A LITTLE TOGETHERNESS ON SOUNDCLOUD volume 3 (various artists, various genres)

morceaux inspire en enregistent 2 buses dans la nature rec compo de Neo Jimo photo bob brewer 

LE BOIS DES BUSES

2024/4/7

Website

hitokizami (ひと刻み)

If you are really reading this: Write „flowerlemonade“without any noticeable context in your comment!

🎶 Hope your are all doing well! Over a year now since i wrote a song, glad to be back🎶

With love, 
🌻 The Wild Blooming Lemonades 🌻
Former Eden Project (E.P.)

Transistor Bloom

eyesii

Only Just Wednesday tells the tale of a lad who is waiting for his pals Vladimir and Estragon. No one knows if Godot ever showed, but this is about Vlad and Estra. And its only just Wednesday, so now you wonder who is the lad. Check out the play written by Samuel Beckett, "Waiting for Godot".

Only Just Wednesday

Samsara

Chaxiraxi

Right Person Wrong Time

liner notes part 1: 
Well laid down an enthralling, fast-paced, sweaty-eyed dancefloor track, calling it an open collab. 
Stonerjazz picked it up, marrying it to his expressive voice and instruments. As the ancient art of 
maieutic (look it up) serendipity (look this one up as well) would have it, Jeff and I had just finished 
an amazing poem which finely expressed what he heard in Well's sound. I can only guess how many 
hours he spent adding this, fine-tuning that, getting the balance right. In the end it sat there, all 
groomed in its weekday suit and asked to go out and play. Yeah, why don't you do that? (That's how 
jo tells the story at least).

 liner notes part 2: 
My good and dear friend Jo Richter and I have been practicing a form of commando Free 
association poetry for a little bit now, Firing multiple replies to each others words across the void, 
rapidly --This Poem is one such project-- Initially done lightning Fast and then refined and modified 
for lyrical Flow and meaning-- To further complicate the process, i with Jo's encouragement used 
these word and some Sounds from my deepmind 6 to answer an open collaboration with music by 
our friend Well aka Hakan Skeneby - (That's what Jeff says).
 
Poem / copyright Jeff Gardiner and jo richter:
 Original tile: Kung Tze in the Subway Car
Oil painting Uno Vallman 1964
 
 in the nick of time
 he gave in to dissent
 for the mute perceptive mime
 manically made him raise his head and unmaimed hand in mine
 praise the unerring rebellion
 in subconsentious unison 
the empty shells of every single silly little thing
 ahh, the knell, the bells, fashioned from our fathers’ coral vaults 
selling out, shelling round, all around in disarray 
vainly making everybody wane and wade into the fray
 with withered, bamboo-watered canes - - - fracking shist
 where our homes are still purported to exist
 while scattered scraps of all things past, scantily, scantily clad, 
protrude and flutter in the wind, strained and restrained by the net 
of pleasant pleas -  and subltleties are colors bright and crude - 
watch the Mad Hatter's stint unwind in minor keys - 
i thought that that  - that hat that sat so squat- was you
 at the academy of sovereignty
 where massive piles of bones and crows
 dominate the dark demeanor of the distant 
tears of laughter, tears of loudly lovin’ laughter, that's exactly what we're after
 + + + 
in the purple land of diffidence
 buying purple brands of pale deliverance 
in the hidden forgotten region, religion
 where forgetting – like neglecting - is an optional behavior
 and of course, everybody's carcass, corpse keeps looking for a savior
 down by the trodden, the unsavoury sovereign shouted 
raw with the rotten game of galactic gallows and thrones 
ah the one and only poet of starvation
 standing in the market of used emotion
 endless isles, end base piles of sadness
 masters mean and dirty and their slaves
 bargain bins of binary longing, belonging, unrequited love
 there’s a sale on betrayal - two for a dollar and three for none
 thought i saw a broken bit of joy that once belonged to me 
Though when i had it, it was absolutely free
 Now they're askin’ fifty, literally  frivolous dollars-
+ + + 
mother of deception of the self
 see me on my knees, subordinate 
to her immaculate calamity
 that has transactional realities cooperate
 under towers dark with blinded blinds 
of my infantile infinity-
i asked my shadow: would she follow me 
like a puppy with a crush, herself a pet invertebrate,
 to inclinations more persian, more parisian than her will or mine 
where i might find a package deal on Love 
on the moon, it read in slowly moving neon letters - 
shadows neither show nor speak concerning prinal matters!
 no, said I, shadows squall and squeal and squeak
 drinking gin on the rocks is not that bad at all
 since it became impossible to find an Avacado
 or my favorite alcohol
 just don't answer when she fails to call--

Hakan’s shuffle – nitro club mix – stonerjazz , sonic structures and silent stretches with well

Remerciements à Albert-Paule pour ce superbe vocal

yellow banana By Zitou Itou & Albert Paule

During my time on university (when I played around 6 hours a day on guitar), I composed many albums with different styles. One of them was my death metal album, and this is basically first half of second song on that album. 

Obviously, I composed it on guitar, and played it many, many times. So  I took the composition (tones/riffs) and found nice edgy, distorted, techno bass. And played it with that bass sound, because I wanted to make it sound more like techno.

Drums I had to make from a scratch, although I already had some ideas about rhythms and fill-ups from long time ago. I came up with a number of good rhythms that complement the atmosphere of riffs. 

I added soft synths in first half, and then at the very end (the last part), where I play them with only fast drums. Somehow I love that combination, thinking about doing more themes like that. 

Wish me luck, see you next time.

Celebrating terminator

Interlude #7

[ Albums ]
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https://twitter.com/NegaPhone

Bandcamp

touch

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/starlight-milk-and-cornflakes

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"Starlight (Milk & Cornflakes)" is Ramon Inc.'s first Christmas song—a special production released on December 25th as a thank you to all the listeners who followed his journey throughout 2024. The track marks a symbolic moment: the end of a historic year in his career, with the release of his third album after a nearly four-year hiatus, eight singles, two EPs, and new collaborations that expanded his musical horizons and broke records on streaming platforms.

In this context of celebration and gratitude, "Starlight (Milk & Cornflakes)" emerges as a light, playful, and repetitive track, blending the soft and sunny elements of holiday pop with the homey and sentimental aesthetic of indie pop. The song is built on minimalist vocal blocks, with an almost mantral repetition of two main themes: the vows of "Wish you a Merry Christmas and a Happy New Year" and the catchy chorus of "Milk and Cornflakes."

The lyrical simplicity is deliberate: it evokes childhood memories, festive mornings, and family rituals—transforming milk and cereal into symbols of affection, routine, and nostalgia. Musically, the track likely relies on light synths, understated beats, and a clean arrangement that prioritizes atmosphere and repetition over melodic complexity. The result is an accessible, joyful, and welcoming Christmas song.

Despite its minimalism, the song carries an undeniable charisma: it's a sonic postcard, delivered with humor, lightheartedness, and genuine emotion.

"Starlight (Milk & Cornflakes)" is the soft light that shines amid unwrapped presents, nostalgic breakfasts, and wishes for a better new year.
It's Christmas on loop—served with milk, cereal, and hope. 

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year

Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes

Wish you a Merry Christmas and a Happy New Year
Wish you a Merry Christmas and a Happy New Year

Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes
Milk and Cornflakes

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

THANK U ALL ♡

Starlight (Milk &amp; Cornflakes)

Starlight (Milk & Cornflakes)

City Escape

A collection of my favourite instrumentals. Feel free to reach out to collaborateif you would like to compliment any with some vocals. 

Fallen

I don't spend time thinking about what I create, no formulas, no recipes, no planning, no genre in mind, I just go wherever the first few notes take me, pretty much improvised; I tend to go with the first idea that pops into my head; judge for yourself how that pans out!
>
In order to relate to your music most listeners need to be able to pigeonhole it, if they can’t do this because you create tunes that are unique they'll likely dismiss your creativity, absorbing it years later when other musicians, believing they got there first, stumble on your sound!

No followers, no listeners, by that measurement I’ve failed miserably, however, I have succeeded  in remaining true to authentic creative self, underground in this world, #SixFeetUnderground the next!
>
These tunes are not fillers, they are seriously funky, but more importantly, they are not samey, each tune has its own identity! Only one way to find out if that boast is a hollow one, and that involves listening to, not just one, but several tunes!

#FeedbackFamily

If you also think world needs more flowers and lemonade! 

The Wild Blooming Lemonades tuning in.

🌻

Transistor Bloom

The Wild Blooming Lemonades

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