The Widely Unknown.

FL-Studio, a set of KRK's and a badly treated bedroom.

Dumping beats here for now, Roland SP 404 mainly...I suck at this.
NIGHT SHIFT DEMONS
DEATH ACRYLICS

Music Producer 
Red-I
Kaynebacon1997@outlook.com
for colabs

Dusty beats & raw vibes. 
Boom bap spirit.
Stay tuned.

Hi, I'm a producer from 🇮🇹
💣 Boom bap
✨ Lo-Fi

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"There comes a point in your life when you realize who matters, who never did, who won't anymore, and who always will. So don't worry about the people from your past, there's a reason they didn't make it to your future"

Rascal, DJ Rascal, Rascal Records are international trademarks. ™ ®

© 2000-2025 Rascal Records ™ Ltd. All rights reserved. Trademark and copyright notice

DJ Rascal from France is one of the most successful French DJ's of the 90's... 

10 times DMC DJ finalist 1988-2000 
Vice European DJ Champion 1989 
Luxembourg DJ Champion 1988
 
DJ Rascal ... A Living Legend ♔

DJ Rascal was one of the most emblematic DJ's of his generation and one of the most successful technically in France during the closing decades of the 20th Century. In 1988 he became Luxembourg Champion and Vice European champion next year in 1989, and then participated in the DMC technical Championship French final for the world championships no fewer than 10 times between 1987 and 2000. 
He was also a pioneer in many areas of DJing.  He invented the concept of "boys band turntablism" - team 
scratching concept - in 1990 with a first show at the Hourtin military base (France) a full year before the first appearance of Q-Bert in a U.S. TV show in 1991. Though Q-bert is remembered as the inventor of that style, he is not and it is time to render unto Caesar what is Caesar's. 

DJ Rascal was also one of the first to self-produce an After Hip-Hop & New Jack mixtape on Cd in 1997-98.  Up until then  K7 had been the dominant format employed.  The production of a 24 minute mix After 
Hip-Hop composed solely of breakbeats, intros, interludes and scratching helped to bring a unique 
atmosphere to the scene at that time. 

But above all, his greatest strength is his ability to adapt to any type of music programming as well as 
animation shows.  His 40 years of experience spinning in clubs, with and without micro-animation, combined with his sharp festive programming, and impeccable technique, make of him a complete DJ able to play any style – House, Techno, Lounge, Chillout, Acid Jazz, Soul, Funk, Disco, Rap / Hip-Hop, R'n'B, French or international variety, etc.   

It  would take too much space here to review the career of DJ Rascal in full, but if we were to summarize a few highlights, then we would certainly keep in mind the hundreds of scratch demonstration shows, concerts, entertainment & nightlife clubs in France, Belgium, Luxembourg , Spain, Switzerland, etc. There were also countless radio and TV shows, not to mention that he was one  of the pioneers of Hip-Hop and DJing in the late 80's along with DJs such as DJ Dee-Nasty.  He helped democratize Hip-Hop and the art of DJing in France with MC’s including Destroy Man and Johnny Go, Lionel D, as well as others too numerous to name. 
He is considered as one of the most respected DJ's of his time. 

Still, his story is not finished ... 
DJ Rascal plays on, and will continue to do so as we dream into the future.

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Songwriter / Guitarist. 
Email: Cullum@bigpond.com. 
My solo album "Locked Down & Loaded" is available on Itunes and Spotify. Previous bands were: Sex Pistols Swindle, King Fallen and Astral Taxi.
Video's can be viewed on Youtube under PaulCullumusic.

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