Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

With equal parts Orange County punk, honky tonk country, and rockabilly sensibilities, Reno Divorce strikes a unique chord of their own in a diluted genre of what passes as “Punk rock’n’roll”. Throw in well-crafted and deftly executed songs that straddle the line between Smithereens and and Social Distortion, and you’ve got a band that truly stands out amongst the herd. Oh, and there’s one more thing....this aint the boys’ first rodeo...they’ve played with almost all their punk hereos (ALL, Social D, TSOL, Adolescents, Agent Orange, Shattered Faith, X, The Blasters, Motorhead), and shared a tour bus with more contemporary heavy hitters, ala U.S. Bombs, The Bones, and Street Dogs. They’ve worked with the cream of the crop behind the scenes, as well. Their last record, “Tears Before Breakfast” was produced by Jason Livermore at the world famous Blasting Room and the support tours for that album were handled by M.A.D. Booking in Europe, where among other great festivals, they graced the Saturday Night Fever Stage at With FUll Force. Always captivating live, and wrought with more hooks than your uncle Bob’s tackle box, Reno Divorce has carved out a reputation as the real nitty gritty, a true “musician’s band” that pushes the envelope with every release, without sounding contrived or formulated. Brent Loveday’s adept songwriting and clever storytelling are brought to life by the bands expert musicianship. With Brent Loveday on lead guitar and vocals, Tim Jadowski on bass, Tye Battistella on Rhythm guitar and Ruben Patino the band fires on all cylinders. backed by a band that fires on all cylinders. Reno Divorce has earned honors in Kerrang, Metal Hammer, Loud Fast Rules, and (more importantly to the band) the respect of their peers.

Trenchard is a new 4 piece band from Bath playing indie rock originals, taking influences from the likes of The Smiths, Bryan Ferry and Bloc Party. Writing about politicial correctness to exams to family troubles, the diversity of their song-writing is staggering, considering their ages of just 15-16. With members having received airplay from BBC R2 why not have a listen, you may be surprised...
"Trenchard has something going here. I was impressed. This is music I can relate to and the sound of the band is near perfect. The tone of the lead singer and the drum beats a superb." - Traci Hoffman, Dvldoll Blog
"You all have so many things going for you – strong songwriting, foot tapping indie rock beats, solid band performances, high energy with a young fresh appearance, …..keep on!" - Andrea Young, Aspenbeat Radio


"They have the skill and nuance of a musical combo twice their age. True it is ramshackle but that didn’t stop a whole host of C-86 bands from crowding the indie charts way back when. ‘Stubborn’ has a steady build with the disparate instruments threatening to pull the patchwork quilt of sound apart at any given moment. That’s half the charm however and with a singer whose vocals are both odd and compelling you’re left with a unique offering that’ll lift Trenchard beyond the sweating and indistinguishable sound of a thousand other bands."
- Keven Hugger, Music Blogger, Record Label Owner

"There are many things I like about this. The melody is great and super catchy.  It's a great song with great lyrics.  I love how the song comes alive later on. It's got amazing potential."
- Valida Carroll, ON-AIR HOST, 89.9 KCRW // Desert Nights at The Standard, Hollywood Talent Coordinator

"You all have so many things going for you – strong songwriting, foot tapping indie rock beats, solid band performances, high energy with a young fresh appearance … keep on!"
- Andrea Young, Aspenbeat Radio

"Trenchard has something going here. I was impressed. This is music I can relate to and the sound of the band is near perfect. The tone of the lead singer and the drum beats are superb."
- Traci Hoffman, Dvldoll Blog

"A long meandering de-tuned electric guitar lead intro followed by an uptempo, stuck in the garage take on pop music. Recalls the work of great British bands of the last decade such as Good Shoes, The Bridge Gang, and the vocals echo Bloc Party at times. Very catchy and accessible, if not light on production values. Both raw and immediate yet accessible and inherently likeable."
- Leks Maltby, Founder of the Toronto-based indie rock blog Aside/Beside

MUSIC AND LYRICS BY WILL CROSS, EXCEPT 'COMMIT TO THOUGHT', MUSIC AND LYRICS BY GEORGE REBELLO

Formed in 2015, Brighton via Bristol based Stone Cold Fiction have toured the UK and performed at notable festivals including Isle Of Wight, BBC 6 Music Festival and Dot to Dot. They have also played support slots for IDLES, Demob Happy and Cleopatrick. In 2018, the band worked with producer Marc Jones (Band Of Skulls, The Heavy) on a string of singles. The release of ‘Two Step’ and ‘Closet Psycho’ saw the band headline multiple tours of the UK, as well as Conges Annules Festival in Luxembourg. The last of the three singles ‘Drip’ was released in January 2019, closely followed by more shows, including a sold out performance in Amsterdam. 



After recording and releasing the three singles, Matt, Alex and Stephen were ready to push their experimentation to new limits. The context of an LP allowed them new terrain on which to do this. Experimentation with ambience, groove, structure and time-signatures were to lay the foundation for their debut album. 



‘Strange Times’ absolutely embodies the Psych-Rock experimentation and DIY approach that has come to define the band through its formative years. It began as a collection of musical sketches conceived by the band following their previous efforts and showcases various departures from their typical sound. Produced by Reuben Tyghe and working again with engineer Marc Jones, the songs were recorded live with minimal overdubs and additions to the mix. 



At its most progressive the LP presents 10 minute soundscape ‘Landscape’ and Darkly-Ambient 7 minute ‘Avoiding In A Way’; and at its most concise, provides the forward-moving groove of ‘CCTV’ which premiered on BBC Introducing in the West and was quickly made BBC Radio Bristol’s track of the week. More Fuzz labeled the album “a really addictive album, 8 tracks combining modern alternative and neo-psychedelic approach to blues licks and heavy atmosphere.”

Three Times Enough is following