You've got a lot of interesting stuff in this - vocal treatment, claps and your usual idiosyncratic lyrics!

love the lofi vocals.  they fit perfectly.

it makes me happy that the street remember...

We review the year in the U.S. covid response, and the profound miscalculations on the part of the government and the media that have played a direct role in keeping this crisis ongoing.

Episode transcript: https://blindarchive.substack.com/p/death-panel-podcast-covid-year-2

This episode was originally a patron exclusive posted December 13th. If you enjoy this episode consider supporting the show at patreon.com/deathpanelpod

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Death Panel Covid Year Two (Unlocked)

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Covid Year Two (Unlocked)

Big Crown Radio returns with a very special episode from our friend Double Peas. She made a killer mix of records with female leads and asked us to make sure it comes out on International Women's Day. So here is "Everyday Is International Women's Day" from one of the baddest women in the record game hands down. She's a member of Hot Peas & Butta and Sundown Soul Club. Catch her playing records anywhere you can and it is guaranteed to be right on.

Follow Double Peas:
Instagram: @doublepeas
Facebook: https://www.facebook.com/doublepeas

BCR Radio 041 - Every Day Is International Women's Day

BCR Radio Episode 041 - Double Peas - Everyday Is International Women's Day

TRACKLISTS @ www.CHANCESWITHWOLVES.COM

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EPISODE #509 (AGE OF AQUEMINI) w/ Special Guest SAKE 1

the fog flows into the house 
through the steep and narrow driveway 
the endless night, it is now 
nothing more than a sweet decay 

hoping to be astonished tomorrow 
by what I do not know 
my eyes will burst when hit 
by the blades of the coming sun 

the radio blares from the corner store 
the streets remember they once were fields 

the radio blares from the corner store 
the streets remember they once were fields 

gone are disorderly avenues 
of eucalyptus and beaten paths 
it is the dream I sometimes forget 
the endless night, nothing more than a scent 

the radio blares from the corner store 
the streets remember they once were fields 

the radio blares from the corner store 
the streets remember they once were fields

This self-titled debut album incorporates both original phrases and fragments of works by various poets and mystics, including Billy Collins, Ron Padgett, Jim Harrison, Hafiz, Pablo Neruda, Walt Whitman, and others.

credits
released 24 December 2013 
Written and performed by Ari Gelardin and Jacob Palmer with Jason Slota on drums and Jay Pellicci recording at Tiny Telephone Recording Studio in San Francisco, California. (October 2013)

Throw Us a Dollar

The Streets Remember They Once Were Fields

TRACKLISTS : www.chanceswithwolves.com
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check out Maison Dufrene:
https://soundcloud.com/maisondufrene
https://soundcloud.com/radiolenvie

CHANCES WITH WOLVES

EPISODE #519 (w/ SPECIAL GUEST MAISON DUFRENE)

Sound Business, a trip through Thai & Chinese records with El Michels Affair.

Follow El Michels Affair:
https://open.spotify.com/artist/0cLrgpG3pW4MX4nD8h6qCc 
https://music.apple.com/us/artist/el-michels-affair/79343988
https://www.instagram.com/elmichelsaffair/
https://elmichelsaffair.bandcamp.com/
https://twitter.com/El_Michels?lang=en
https://www.facebook.com/ElMichelsAffair/
https://www.tiktok.com/discover/el-michels-affair

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
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https://music.apple.com/us/curator/big-crown-records/1478153961
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BCR Radio Episode 043 - El Michels Affair - Sound Business

TRACKLISTS AVAILABLE at www.CHANCESWITHWOLVES.com

Join our Patreon to get full access to all our mixes, the BLA BLA CHA CHA podcast, Downloads and bonus materials: www.patreon.com/CHANCESWITHWOLVES

Growing up in Brooklyn, California was just an idea, a feeling. 
This whole other world, sunny and dreamy. Probly some of that was because of Brian Wilson. Those harmonies sound like sunshine. Or like the idea of sunshine.


When I got older and I finally went out there for the first time, the sun was different. It was so beautiful. The air had this slow, heavy shimmer.
But there was something else, too—a strange current running underneath it all. Something tense, off-kilter, and surreal. The ground didn’t feel solid, like there was always about to be an earthquake.It was weird. And I loved it.

That's what this music feels like to me - unreal and too real at the same time.This was surf music made by guys who didn’t really surf.
Brothers singing like Angels from another planet.
Escapist and haunting. 
Bits of folk and doo-wop, calypso rhythms, teenage heartbreak: fragments of American dream (nightmare). It also didn't sound like anything else being made at the time. The world outside was burning, and they built a fantasy world, a place to hide themselves and something darker.

The outtakes, the false starts, the studio talk, the demos—they are as important as the songs, cuz they let us into the room, which is just unreal, really. And when you listen back, you can tell that it starts and ends with Brian. Everyone is there to work and everyone can play, but it's his show. His dream. I'm so glad he let us in.

Rest Easy Brian

EPISODE #581 (Good Vibrations)

Info & downloads for ALL FUTURE SOUNDS ONLY via our MAILING LIST 
(www.kleptones.com/pages/contact.html) Please sign up, we wouldn't want you to miss out!

Well, the sun came out here today in London for an hour, so to celebrate this momentous occasion, I felt inspired to do another "Reunited" remix, this time sending young Michael off to the Caribbean...

Previous Reunited mixes here:
http://soundcloud.com/kleptones/sexual_dubbing
http://soundcloud.com/kleptones/girls_on_girls_on_film_on_film

Michael Jackson & The Esso Trinidad Steel Band - I Want You Back (Kleptones "Reunited" Remix)

The second movement evokes a sense of a powerful awakening to the love that surrounds me, the rhythmic frame of the trumpet, cellos and strings representing the impact of this intense rush of awareness resonating in every cell of my body. A crescendo of timpani, cymbals and strings transforms into a tender refrain, carried by the strings and woodwind, reflecting the sense of wonder I experience in this eternal moment as a voice inside my head whispers, “ you are safe, everything is well. You are loved .”

THE DIVINE LIGHT: 2nd Mov (Performed by COSI)

The first movement describes the powerful transition I go through, journeying to another world as the emergency department doctors fight to save me. From the opening notes, my music aims to give the listener an experience of what this serene and calm other-world feels like, with the powerful crescendo of strings, brass and timpani representing the moment I become aware of the Androgynous Being of Light and feel an overwhelming sense of unconditional love emanating from its presence.

THE DIVINE LIGHT: 1st Mov. Adagio (Performed by COSI)

The third movement describes my peak experience of seeing a great luminous, brilliant tunnel of radiant light, swirling at my feet as I realise this is the source of all life itself and the tenor vocal part embodies the overwhelming feeling of peace I feel in its presence. This is the moment I understand the meaning and purpose of my experience. In the vastness of everything, in the journey of our life, the one thing that makes it bearable, is love.

The Divine Light: 3rd Mov (Performed by COSI. Tenor: Julian Merson)

SF-based art collective This Moment Again and Again is a collaboration between artists Ari Gelardin + Jacob Palmer. They use their synesthetic skills to make music, art, books, and video art.

The Streets Remember They Once Were Fields

ThisMomentAgainAndAgain

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