Christian Emo 🤷🏽 Wtf

Why Have You Forsaken Me

AxAxC – Am I the Monster?

An 8-track concept record diving into the fear, guilt, rejection, and rage of existence. This is AxAxC at our most vulnerable. From the heartbreak of First Choice to the suicidal abyss of Barrel of a Gun, through to the climactic title track Am I the Monster? and the furious closer Seeing Red.

This album questions whether our unique experiences, ancestry and choices we make, lead in us becoming monsters. We ask for everyone who’s ever asked: Am I guilty just for existing? Am I safe, but never chosen? Am I the monster?

Tracklist:

- First Choice (4:33)
- Fear of Me (3:52)
- Guilty of Skin (4:49)
- Eye of the Street (4:12)
- Barrel of a Gun (4:32)
- Am I the Monster? (5:34)
- Corazón (4:22)
- Seeing Red (4:29)

Band Statement:

This album is the sound of fear, rejection, and survival distilled into music. We’ve written from the darkest corners of ourselves, in heartbreak, in prejudice, in alienation, suicidal ideation and bled them into deathcore, ambient ballads, and spoken word interludes.

We are AxAxC. 
We distort. We distrust. We destroy.

For Fans Of:

#Slipknot #Skillet  #Lorna Shore #BringMeTheHorizon #FallingInReverse #SleepToken #Architects #Beartooth.

#deathcore #metalcore  #screamo #ambientmetal #nu-metal #gothicballad #cinematicmetal #AxAxC #AmItheMonster #First Choice #FearofMe #GuiltyofSkin #EyeoftheStreet #BarrelofaGun #Corazón #SeeingRed

AxAxCStudios™ (2025)

Am I the Monster?

just a quality metal jam 🔥 🐺 🔨 🎸 

rigmarole

Hands That Hold the World is a raw, emotional post-hardcore journey through the human experience of sacrifice, faith, and resilience. From the quiet pain of loss to the roaring defiance of the heart, each track tells a story of individuals facing unimaginable trials—mothers giving everything for their children, elders forgotten yet honored, young lives confronting violence, and souls finding redemption through faith in Christ.

The album confronts grief, injustice, and societal pressures head-on, while ultimately celebrating the strength of the human spirit and the power of love, selflessness, and unwavering faith. With soaring choruses, blistering breakdowns, and hauntingly intimate moments, Hands That Hold the World is both a tribute and a call to honor those who give themselves fully to others, holding the world steady with their courage and compassion.

Headlines They’ll Never Read

About "Shadows of Silence"
Silence is a weapon. This is the sound of it backfiring.

"Shadows of Silence" was not written; it was forged out of necessity. It is a direct response to the creeping chill of censorship, the hypocrisy of a two-tiered media narrative, and the corporate-approved consensus that now masquerades as public opinion. This track is a line in the sand against the digital book burning and the slow, quiet erasure of inconvenient truths.

The song tells two stories, not as isolated incidents, but as archetypes of our time. First, the truth-teller silenced by the mob and their corporate enablers ("In Charlie Kirk's Name"). Second, the forgotten victim whose tragedy doesn't fit the preferred narrative (Iryna's story). These are the shadows—the censored voices and the ignored lives that the establishment wishes you would forget.

We didn't need a ballad; we needed a battering ram. The sonic architecture of the track—a furious, syncopated fusion of hard rock and alternative metal—is intentional. It’s the sound of frustration given a voice, of apathy being burned away by raw, defiant energy. The tension in the verses mirrors the simmering anger of the unheard, and the explosive, anthemic chorus is the cathartic release we are all denied.

This track is a rallying cry for the politically homeless, the silenced majority, and anyone with a moral compass that still points true. It’s a challenge to the gatekeepers and a reminder that truth doesn't need permission to be spoken.

Play it loud. The shadows hate the light.

(Verse 1)
In the land of the free, where voices once rang, 
They silenced a man with a bullet's cruel bang. 
Charlie Kirk spoke truth, but the mob cheered his fall, 
Indoctrinated hearts, no mercy at all. 
Like Rome's leaden plates poisoning minds from within, 
They celebrate death when opinions don't win. 
Amazon's gatekeepers axed the track, 
"In Charlie Kirk's Name"—called it wack!. 
Free speech on the pyre, burned by corporate might, 
While the powerful hide in the dead of the night.

(Chorus) 
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away.
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Verse 2) 
Iryna fled war, sought safety ashore, 
But on a Charlotte train, fate closed the door. 
Stabbed in the shadows, no help from the crowd, 
She collapsed all alone, her cries not allowed. 
Where are the riots, the headlines that scream? 
For George Floyd they burned, but for her, just a dream. 
If races were flipped, the MSM would ignite, 
But white refugee blood fades out of sight. 
Peaceful protests whisper, ignored by the press, 
While lockdowns and layoffs sparked the hot mess.

(Bridge) 
It's not about money, we've got truth on our side, 
Respect and decorum, let justice be our guide. 
Corrupt politicians, hiding in plain view, 
Get 'em out of office, start something new. 
From Epstein's dark web to the A.I. machine, 
Raping the land, turning hope to a screen. 
We're in the empire's twilight, dry as a bone, 
But united we'll rise, no longer alone.

(Chorus)
Wake up from the circus, the bread's turning stale, 
Megacorps are feasting while our freedoms fail. 
A.I. steals the jobs, leaves us footing the bill, 
But we'll band together, shine light on the hill. 
No more apathy, no more turning away— 
Release the Epstein list, bring back the day. 
From riots unspoken to voices suppressed, 
It's time to fight back, put decency to the test.

(Outro) 
So here's to the fallen, Charlie and Iryna's light, 
We'll sing through the censorship, into the fight. 
No more killing dissent, no more biased divide—
Get off the couch, let the moral compass guide.

(End )



Shadows of Silence

Buy on Bandcamp

If you reach too high and fly too close to the sun, this is what will happen.

Wings of Wax

Savior (dream rock ver.)

Echo

Defined .mp3

Unravel the deceit in Shark Attack's blistering new cut, 'Woven in The Lies'—a brutal metal exorcism of self-doubt's creeping rot. Poisonous whispers and shattered mirrors fuel this descent into a caged soul, where fiction clings like scarred skin and rage demands release. AI-crafted heaviness meets lyrical venom; for those who thrive on the sickness of disbelief, this is your unraveling anthem. Step into the web... if you dare.

Lyrics and Music © 2025 Siddhartha Chen (RealAsianRobot)



Woven in the Lies

Light at the End

https://distrokid.com/hyperfollow/drayvenfall/no-pain-no-gain

he fury of battle, the pain of loss, and a scream from the depths of your soul...
Every note is a rebellion, every word is a grievance. This track is for those who
carry broken hearts.

👇 Feel it, shout it out, share it... embrace the power of the pain. 👇

THRONEBREAKAR

NUCLEAR HALO

UNIDARK – Transcendence of Pain

Deathcore, Death Metal, and Metalcore forged from the blackest depths.
Brutal, emotional, and carved straight from the underground.

💀 Stream, support, on Bandcamp → unidark.bandcamp.com/follow_me

Transcendence of Pain - is a haunting plunge into the abyss of suffering and rebirth. It’s the echo of a shattered soul burning alive, stripped of hope, yet rising through the ashes of agony. Every line is soaked in torment, every word a scar carved deep into existence.

This track captures the brutal beauty of embracing pain as both curse and salvation — surrendering to the fire that consumes and transforms.

Transcendence of Pain

A tribute from Terrestrium to The Black Cross, born from deep respect and artistic kinship. Led by Lyssa—sister to Lilith of The Black Cross—the band reimagines each song as a sincere offering, preserving the original spirit while casting it through their own shadowed lens. A dedication of voice, craft, and admiration.

Call From The Grave

I'm a 43 year old male from a tiny town north of Winston Salem NC
 
I have been writing lyrics since I was 10 years old and have been playing In bands since I was 14. I also worked in live music as long as I have been  playing on bands. 

I write a ton of lyrics and run them through an AI Generator because I can't afford or find the right musicians willing to step into unfamiliar territory and explore new kinds of worship music. One of a darker moody nature. 

My influences are massive. it's easier to tell you that with the amount of bands I have seen live or worked for every kind of music influence me From spoken Word like the last poets to musical like the work of  Stephen Sondheim. I absorb all that is musical. 

 i wrote these lyrics for people who get it. if it's not your cup of tea then that is okay. I hope this reaches people who are not Christian, and gets them to realize Jesus wants you to come as you are. 

if you have experienced church hurt this is also for you. it's time for you to come home. 
People  hurt other people within the church far too much. it has no bearing on your relationship with Christ. It wouldn't hurt to try different churches until you find your real church family. One who loves you for who you are and will help you grow in Christ. 
Not a group of people who talk behind your back because you came in jeans and a tee shirt. There are wonderful churches out there.

All the lyrics are written by me not one song was run through the prompt that uses just a couple of words. The first hundred songs were written in a two month period. I am currently entering my third month of writing my brand of worship music. 



Defined .mp3

Thomas leinbach

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