28 instances of Zebralette 2 by U-He. All the sounds were made from scratch, except the snare which is a Taron snare and the sitar which was made by Howard Scarr.

DAW: Reaper 7.30
Reverbs: SuperMassive, MConvolutionEZ, PSP Chamber
Delay: Sixth Sample Deelay
EQ and Compressor: Analog Obsession Frank CS, Airwindows Consolidated, Audiothing Blindfold EQ, Viator Graphic EQ

Mastering plugins by Tukan Studios: Multiband Processor, Tape Recorder S2 and Limiter 3      I also added Poortec EQ by Analog Obsession Just before Limiter 3 to clean up the spectre a little and re-uploaded the track (2025-01-16)

TSOM - Zebralette Dancing (OSC#191)

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

Made for KVR One-Synth-Challenge 194
https://sites.google.com/site/kvrosc/2025/osc-194-monolit

bzz - Silicon Dreaming

My entry on OSC#195.

One instance of Ragnarök synth.

FX: kHs Haas, kHs Filter, kHs 3-Band EQ, kHs Dual Delay, epicPlateMKII, ModernExciter, SonEQFree, bx_Masterdesk Classic, Raum

PeterBPL - En Último Lugar

Entry for KVR One Synth Challenge #196 with Primer 2 VST

DAW - Reaper
31x Primer 2
10x ReaEQ
4x ReaComp
1x TAL-Reverb-4
1x Free Clip 2
1x LoudMax

Reverie [OSC #196 Primer 2]

Made for KVR One-Synth-Challenge 196
https://sites.google.com/site/kvrosc/2025/osc-196-primer-2

bzz - Good Ol' Times

65 instances of Primer in Reaper 7

ReaComp
ReaLimit
ReaXcomp
ReaEQ
ReaVerbate
KHzGain
KHzReverb
KHzFilter - used extremely liberaly (to make growls)
KHzShaper
KHzDelay
KHzFormantFilter - not used for audio processing but as an XY controller
KHzTranceGate
Izotope Imager
Gclip
Ohmicide - used liberaly
YouLeanLoudnessMeter

Mastered Pretty loudly to -2.8 LUFS

Loris - Leader

This is my submission to the #kvraudio #OneSynthChallenge #197 featuring the VST Synth Odin 2 by The Wave Warden

All sounds are coming from the Synth acompanied by a number of moderate tone shaping, mixing and mastering fx. I Mix/Master with MeldaProduction EQ/Compressor, Auburn Lense, Loudmax Limiter. All fx free or built into the DAW. DAW is Bitwig 5.3.x. No Samples. No Postprocessing after the audio export.

Odin 2 -  by The Wavewarden, now with an updated interface.

The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla! There are three oscillators whose types include analog, wavetable, vector, chiptune, FM, phasemod and noise. Waveforms can also be hand drawn. These can be routed through up to three excellent filters with all the usual types plus comb, formant and ring modulator. For modulation there are envelopes, LFO's, an  x-y pad and an arpeggiator, along with a mod-matrix  for easy routing. The FX section includes delay, phaser, flanger, chorus and reverb, all of which can be easily reordered using drag and drop. The interface is an intuitive semi-modular design, making sound design easy and fun. Odin 2 is free, powerful, fun, and available for Mac/Windows and Linux.

The Administration 【peter:H】【OSC197】

Made for the KVR One-Synth Challenge #198 with 32 Instances of the Yamaha DX7 Mk. 1 Hardware-Synthesizer. Every Sound is programmed by myself in Dexed, send as Sysex to the hardware and adjusted on the hardware itself, because the sounds were sometimes a bit off (Keyvelocity. The Attack on the EGs most of the time)

„In a small alley, not far from the bustling market square, lies a very special place for lovers of nostalgic sounds: the Retrothek.
This charming shop is passionately dedicated to restoring and selling antique audio equipment. Whether classic tape recorders, exotic amplifiers, or rare electronic musical instruments—sooner or later, they all find their way to the workshop, where they are carefully restored to their original condition and returned to their old or new owners.“
~ excerp from a payed advertisment report in the local newspaper

Techical Details:
DAW: FL Studio 2025
Instances: 32 (Full RAM Card)
BPM: 127/137

DAW FX:
Channel EQ [9]	
Fruity Delay 2	 [4]
Fruity Limiter	[1]	
Fruity Parametric EQ 2 [3]		
Fruity Reeverb 2 [4]		
Fruity Stereo Enhancer [4]	

COMMERCIAL FX:
Arturia Comp Diode-609 [6]	
Arturia Rev LX-24 [4]

FREE FX:		
Ozone 9 Elements [1] (Was free when I got it)	
TAL Filter 2 (As Auto Pan) [1]	
TAL Reverb 2	[2]				
Youlean Loudness Meter 2 [1]

Thumbnail Credits:
Roll-Up Banner Model: Miklos_Gyorfi (from CGTrader)
Modern Piano Stand Model: Rex Hans [Blenderkit]
Painted Plaster Wall Texture: chroma 3D [Blenderkit]
Wooden Floor Texture: ydd 3D [Blenderkit]
Wood Light Texture: James Middleton [Blenderkit]
Room, Banner-Content (Texture), Yamaha DX7 Modell & Texture, as well as the Rendering itself are done by myself.

Hope you'll enjoy this :)


Die Retrothek (OSC#198 - Yamaha DX7)

8/10 Sad Dream

This is the story of an ending.
This is the story of a new beginning.

Let me explain something to you first:
One sad day, I begged to fall asleep.
But listen carefully to the melody played by the handpan. It's what my brain created with my sadness and anxiety.
I woke up and wrote this melody.
Not bad, Brainy.

But the truth is, I can't stand hearing this song anymore. Simply because it's the feeling of deep sadness I've been feeling for... months.

Not just because it's heartbreaking, because it's a profound state of existence I'm experiencing.

Do you remember the last words on the tracks from Through the Darkness?

The worst part of hell isn't the flames, it's the despair.

And in a world completely crazy, in a world where I can't be with the only person I've ever loved, I've lost my mind.

Now, I'm deeply changing myself into a

8/10 Sad Dream

This is the story of an ending.
This is the story of a new beginning.

Let me explain something to you first:
One sad day, I begged to fall asleep.
But listen carefully to the melody played by the handpan. It's what my brain created with my sadness and anxiety.
I woke up and wrote this melody.
Not bad, Brainy.

But the truth is, I can't stand hearing this song anymore. Simply because it's the feeling of deep sadness I've been feeling for... months.

Not just because it's heartbreaking, because it's a profound state of existence I'm experiencing.

Do you remember the last words on the tracks from Through the Darkness?

The worst part of hell isn't the flames, it's the despair.

And in a world completely crazy, in a world where I can't be with the only person I've ever loved, I've lost my mind.

Now, I'm deeply changing myself into a better version, but I can only do it for one reason: You.
Please, take my hand for the rest of my life, I'm deeply in love with you, I'm devoted to you.

All my links
➡️ linktr.ee/parallelism

• Spotify :
open.spotify.com/artist/1455an6MJ…yrQYOQWYEPaF60Pg

• Insta :
www.instagram.com/parallelism.sound/

• TikTok :
www.tiktok.com/@parallelism.sound

• Facebook :
www.facebook.com/ParallelismOfficial

• Youtube :
www.youtube.com/@parallelismsound

SAD DREAM

Forbidden Realm Instrumental

The Sound Of Merlin is about sharing the passion for music and sound. About sharing knowledge and experience. The sheer fun of making music together. The magic of it all.