For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

CONTACT - NEW ALBUM OUT NOW
subfocus.lnk.to/contact 

ROW bookings: tom.jones@unitedtalent.com
North America: mrodriguez@teamwass.com

atrak.komi.io
www.atrak.com
www.foolsgoldrecs.com
www.goldieawards.com

🇫🇷 DJ/Producteur Rawstyle x Rawtempo x Uptempo 
ℹ️ Info Booking : booking.peako@gmail.com
🛜 Stream & Réseaux sociaux : linktr.ee/peako_music

Passionné depuis son plus jeune âge par des rythmes les plus effrénés, Peak’O (anciennement Monsitek) a fondé en 2015 le Sound System Les Ekoliers, à l'origine de soirées emblématiques telles que 'Ravolution 2’ ou 'Harder Style' en Normandie. Depuis maintenant 8 ans, il est présent sur un char au Carnaval Étudiant de Caen et met en lumière les styles électroniques les plus extrêmes. DJ et producteur depuis plus d'une décennie, Peak’O a su développer une maîtrise technique remarquable ainsi qu'un univers musical singulier, oscillant entre Hardstyle,  Raw, XtraRaw et Uptempo. En juin, il a marqué une nouvelle étape dans sa carrière en dévoilant son premier titre, 'Good Time'. Au cours de son parcours, il a eu l'honneur de partager la scène avec des artistes de renommée internationale tels qu'Angerfist, Sefa, Act of Rage, Ncrypta, Maissouille, Billx, Vortek's, Creeds, Rooler et Dr Peacock. Son objectif est clair : offrir une expérience sonore aussi intense que puissante.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

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