Sweet Pea

B.Riddim is Luis Sequeira, a Portuguese living in London. Magic My Ear is his second ep for Third Ear, following the (In) Theory ep in 2012. Formerly a driving force in the influential Portuguese rap group G-Ward under the name Bellatur, Luis followed his love of Jamaican Dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique. Music like this might reasonably be expected to come from Bristol, given Bristol's musical history. The 4/4 groove is slightly more emphasized here than the tracks on (In)Theory but it is a subtle pulse most of the time with the bass and drums providing the groove and the rhythms under cascading old-skool rave melodies and arpeggios, with live melodica played by Luis. Dub and psychedelic sensibilities are to the fore on Transformed Love and Magic My Ear, carefully controlled acid-house echoes through the towering bass and whiplash drums of Dropping Your Soul. Twisted electronica floats and weaves through the rolling bass of Left Side.

Magic My Ear

A1 Third Ear Recordings B RIDDIM Transformed Love

Phonica ventures down to South London for its 123rd mix in our long running series. Leila Beesley also known by everyone as Chinese Daughter has been stretching the sounds of original, new, and future jungle records alongside the sounds of bass-lead old school rave, future hardcore, and breaks. While also working behind the scenes at Warp records, taking to her regular show on Rinse FM and repping the Swamp 81 crew; you can also find Beesley at parties all over the UK and further afield(not forgetting her smashing set at our 20th anniversary at fabric last year). The set she has supplied for us here is no different. Mixed on all vinyl Chinese Daughter here showcases a broad spectrum of 2010's bass gold, kicking drums and party going anthems all built together in a beautifully seamless narrative. We had a quick chat with Leila about the mix and what she has coming up over on WWW.OFFTHERECORD.NET

Phonica Mix Series 123: Chinese Daughter

Welcome to the very first episode of my new radioshow! I’m Awen, and I’m excited to take you on a journey through my sound. In this debut episode, I’ll be sharing exclusive tracks, some unreleased music, and giving you a glimpse into my creative world. Expect deep beats, soulful vocals, and everything in between. Let’s dive into the music together!

AWEN RadioShow EP001

Next up on the GROOVE Podcast is Blake Baxter (@blakebaxter). Go to bit.ly/BaxPod for interview and track list.

GROOVE Podcast 454 – Blake Baxter

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Recorded at Houghton - Alex Downey (2024)

Samantha Blackburn - Live @ Otherside

south african amapiano type beat
► 📲 Spotify : https://open.spotify.com/playlist/7hKmkI8hwQy3smPFYP919t

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south african amapiano type beat - New YORK

BENJI B RECORDED LIVE AT SOULECTION IN THE PARK 2025

EXOS
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https://fr.ra.co/dj/exos

RAWCAST266 • Exos

Record label. What is the Third Ear sound? Music made primarily but not exclusively with computers synthesisers and turntables/controllers as the musical instruments. Nearly all the music we release is with DJs in mind. If we're feeling it we want to release it.  Go to www.third-ear.net for more releases with full track preview and podcasts.
                                                        
If you want us to listen to your music, please leave us a message with a SOUNDCLOUD link. If we have the time to listen to your music, we will. If we like it, we'll reply.

A1 Third Ear Recordings B RIDDIM Transformed Love

third ear recordings