Emptiness Reworked, Rewoven

Sequences - The Willows (Shō Rework)

From "Kambium"
Out July 2nd 2021
https://mondoj.bandcamp.com/album/kambium

Mastered by Sean McCann

Piętnastka - Kambium (MONDOJ15)

This is an extremely slowed version of the song. And yes the cover is relevant. Try to figure it out. You won't.

spooky preview of a not so spooky song

Step.4D3.423

Excerpt of B2 from

Eks - Echo Courts - C20

Out September 28th on Archivio Diafonico

www.archiviodiafonico.org
archiviodiafonico.bandcamp.com

Eks - Echo Courts - B2 (excerpt)

Jeremiah M. Carter & Kelby Clark - Decatur St. Song

Credits:
Jeremiah M. Carter - Harmonium, harmonica, hammered dulcimer, percussions, & electronics
Kelby Clark - Dobro

Mixed & Composed by Jeremiah Carter

Jeremiah M. Carter & Kelby Clark - Decatur St. Song

Edited Arts is launching Beyond Shame, Any Second by DJ Meddle.

Beyond Shame, Any Second opens with a call and response, a melody relayed over a damaged line, altered by its journey. Throughout this debut EP, that broken signal is forged into jagged rhythms and raw club pressure.

Space defines Meddle's sound: skeletons of dance styles paused and peppered by deftly chosen samples and oddness. A love letter to Porto, echoes of London's dread. Chopped, ripped apart, fused back together, just enough and never too much.

Twenty Five Four features Ece Canlı, the Porto-based Turkish researcher and artist, soon to launch her debut album on local mainstay Lovers & Lollypops. Recorded in one enchanting take at Stop studios, Ece’s spectral voice glides out of a cadaverous instrumental, only to steer and bewitch it in the end

(Downloading gives access to stems and bonus art)
–––––
The thumbnail from the Ytube upload of The Ones - Absolutely Flawless is that emo-club picture of the woman with headphones on listening to a song looking really fallen, a swirl of light about her as if that is music itself or her own feelings made visible. It’s a thumbnail for a Traktor tutorial vid, or was it my 2010 HD desktop wallpaper? Wait that’s actually some private information… keep it to yourself please.

Meddle samples the word and it’s a good one: “correction”, and repeats it. It’s not that you or me or us if you’ll let me lump (us) together, need reminding of Absolutely Flawless for a smile, it’s that it’s actually quite difficult to cope with the day to day chronic loss of placeness, opportunity, collective spirit, when lyrics from tracks like these speak of things you’ve never experienced, or had said to you, which begs the Q’ who or what is flawless? Who’s shaming who? Am I the listener embarrassed to live a life not up to the sentiment of the song, or should u as the producer be uncomfortable to make me feel this way?

Meddle and Ece Canlı made a 15min track that is the exact opposite of a neon slow-shutterspeed glowstick swirl. It’s the royal gate music for the princeless, the loading music for a game about true bonds where the confidence to not be unspoiled is the mechanic.

These samples and sounds on here are special because they fit together not untouched but touched in this way. This isn’t music of extra loneliness for the already alone, or of shininess for the dull and lowly, it’s the music that says – “I’ll be there any second”–  for you, and just for you.

Album Artwork by DJ Meddle
*words by DJ Hard Shoulder // text by Emile 
Mastering by hmurd
*extra mixing on Twenty Five Four by André Ribeiro

DJ Meddle:
@meddle-uk

Edited Arts:
Instagram - www.instagram.com/editedarts/
Facebook - www.facebook.com/editedarts/
Twitter - twitter.com/editedarts

We appreciate your support and hope you enjoy the music. Thank you for listening.

DJ Meddle - Beyond Shame, Any Second

releases November 20, 2020
mastering :: A Campbell Payne
additional mastering on 'Edouard' :: Glyn Maier

all proceeds to Friends of the Nanticoke Lenni-Lenape (Bridgeton, NJ) - nanticoke-lenape.info/friends.htm

"Like entering a palatial hall of mirrors, LXV’s A Screen Memory opens with a baroque, choral synthesis. There are seraphs atop gilded plinths, chandeliers overhead. You’re ushered through an ornate, jeweled backdoor, and outside, it’s a beautiful bright day. Down a mossy path the calm patter of rain begins. A brook gurgles. There are voices too, though indiscernible. You arrive at a well brimming with crystalline data. But then a fog descends from behind. And down you go.

The place you arrive in appears familiar, but something is off. Strange transmissions travel the air. Anomalies all around. Paradox reigns. Notions such as backwards and forwards lose meaning as do sender and receiver. The landscape is littered with softwares, broken bells. Looking up, there, some things in the shrouded distance: sonic objects, unidentified, glowing, you squint to get a good look, but before you can comprehend, the brain change concludes, and your paranoia turns to coursing pleasure.

---

LXV is the most prolific alias of David Sutton, a sound arranger and independent researcher from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton.

A Screen Memory

LXV - Edouard (ENMX12)

HARNESS - ENCASED IN MARBLE / WRAPPED IN ROOTS CD AVAILABLE DECEMBER MMXX

Harness - Encased In Marble / Wrapped In Roots CD (Excerpts)

Presented as a re-creation of two live sets performed in 2019, Patrick Gallagher deftly melds field recordings, a "fairly standard" synthesis toolkit, and prepared electric guitar into two peerless electro-acoustic compositions comprising his debut album for ENXPL (enmossed x psychic liberation).

As the album's title implies, "Set In the Bardo" embraces indeterminacy in all respects. An extreme range of timbrel variety and complexity is employed, from pure sine waves to nearly-incomprehensible sonic blasts. With a formal education in mathematics, Gallagher's astute arrangements modulate between smooth glissandos and abrupt interruptions, reflecting the compositional process used: salvaging hitherto-abandoned recordings and live snippets from the artist's archive. Post-processing was eschewed on the album in order to preserve the improvisatory nature of a live performance, giving an organic quality to the album which is often lost in academic compositions.

While "Set In the Bardo" was created in pre-pandemic times, it also functions well at this particular juncture of history. We have been 'set in the bardo' ourselves, and Gallagher has made an engrossing set of pieces - encapsulating and unfolding sonic uncertainties as we venture through trying times. Well worth many listening sessions; high volume and high fidelity during playback are recommended.

---

Patrick Gallagher is a sound artist and composer currently residing in Philadelphia, PA. He cut his teeth in the North Carolina avant-garde underground, perfecting his composition processes with numerous live performances as well as releases on Tone Log, Hot Releases, Refulgent Sepulchre, and other independent labels. 

releases January 29, 2021

mastering :: Jack Callahan

cover artwork :: Autumn Casey

design ++ layout :: Robin JM Vanderheyden

a portion of Side A was recorded live at Rhizome (Washington, DC) by Steve Sanford

all proceeds to The Youth Art & Self-Empowerment Project (Philadelphia, PA) :: www.yasproject.com

Set In The Bardo

Patrick Gallagher - Untitled [Set In The Bardo Side B Excerpt] (ENXPL05)

Late Night Mo(u)rnings
10.00-12.00 on the Trip Bubble Floor.
Sharing this second half of a partially recorded Mix from my set at Deep Sleep Festival.
Swelling textures, glitchy bliss 

Otro - No Think
RLX ASSASSYN - Fluiud
7038634357 - Blanket
Office World - Requiem For No One (Dissolved Cogito Mix)
luxxuryproblems - alucinari
Moa Pillar - Secret
pent - 20x 2
Bénédicte - Stirring the Thaw
Garland - Aelita
Torus - Earth VIP (Styler)
Epsilove - Sea Snakes (HAJJ & Lastrack Remix)
Yre Den - Venial Elevate
Otro - May You Find Some Comfort Here
Edo Edo - Eurocentricity

Harness - Encased In Marble / Wrapped In Roots CD (Excerpts)

Throne Heap