From his early releases on the legendary german imprint raster-noton, to his more recent output aimed at the club, Kangding Ray managed to trace a singular trajectory, navigating the unexplored territories between experimental music and dance music.

Through his consistency as both Live performer and DJ, and a number of critically acclaimed releases, Kangding Ray showed his ability to keep a genuine artistic approach, while slowly crafting a unique universe, equally focused on emotional response and visceral impact.

Kangding Ray’s music tests boundaries, evolving constantly in its exploration of texture and rhythms, while talking equally to the body and the mind.
From his past as architect, Kangding Ray kept a multidisciplinary approach to art, applying his craft in diverse artistic fields such as visual arts, film scores, audiovisual installations and dance performances.

Do not even born when Daniel Lindner aka DJTranceBass began to listen very special music. Classical music. Even today, he is a big fan, so this valuable musical direction. Until he discovered his passion for trance. He heard that this "new" style of music has many similarities with the classical.

Many happy, but also sad melodies, bundled in combination with the beat and were composed of a fat bass drum to a danceable song. But after some time it was too boring for him and he decided to expand this / Its music.

In early 2005 it started then. DjTranceBass was launched. Until his first song and many unfinished ideas in my head it did not take long. Today, he has about 40 tracks composed and partially released.

Together with moproduction he wants to present himself and his music to the masses and provide good mood in the country and perhaps the world.

He already has some fans, but it can be determined much more ...

http://www.robclouth.com
For bookings and other requests: anthony@thewildseeds.com
For general chit-chat: contact@robclouth.com

Releases:
- Clockwork Atom EP on Leisure System
http://www.leisuresystem.net/lsr011-rob-clouth-clockwork-atom-ep/
Digital: http://boomkat.com/downloads/982630-rob-clouth-clockwork-atom

- Cloud Complex EP on Traum Schallplatten
 http://www.traumschallplatten.de/traum/traumv157/traumv157.html

- Libet Tones EP on DETUND
Digital:
http://www.beatport.com/release/libet-tones/943860
Limited vinyl:
More info and shop links here:
http://detroitunderground.net/blog/2012/05/03/vaetxh-libet-tones-du17/

 - Mass, Clipper + 5 epic remixes by Dead Fader, Subjex, Circuit Bent, Woulg and Culprate release on King Deluxe on 20.09.11. Get it here: <a href="http://store.kingdeluxe.ca/album/mass" rel="nofollow" target="_blank">http://store.kingdeluxe.ca/album/mass</a> and make sure you check out the official video by Henning M. Lederer here: <a href="http://www.vimeo.com/29144891" rel="nofollow" target="_blank">http://www.vimeo.com/29144891</a>

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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