This @DarkScienceElectro label highlight is for @Klakson-Records

All of the tracks used in this mix can be purchased here:
https://klakson-records.bandcamp.com/

Privacy - Go
Steffi&Stingray - Explanatory Power
D_Roots - Miami 21
Passarani - The Fixer
Fastgraph -  Attack Vectors
The Hacker - Body Electric
Nullptr - Resilience
Late Night Approach -  Luvequest
Luxus Varta - Holy Pressure
Pauli Jylhankangas - Inert Swingers
Mesak - Romu
Sepehr - Artificiality
Negroni Nails - Vertical Slice

Additional resources:
https://www.facebook.com/klaksonrecords
https://klakson-records.bandcamp.com/
https://www.instagram.com/steffi_dolly_klakson/
http://www.klakson.nl/

https://klakson-records.bandcamp.com/

Klakson Records

Dark Science Electro presents: Klakson Records

The latest edition of the Warning Mix Series comes straight outta Warsaw and the studio of Bartosz Kruczyński better known under his stage name Earth Trax. The Polish artist made himself quite a name with a steady flow of top notch productions, praised by labels such as Rhythm Section, Shall Not Fade, Aus Music and Les Yeux Oranges. 

With this recording he’s once again proofing that his skills as a DJ are not any inferior those as a producer. You’re in for an hour of jacking yet spherical techno sound!

Follow
https://soundcloud.com/earthtraxonline

Warning #96 Earth Trax

Martina Bertoni - Music For Empty Flats
Federsen - Penumbra
GIDEÖN - Brighter Day (Dub Mix)
STL - Simple As That
Alpha Delta - The Moat (Critical Automator Dub Mix)
e-freq - Ace of Bass
Rockers HiFi - Push Push - VRIL Remix 2023
czysta forma - serafloating cirrus tears of vermilion billows light
Storm Mollison - Dirty Dance
Dave Tarrida - Straight Edged Razor
Kodem - Dark Series 1
Seb Zito - Stranger Things
MarceauxMarceaux - Do It Right
Data Memory Access - Anthem
Sally C - All Love
Operator - Crossroad
FaltyDL - Please Below
Ramu - Yesterday, Tomorrow
Curses - Premonitions
Esteban Miranda - Osmosis
Narciss - Love 4 Life
Diskordia - Mala Mazza
HA|XO - Jipae
Divide and Jonas Kopp - 1.CO.LAB 004 A.wav
CVRDWELL - Source of Excitation
Robert Hood - Apartment Zero
Ackermann - Let The Rhythm (SCB Edit)
Jero Clares - Measure of Nothing
RONY Group - Ain't Your Story
Viikatory X Manao - FULLRANGER
Fasme - Creeping Plant
Nuance - Il Est Encore Temps (Original Mix)
Quelza - La Rive
Junes - Pilot
The Advent - Don't Do It
KETTAMA - 1997
Pushmann - Vertigo
Jack Fresia - Controfase
Maōh - Thoughts Of Frenzy
Chontane - Septario
Daniel Heinrich - Motion (Arnaud Le Texier Remix)
Agonis - Carbonine
Alex Jones - Pressure Wash
KYMRS - Occult
3Ddancer - Catnip
The Dead Texan - When I See Scissors, I Cannot Heal

Everything is a trope

Hey world! 

In a few days it will be my 28th birthday (yes she's still a child). Navigating through the 27 club has been interesting to say the least, and to celebrate the coming of age I would like to share a gift with you.

Here is a 1hr excerpt towards the opening of my 4hr set at @gegenberlin which took place in the Summe room at @rso_berlin this past June 2023. RSO as a club over the past 2 years has already made its major impact on the Berlin nightlife scene so to get a chance to make my debut there with Gegen is an absolute honor, especially on that banging sound system 💦🔥

This except is house, minimal, techno, a bit trippy, a bit dark, a bit light - all recorded on both vinyl and digital records. Its everything I love about house and techno condensed into an hour long snapshot, which I frankly think does not get played out enough at gay/queer parties.

Lastly I'd like to thank @marius-dj and @boxikus for the invite and warm hospitality. It's always a joy to contribute sound, energy, and vibes to your amazing party 😘❤️🥰

TRACKLIST
Lil Louis & The World - I Called U (A Series of Events Acapella)
Funk E - Pe Apa Zambete
Ouxh - Agavavaeae
Benjamin Milz - ORKL-0114-02 A
Shanti Celeste - Fantasma
Fumiya Tanaka - If So Remember (Dub)
Isbel & Ildec - Nika (Felipe Bravo Remix)
Killer DJs - 2.1
Ouxh - Hex 
John Shima - Seasons
Chaos in the CBD - Green Dove
FaltyDL - New Lover

Farhan @ Gegen [RSO | Berlin]

Tilt Shift Tuesdays 7 pm-midnight Every Week live from New Guernica in Melbourne Broadcasting on Youtube & Twitch. 

View the Full set on our YouTube Channel 
-> https://youtu.be/7OSIV7agO_4
Join Our Twitch Community 
-> https://www.twitch.tv/tiltshiftmelbourne

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DJ Kiti | Techno EBM Electro | Tilt Shift Tuesday 27th Feb 2024

Born and bred in Australia’s creative capital, Melbourne, Tamara Kiti has remained at the forefront of the local electronic music scene for over 20 years. Kiti’s love of music started from a very young age; she was an avid record collector, a classically trained flutist, and a keen club kid, making her the diverse and eclectic DJ she is today. For the majority of her tenure as a DJ, Kiti has been a staple at some of Australia’s most prolific parties and institutions, including Melbourne Techno Collective, Dark Mofo Festival in Hobart, Piknik Electronik at the Sidney Myer Music Bowl, Melbourne Music Week and Revolver Upstairs. Kiti is a go-to for local bookers, frequently receiving the call-up to support some of the world’s most renowned international artists, including DJ Hell, Marcel Dettmann, Nina Kraviz, Matrixxman, Dopplereffekt, A Guy Called Gerald and Kevin Saunderson, to name a few. Following an interrupted couple of years because of the COVID-19 pandemic, Kiti has remained a mainstay in Australia’s electronic music scene, continuing to excel at her craft
as a DJ.

Insta@kiti808
RA: ra.co/dj/djkitis
SC: soundcloud.com/dj-kiti
FB: facebook.com/dj-kiti-192735740782965

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Tilt Shift is an Event Brand Managed and Curated by Melbourne Artist @the-stockholm-syndrome

Tilt Shift sits firmly left of center, a difficult-to-label square peg that unintentionally fails to fit a pigeonhole. Borrowing from the photography term, Tilt Shift refers to two different types of movement, a selective focus with a large depth of field used to control perception. This can be applied to our music policy, tilting the vertical axis resulting in a sharp area of focus without reducing the depth of field. The selective focus that can be achieved by both tilting and shifting movements, It's compelling because the effect is different from that which you may have become accustomed to. This movement is often used to avoid the convergence of parallel lines, or as we have come to think of it, it’s where the lines blur.

SC: https://soundcloud.com/tiltshiftparty
Insta: https://www.instagram.com/tilt.shift.party/
Facebook: https://www.facebook.com/Tilt.Shift.Party
Youtube: https://www.youtube.com/@TiltShiftMelbourne
Twitch: linktw.in/RkTjT

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Follow Stockholm Syndrome and keep up to date with the latest Releases, Remixes, Mixes, and casts. Only Use The Links Below

SoundCloud: https://soundcloud.com/the-stockholm-syndrome
Insta: https://www.instagram.com/thestockholmsyndrome/
YouTube: www.youtube.com/@stockholmsyndromeau
Facebook: https://www.facebook.com/Stockholmsyndromeau
Beatport: https://www.beatport.com/artist/stockholm-syndrome-au/653438

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#tiltshifttuesday #newguernica #streaming #djmix #wherethelinesblur #melbourne #essentialmix

DJ Kiti | Techno EBM Electro | Tilt Shift Tuesday 27th Feb 2024

Tilt Shift Tuesdays 7 pm-midnight Every Week live from New Guernica in Naarm/Melbourne Broadcasting on Twitch. 

View the Full set on our YouTube Channel 
-> https://youtu.be/eemFw09QEW8
Join Our Twitch Community 
-> https://www.twitch.tv/tiltshiftmelbourne
Melbourne-> 7pm -Midnight (AEDT)
Edinburgh -> 10am - 3pm (GMT)
Berlin -> 11am - 4pm (CET)

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Tilt Shift is an Event Brand Managed and Curated by Melbourne Artist @the-stockholm-syndrome

Tilt Shift sits firmly left of center, a difficult-to-label square peg that unintentionally fails to fit a pigeonhole. Borrowing from the photography term, Tilt Shift refers to two different types of movement, a selective focus with a large depth of field used to control perception. This can be applied to our music policy, tilting the vertical axis resulting in a sharp area of focus without reducing the depth of field. The selective focus that can be achieved by both tilting and shifting movements, It's compelling because the effect is different from that which you may have become accustomed to. This movement is often used to avoid the convergence of parallel lines, or as we have come to think of it, it’s where the lines blur.

SC: https://soundcloud.com/tiltshiftparty
Insta: https://www.instagram.com/tilt.shift.party/
Facebook: https://www.facebook.com/Tilt.Shift.Party
Youtube: https://www.youtube.com/@TiltShiftMelbourne
Twitch: linktw.in/RkTjT

----------------------------------------------------------------------
Follow Stockholm Syndrome and keep up to date with the latest Releases, Remixes, Mixes, and casts. Only Use The Links Below

SoundCloud: https://soundcloud.com/the-stockholm-syndrome
Insta: https://www.instagram.com/thestockholmsyndrome/
YouTube: www.youtube.com/@stockholmsyndromeau
Facebook: https://www.facebook.com/Stockholmsyndromeau
Beatport: https://www.beatport.com/artist/stockholm-syndrome-au/653438

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#tiltshifttuesday #newguernica #streaming #djmix #wherethelinesblur #melbourne #essentialmix

Estée Louder | EBM : Industrial : Techno | Tilt Shift Tuesday 28th May 2024

10. Slinky Wizard - Slinky Wizard

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.19.55 am

Style : Electroebm / DarkTechno
127 BPM
Voices from "Hellraiser 3 



Lyrics
In Mankind`s final confrontation with Evil.  

Mitwirkende
veröffentlicht am 16. Oktober 2025

Build with Magix
Artwork: By Neongroover
Master with Acoustica 7  

Free download 
https://neongroover86.bandcamp.com/track/the-evil

Dj Neongroover - The Evil

info: http://goo.gl/7rhWI3

http://www.inputselector.fr

IS 070 - Neel [Prologue]

First episode of my new radio show Healing Corp. on Operator Radio.

Healing Corp. 01 - Operator Radio - 24th July 2020

Tilt Shift Tuesdays 7 pm-midnight Every Week live from New Guernica in Naarm/Melbourne Broadcasting on Twitch. 


Tilt Shift is an Event Brand Managed and Curated by Melbourne Artist @the-stockholm-syndrome

As we move further into the digital age, we believe that the future of clubbing is a 50/50 balance of real life and online. With this in mind, we have begun moving Tilt Shift in this direction.

We aim to create a platform that shines a light on Melbourne Locals and international talent. Build an online community while simultaneously putting people in the room as we broadcast.

Tilt Shift has been operating in Melbourne since 2017 facilitating events at a variety of the city's most reputable late-night haunts like Revolver, Boney, Section 8 & New Guernica. In this time we have hosted & toured artists such as: Marvin & Guy, Curses, The Hacker, Tronic Youth & Timothy Clerkin


Tilt Shift endeavour to promote an environment that feels safe and welcoming, somewhere which you don’t have to wrestle with the struggles of the day. No racism, sexism, homophobia or any discriminatory attitudes will be tolerated. We also care that the music is good and genres are blurred. Put away your phone and dance with us.

DJ Kiti | Techno EBM Electro | Tilt Shift Tuesday 27th Feb 2024

Tilt Shift Melbourne

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