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We As Human

Sever - We As Human

"Don't Let Me Down" by Throw The Fight from the album, 'Transmissions'
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Transmissions

Listen Everywhere

Don't Let Me Down

The debut single from Ghosts of August - "DISEASE"

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DISEASE

My Addiction

Thick As Thieves

Hold Your Ground

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Of Mice  Men - Back To Me

Cult To Follow - Lies (From the release "The Inception")
Preview & Save "The Inception" on the music service of your choice by clicking the Smart Link below:
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Written by Bryan W. Scott © Superman Music (ASCAP)
Produced, Mixed & Mastered by Bryan W. Scott

The Inception

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Lies

Discrepancies - Art Of War

We Travel Alone

Say Goodbye will be released May 8th 2020. 

Stealing Eden returns with their second single of 2020, "Say Goodbye". An upbeat modern rocker that grasps with the tumultuousness of a relationship gone astray.

Say Goodbye

I never want to be a dead man
Falling into my own black hole
I’d rather burn bright than break down
Light up the darkness that grows
Now won’t you wake up with me
I cannot let you self destruct
There is a man waiting out past all our guilt
To take us home

Coming alive again
I know it’s never too late
And now it’s time to ignite again
Don’t let the darkness in
We’ll burn our shadows

I never want to be a blind man
Forgetting everything will end
Always an envy in my eye
And never satisfied
So won’t you rise up with me
Rip out the sickness in our bones
There is a man named Forgiveness
And he will take us home

Coming alive again
I know it’s never too late
And now it’s time to ignite again
Don’t let the darkness in
We’ll burn our shadows

They hide in the deepest darkest place they can find
For they are lovers of their sin 
Their crimes arise announcing their guilt
And their silence is deafening, deafening
Won’t you run from the pain
Won’t you stay far away
From their lies
Their lies
Their murderous pride
Don’t you ever be misery’s company

Coming alive again
I know it’s never too late
And now it’s time to ignite again
Don’t let the darkness in
We’ll burn our shadows

NINE LASHES - Shadows

With a diehard audience earned the old-school way and modern rock anthems suited for the digital age, Throw The Fight celebrates two decades of passion and perseverance. Mixing soaring melodicism and heavy bombast without ever sacrificing hooks, the Minnesota outfit was built to last.

Songs like “Cover Your Tracks,” “Hourglass,” “Bury Me Alive,” and “Awakening” are undeniable bangers. They resonate with an urgent connection similar to the sound championed by the likes of I Prevail, Wage War, or A Day To Remember, with a unique creative voice shaped by the Midwest and over 20 years of experience. Close to 700,000 monthly listeners drove Throw The Fight to nearly 70 million streams on Spotify, where tastemaker playlists regularly introduce them to new listeners.

Frontman Kade Kastelitz, guitarists Ryan Baustert and Kris Weiser, and drummer Jeff Baustert make a career-defining statement with their breathtaking fifth album, Strangeworld. Produced by Josh Gilbert and Joseph McQueen (As I Lay Dying, Bad Wolves, Light The Torch, Upon A Burning Body), the record is a potent distillation of the strengths of their catalog and a huge step forward to the future. It’s the first Throw The Fight album released in collaboration with Long Branch Records and SPV.

“The album title refers to the odd state of the world we have all been living through these past few years,” Kastelitz offers. “Sometimes we can feel like we aren’t on the same planet anymore.”

The Strangeworld songs came together in Weiser’s cabin during the worldwide pandemic shutdown. Once the band honed the material to their liking, they headed to Sparrow Sound in Pasadena, California, with Gilbert (former bassist for As I Lay Dying and now in Spiritbox) and McQueen. “We worked quickly,” Ryan explains. “We did a lot of tracking before we arrived. We trimmed a lot of the excess and focused mostly on vocal production, really dialing that in, which
was our biggest change.” 

The band’s earliest rumblings drew from melodic punk and hardcore like Alkaline Trio and New Found Glory. Over the years, the crunch of New Wave Of American Metal acts like Killswitch Engage and the raucous rebellion of Every Time I Die found their way into their sound. Ultimately, Throw The Fight isn’t limited by genre conventions, opting to serve each song as the specific song demands. This made for an exciting, eclectic, diverse catalog connected by authenticity and dedication.

Throw The Fight independently sold thousands of their debut EP and topped the unsigned category of the community-driven Pure Volume. A magnetic live show, a determined work ethic, and an electric connection with crowds earned Throw The Fight an invitation to Vans Warped Tour early on. Grassroots support saw Alternative Press anoint them as an Unsigned Band To Watch in 2006.

Tours with Bullet For My Valentine, Black Veil Brides, and All That Remains; shows with Avenged Sevenfold, Papa Roach, and Red Jumpsuit Apparatus; festival appearances and headlining gigs introduced audiences to the power of the band’s sound as it evolved across four albums, and EPs.

The aptly titled In Pursuit of Tomorrow (2008) was an ambitious debut. The band collaborated with platinum producer John Feldmann (blink-182, Korn, The Used) on What Doesn’t Kill Us (2012), which boasted the unstoppable “Not So Hollywood,” among other highlights. Cryptic Rock declared Throw The Fight “better than ever, with heavier, catchier songs” on album three, Transmissions (2016).

Settle Your Sins (2020) saw longtime bassist and co-vocalist Kastelitz step up to the frontman position. His overwhelmingly captivating performances drove songs like “Paper Wings” and “Misery” to become new fan favorites, each powered equally by stellar musicianship and emotion. The 2021 acoustic EP, Inside Out, resulted in 2.7 million views for the “Wolves in the Dark” music video.

Strangeworld is just as powerful lyrically as it is musically. “Cover Your Tracks” kicks off the record with a call to action to question everything. “Hourglass” references the passage of time. “Moments are precious,” Kade says. “It’s a reminder to embrace life and be grateful for our limited time on this planet.” “Obey” resists forced complacency. “Lost Without You” deals with the grieving process.

“Sorry, Not Sorry” is “about releasing guilt for following your passions and dreams, realizing it’s not selfish. It’s self-care,” Kade explains. It’s a bold summary of what Throw The Fight represents. “It’s a ‘Strangeworld,’ but through music and art, we can express what we feel and deal with daily.”

Throw The Fight creating a record this powerful from a position of strength was no accident.

“We’ve consistently executed something every day for years and never quit,” Ryan says. “It doesn’t sound very exciting, but that’s the secret. That’s why we can still do this 20 years in. We maintained our independent, DIY work ethic from day one, continually doing things on our terms.”

Don't Let Me Down

Throw The Fight

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