Ti-Fred is from Oakland, California and makes music known by different names. But what's in a name?  The best part of music is the part best left unsaid.  His mixes can be found at https://www.mixcloud.com/ti-fred and his original creations are on Beatport at https://www.beatport.com/artist/ti-fred/423980 on such labels as Capital Heaven, Baroque, System Recordings, Pineapple Digital, 3xA Music, and La Papillon.   You can reach him at tifred@lmi.net.

Techno sculpted with hardware and modular systems, forging hypnotic, evolving soundscapes. Self-releasing through Deciduous Circuits, future-facing techno emerges—intense, emotional, and always pushing boundaries.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

04-29-22: LA - Hyperspace Festival w/Luke Vibert, Richard Devine, Adam X, Mor Elian, Neil Landstrumm, Developer, Drumcell, Tensal, Woody McBride
12-18-21: LA - INCOGNITO x 6AM w/Tommy Four Seven
08-06-21: LA - W Hollywood w/Demuir
09-14-20: Detroit - Movement (Afterparty TBA)
03-31-20: LA - Dublab
03-21-20: Berlin - Suicide Circus

RESIDENCIES:
female:pressure (Berlin), PANIC (Los Angeles), Jackin' Jills (Los Angeles)

BIO: 
“In the world of techno DJs and producers, there are some people who get it, and then there are some who don’t. It’s quite obvious that when listening to Mojave’s sets and productions, that there’s a deep and fundamental understanding of the mechanics of techno and electronic music. If you’re to understand Mojave’s upbringing listening to hard underground music and you pin it up alongside a trained ear with a strong foundation in music theory and history, it’s easy to see why. Mojave’s music comes from a very informed place and when you listen to her selections everything has an interaction and each part of the music is considered on its own. From tonal characteristics, rhythm, pitch, to that essential ill groove that most people seem to gloss over these days, she has it nailed down. Mojave’s musical choices, like all good techno, just make good sense, with function and flow down to every nuance.”

Mojave has performed top nightclubs, festivals and the underground circuit throughout the U.S. and Europe, headlining Berlin’s famed Suicide Circus and SchwuZ, supporting the likes of Sasha and Skream at Minimal Effort festival; DVS1, Volvox, Hyperactive, Paul Johnson, Woody McBride at the legendary Even Furthur festival; Radio Slave, The Advent at 6AM x INCOGNITO; John Tejada at The Liquor Store; Kerri Chandler, CamelPhat, Coyu, Mark Kinchen, Prok & Fitch, Harvey McKay, Noir, Danny Howard at Exchange; Matt Lange at Clinic Wednesdays; Tijana T at FOCUS; Francesca Lombardo, Chus & Ceballos at La Cave.

Internationally, she holds a residency on FNOOB Radio (London) and appears regularly on prominent radio shows like Data Transmission, Dublab, and more in the U.K., U.S., Germany, and Canada. She serves as a social media manager for female:pressure, a Berlin-based international collective advocating for women-identifying and non-binary artists in electronic music. In Los Angeles, she co-manages PANIC, an underground house/techno warehouse series, and Jill's House, a monthly house music event.

Tobias Freund is a highly regarded German producer, sound engineer, and musician known for his innovative contributions to electronic music. With a career spanning decades, Freund has worked under aliases such as Pink Elln and Tobias., blending experimental sounds with precise production techniques. As a sound engineer, he has collaborated with iconic artists, while his solo work explores minimal, ambient, and techno genres. Freund's mastery of analog equipment and improvisational live performances have made him a prominent figure in the global electronic music scene.

Melodic Techno dj/producer born in Bogota, Colombia and raised in The Netherlands 

Bookings: lakeavalonmusic@gmail.com
Promos: lakeavalonmusic@gmail.com

Released on: Spectrum / Stil Vor Talent / Katermukke / Einmusika / Tomorrowland / Parquet / Cafe Del Mar / Jeudi / Electronique / Kraftek / Atmosphere Records / Global Underground / Kittball / Toolroom / Click Records / Armada / Nervous

Melodic Techno dj/producer Lake Avalon, born in Bogota, Colombia, raised in the Netherlands. He discovered the art of music at a very young age due to his father who played several instruments. Because of that, music always played a big role in his life. Growing up as a teenager he got inspired by the first wave of progressive house acts like Sasha and John Digweed. You can still hear these influences in his own music productions. His sound nowadays can best be described as Melodic Techno.

Lake Avalon played in The Netherlands at events and clubs like DGTL, Pleinvrees, Marktkantine, Click, Nachtcollege, Komm Schon Alter, Now & Wow, Undercurrent, Mystic Garden Festival, Dockyard Festival, Thuishaven, Club Air, Basis and many more. He also covered a lot of clubs around the globe as for example in Germany/Berlin where he played; Wilde Renate, Kater Blau, Sisyphos, Suicide Circus, Kosmonaut and Golden Gate as well as Belgium clubs Club Vaag and Club Labyrinth, Baalsaal Hamburg in Germany, Club Bellevue Zurich plus lots of other gigs around Europe in countries like, Ukraine, France, Spain, Portugal, Denmark, Sweden and also outside Europe in countries like India, Bahamas & USA.

Besides being an experienced performer, he’s also a top notch producer with releases on labels like Anjunabeats, Stil Vor Talent, Parquet, Jeudi Records, Einmusika, Global Underground, Katermukke, Kraftek, Electronique, Kittball. 
His music is supported by the likes of Tale Of Us, Lee Burridge, Guy Mantzur, Nick Warren, Dave Seaman, Kollektiv Turmstrasse, Adana Twins, Doctor Dru, Artbat, Teenage Mutants, Oliver Koletzki, Moonwalk, Giorgia Angiuli, Agents Of Time, Tube & Berger, Jonas Saalbach, Solee, Einmusik and many more.

Contact:
adrianomigliorino@hotmail.com

Adriano Migliorino is a multidisciplinary creative with a deep curiosity about the relationship between built environments and sonic experiences. Through his work, a dual path of academic and artistic exploration, Adriano seeks to inspire an understanding of the ways in which architecture and techno culture shape our perceptions of space, time and identity.

Born and raised in Sydney (Australia) with Italian heritage, Adriano’s life path was altered on an academic trip to Berlin. While researching urban trauma in the region, he became captivated by the relationship between architecture and techno. After returning home to complete his studies in architecture with the University of Technology Sydney, Adriano’s love of techno continued to build. What began as a hobby quickly became a
core tenet of his identity. Alongside honing his musical style and skills, he pursued a PhD that uncovers the symbiotic relationship between the two disciplines. Adriano’s thesis, a groundbreaking work titled “Dark Space, Psychic Space. Architecture, Techno and Counterculture” provides a foundational understanding of the transformative impact of architecture within the techno movement over time. 

As both an architect and techno artist, Adriano’s work breaks down the walls between physical space and auditory sensation. His architectural designs are informed by the principles of sonic immersion, creating environments that resonate with the pulsating rhythms of techno. Likewise, his music captures the essence of spatial dynamics, transporting listeners to otherworldly realms. Driven by a fundamental need for creativity, understanding and experience, Adriano pushes the boundaries of art and design, providing an invitation to explore
the world between sound and space.

Vinyl! Our  way of musical expression 
  defended the Heritage. 
 Twelve´s thanks for all the love.
 Music as nexus.Love & Light
 Run by @linos & @proyectoinopia
 Established 2014
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