 

Reencuentro

Made entirely with sounds from the Odin 2 synthesizer: https://thewavewarden.com/pages/odin-2

All sounds made from init.

Bitwig not 6
Odin2 x ~30
Bitwig FX: Delay+, Filter+, EQ+, Compressor+, Dynamics, Saturator, Tool, Peak Limiter
Other FX: TDR Nova, vladg Limiter no6, Raum, OTT, Cramit, Tape Cassette 2, TAL Reverb 4, kHz haas

z.prime - Steps

Quest (Outnow)

Immense collection of sixty orchestral tracks set in frozen and glacial environments, covering a wide range of moods, intensities, and focuses, and serving as the perfect companion for documentaries and any other content set in Arctic or glacial regions. Whether for playful moments on the ice, majestic views of icy panoramas, adventurous expeditions among glaciers, or capturing the beauty of wildlife in extreme cold, this album provides a vast array of soundscapes to bring frozen worlds to life, helping to shape narratives, enhance visuals, and capture the many sides of the planet's coldest realms.

FROZEN LAND

Frosted Soul

This is a very short composition for what is a very long and convoluted story; I’ll try my best to compress it into this small track description. 

It’s been nearly 15 years since I found Myrtle House, a very modest Victorian two-up-two-down town house where I live and also where I work. All of the music I post has been written, recorded and mastered here in my studio which also doubles as my library where I have six or so huge bookcases that hold what’s left of a lifetime of being a “bookie” as well as a “muso”. Now, sadly, it seems I have to leave as my landlord is selling the property and neither me nor my books nor my music have anywhere else to go.  

Like most aspects of my life, this issue resulted in a composition, the title of which comes from a framed print of the original cover of an essay by one of my most beloved of authors, Virginia Woolf, which hangs in my studio. It’s also probably the final composition for a while as everything, including my studio, needs to be packed up very shortly.

Thank you for listening and liking my music; it helps both in terms of emotional support and, in a very minor way, financially; I think each play earns me around $0.01 - definitely riches beyond rubies! 

See you on the other side 

❤️ॐ

A Room Of One's Own

The Sound Of Merlin is about sharing the passion for music and sound. About sharing knowledge and experience. The sheer fun of making music together. The magic of it all.