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The Impressions -  You're Really Something Sadie (SLY Rework)

[FR] The sweetest one - Disco/Funk/House set made with love

[FR] Me and Mrs W... Soulful/Jazz/Disco/House set made with love from Porto

Delfonic - Chillinger

My sweet disco friends, a few weeks ago I dropped this package of edits to download for a limited time on Bandcamp. I'm putting them back here for streaming only. 10 hot private edits that have been rocking the dancefloors <3

Supported by Antal, Danilo Plessow (MCDE), Folamour, and many more...

Merci and enjoy
Y.P.

Download link

04. I'm Here Again (Young Pulse Retouch)

vinyl set for Mixmag recorded live from Black Liqueur at Hyde City Hotel

TASCAM DR-40X

WATCH ON YOUTUBE

'100% vinyl' disco and boogie live set | Mixmag (listen on Youtube for better audio quality)

Of Course, all props go to the man, John Morales for creating a Disco Monster out of an album filler track.

But still... the bridges had to go, and then there was a loop or two to be made...

find ALL my stuff (including the tons of edits, soundcloud deleted in the last couple of weeks) here: https://hearthis.at/gmkdyrzh/

BRASS CONSTRUCTION Now Is Tomorrow (FonZo Vs. John Morales)

Mind blowing re-edit by The Revenge.... before he became slightly boooooring and overloaded with crappy remix requests. Classy, respectful. In short, a genuine masterclass for those re-editors wannabes. 
Enjoy it. Up for a limited time. Fully downloadable as WAV... until somebody complains! If you want more of this kind, drop me an email. Up for serious music exchange. This is a promo only. 


gwen mccrae - keep the fire burning - the revenge need ii edit

Taken from 'The Men In The Glass Booth'; a new compilation charting the history of the first DJs to enter the recording studio during disco's heyday. Buy or stream the album here: https://BBEmusic.lnk.to/MITGB

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.
In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...

[FR] Me and Mrs W... Soulful/Jazz/Disco/House set made with love from Porto

m0t