Excellent et joyeux, j'aime beaucoup la progression !

Laid back and jammin at the same time 🔥👊🏻😎✌🏻

Creation date: February 2024
Composition & Mix : Thierry Mfe & Guillaume Gaudioso
Time signature : 4/4
Mode : Dorian

Birth Of Game

csound source: https://github.com/tonpatt/compositions/tree/master/discesa

Discesa (r2025)

Move your body (Remix) feat. Martin Jansen & joerxworx

Rain...too little of it and there is drought, too much of it and there are deadly, destructive floods, just the right amount and the earth flourishes; crops grow, gardens bloom, our spirits are refreshed and encouraged.  This song begs the questions; are mankind's plans, philosophies, charitable endeavors, or selfish goals like the rain that can benefit mankind or destroy it?  Do novel ideas work for the moral structure of humanity or is the ancient wisdom better? There are no easy answers to the questions Peter asks in the lyrics, but they are questions we should consider as we see the world aflame--which is another blessing of rain, it can put out fires.
Lyric/poem, singing and narration - Peter The Poet: @ soundcloud.com/user-264930040/tracks
Beautiful guitars left/right - David: @david-dunhamuser589535203
Music, e-guitar, mix, and masterful production - Seagull: @farout-music-studio
The gorgeous female voice: Clara Sorace.

Rain
And so it rains
Will it wash away tomorrow’s hopes,
Leave us stranded in our yesterdays
Clinging to the fraying ropes
Swinging helplessly in vain

And yet it rains
Both the means to life or drowning death
Spilling ‘cross the flooding plains
Sucking out the terminal breath
Forever and again

I stand here naked, cold and blue
Stripped of pride and freedom too
Aspirations drained, subdued
As heaven’s cloudbursts purge me through

And still it rains
Will it cleanse, refresh, renew the truth
Sanitise and ease the pain
Or launder filthy failure’s proof
To try and hide the liar’s stain

And it will rain
While lunatics still yield the whip
Indoctrination’s game remains
The crass politico’s iron grip
Will euthanise our children’s brains

……and so it rains

Rain (with Conny, Peter And David)

East ember (on Common's rap version )

two feelings in one, thanks for listenin...I like the second feeling the most...each to their own. I would love to hear ur comments positive or negative...I love feedback


IF YA DIRTY

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet The New Bossa…-Eclectic Collective

Don de nature, présent du printemps, abondante et pourtant discrète, la fleur de forsythia (une dernière petite balade piano/piano électrique/guitare/voix

la branche de forsythia

This work is also a collaboration with Marco Turrini following the previous work. We tried what happens if I play "MEMORIES OF THE PAST" which is one of Marco's masterpieces together with him.How I would add my interpretation to this work while making full use of Pink Floyd's flavor and Marco's honed sensibilities, that was my problem.A big fan of Pink Floyd can not defile the honor of Pink Floyd.  :)
I sincerely thank Marco Turrini again. Also, I would like to confess that I'd like to express my respects to the many musicians who gave me a lot of musical influences, involved in this work.
And thank you for listening to this work from the bottom of my heart.

The key:Gm , C

When I listened to the sound source of Marco's "MEMORIES OF THE PAST ... TRIBUTE", the first thing I came up with was  "Breathe" by Pink Floyd. It is one song in the album "THE DARK SIDE OF THE MOON". Then, on "Shine On You Crazy Diamond" (included in  "Wish You Were Here ")A famous performance came back in my mind. This may be better known.
Both are masterpieces. There are a lot of name performances left. I will introduce it below.
By listening to that songs again, why I remembered that songs, I could find something in common between them, and at the same time you will be noticing something completely different.
What Marco drew for this song is Marco's "Pink Floyd", not Pink Floyd itself. Indeed, I feel an exceptional talent to him. For example,I'd like you to check the chord progression of the second part of this song. Mr.Marco treats it so that it is not cleverly noticed immediately,You will notice that the essence of a famous song nicely included. There should be many people who understood by just listening.Therefore, the title of this song is "MEMORIES OF THE PAST ... TRIBUTE", I do not ask Marco, I imagine arbitrarily and enjoying it. :)

You can listen to the original sound at Marco's page.
https://soundcloud.com/marco-seekx/memories-of-the-past

Pink Floyd - Breathe(London Live 8 - 2005)
https://www.youtube.com/watch?v=0dYMQA5_KcA
Pink Floyd - Shine On You Crazy Diamond(Wish You Were Here)
https://www.youtube.com/watch?time_continue=349&v=54W8kktFE_o

MEMORIES OF THE PAST...TRIBUTE (with Marco Turrini Orch.)

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

https://www.youtube.com/@Thierrymfe.1010

Musique assistée par ordinateur, elle se définit comme une rencontre entre la « pop music » au sens large (incluant l'électro, le rock, le funk et le jazz, entre autres) et la musique classique du 20ème siècle (orchestration, contrepoint, minimalisme, dodécaphonisme, modes...). 
Elle trouve un équilibre entre la réflexion (écriture) et l'improvisation. Parfois accompagné de signatures rythmiques irrégulières, mon langage musical s'apparente à une « cuisine alchimique modale » qui, à l'instar d'un peintre, met en avant la couleur et la lumière.

Computer-assisted music, it is defined as an encounter between "pop music" in the broad sense (including electro, rock, funk and jazz, among others) and classical music of the 20th century (orchestration, counterpoint, minimalism, dodecaphonism, modes...).

She finds a balance between reflection (writing) and improvisation. Sometimes accompanied by irregular rhythmic signatures, my musical language is similar to a "modal alchemical cuisine" that, like a painter, highlights color and light.

Birth Of Game

Thierry Mfe

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