what a awesome sound I like this a lot wow 10

If you want me to hop on dis I can gang I fw this doe seem like a bob marley beat honestly

claviers et travail sur la réverbération interessant, orchestration    un peu naïve qui fait le boulot.

Really cool ambient feel to this good stuff

Very nice indeed. Thought it was haunting noises and not wolves adding to the atmospheric nature

Repost Exchange 2

Gift

Mothership

Symphonic Dances - 1. Call of the Reeds | for Wind Symphony Orchestra (Work in Progress)

Umrandungen, Vol. 1

Umrandungen-01-11 (Remastered 2025)

This dark, moody alternative rock track combines heavy guitars, eerie piano, and haunting vocals to create a deep, atmospheric sound.

Apple Music

10.31

Hommage à Quincy Jones, au regard si triste et si émouvant- 
A tribute to Quincy Jones whose eyes are so sad and so moving

All About Quincy

*slow dancing with wolves
*I found one who howls only in Db and a pack  who howl  exclusively  in F and 
  put this together for them 
* no autotune !

Midnight

Glimpses of This Heaven We've Forgotten

Streetside Philosophy's second album Cliffhanger is a deep dive into the core style of the band, and explores a gritty side of the indie / alternative genre.  All songs were recorded using only live analog instrumentation by songwriter John Spivey.  Cliffhanger was a culmination of 15 years of original writing and tells a cryptic story layered with hidden meanings.

Breakneck

Sometimes you love people so much that you wish you could travel back in time to be there at all the moments they needed you.

This is a post punk cover version of my song Seventeen. The original version is here:

https://kindnessinc.bandcamp.com/track/seventeen-bonus-track

Composer & lyricist: Antoine G
Arrangement: Antoine G & Charles Eric Charrier

Antoine G:  vocals, drum machine, keys, melodica, production
Charles Eric Charrier: bass 1 & 2 https://charlesericcharrier.bandcamp.com/
Dominique Queffélec: violin 
Béatrice Temple: background vocals

Art: Foxy HxC Macfly https://hxcantares.bandcamp.com/

VERSE 1:
Sometimes I wish that I would be seventeen again
And I’d meet you in the park on a sunny morning
I’d put my arms around you, and hold you so tight
That all of your nightmares would come  to pass

VERSE 2:
Sometimes I wish that I would be seventeen again
To keep all these bad boys a distance away
To shelter you from their lies and from their hate
And from the sad thoughts you had at night

CHORUS:
Cause sticks and stones can break your bones
And tear your heart to pieces
Yes the stones will break your bones
And then burn your soul alway 

VERSE 3:
If I could turn the clock back, rewind the hands of time
I would be there on the days when your thoughts went dark
If I could lighten up your somber days  with a smile 
I'd show you a future that looked bright

VERSE 4:
If I could be seventeen again, I’d teach you how to fight
I’f teach you how to raise your fists and rise out of the night
If I was seventeen again I’d keep you close to me
I’d wave away the clouds and tell you you’re free 

CHORUS:
Cause sticks and stones can break your bones
And tear your heart to pieces
Yes the stones will break your bones
And then burn your soul alway 

VERSE 5 (BRIDGE):
I’d tear down every wall, fight every fear you have
To  give you all of the love that is mine   
I’d fight against thousands, and I would fight every day    
To bring you peace and joy and chase the pain away

VERSE 6:
If only  I'd be seventeen again
I could meet you in the park  on a sunny morning
I could  put my arms around you, and hold you so tight
That  all of your nightmares could come  to pass

Seventeen  (the kind version)

"Between Screams I Cry" by Siegfried Jünger unfolds as a surprising contradiction to its name. Built on a sparse but insistent percussive framework, the track carries a deep, reggae-tinged bassline that grounds its motion. Above it floats a melodic line that is unexpectedly tender—almost hopeful—threading ambient textures with electronic detail. Rather than dramatize despair, Jünger leans into subtlety, letting rhythm and space speak. The result is a track that suggests emotional distance, reflection, and the quiet moments that come after the noise.

Between Screams I Cry by Siegfried Jünger

Are we all guilty of contributing to global pollution?

Lyrics
Guilty, a crime we  all commit, without thinking  
Poison, the sea, the land, our selves, nowhere to hide

Guilty, as charged, I know I played  my  part 

Throw away, don't do it
Throw away
Throw away, don't do it
Throw away
Don't do it

Drifting, shadows lost and cold, trapped in a  heart of 
Poison, the waves pass round and round, nowhere to hide

Guilty as Charged

Free Download

The Past is Prologue

ARBOU-Low Fidelity Dreams [DARK NATURE CONCEPT]

i'm healing sløwly

Sweet Summer (DEMO)

All recorded at home with Magix DAW and a midi keyboard. Hope you find something you like.

Midnight

ath

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Mugfish76

eponymous collective

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