Intro – soft humming, distant drums, night insects]
Moriti... moriti wa lefatshe...  
Moriti... moriti wa lefatshe...  
(“Shadow… shadow of the earth…”)

[Female choir – chant rises slowly]
Ahee... ahee... moriti!  
Ahee... ahee... lefatshe!  
(“Ah yes... shadow! Ah yes... earth!”)

[Male solo – deep and rhythmic]
Lefatshe le a hema...  
Batho ba a bina...  
Moriti o a tsoga mo moyeng...  
(“The earth breathes... the people dance... the shadow rises in the spirit...”)

[Drums grow louder – layer of hand percussion (djembe, kudu skin, clap rhythm)]

[Children choir – light, high-pitched voices echoing the adults]
Heee... heee... heee...  
Lefatshe le a bina!  
(“The earth is singing!”)

[Bridge – call & response]
(Male voices) Ahee moriti!  
(Female voices) Ahee lefatshe!  
(Children) Heee heee lefatshe!  
(All) Morena wa moya!  
(“Spirit of the wind!”)

[Drum trance section – polyrhythm, 4 layers of percussion building to hypnotic climax]

[Final chant – unified mixed choir]
Moriti wa lefatshe... moriti wa moya...  
Moriti wa lefatshe... moriti wa moya...  
(“Shadow of the earth... shadow of the spirit...”)

[Outro – fading percussion, soft humming, distant night sounds]
Moriti... moriti... moriti...

moriti-wa-lefatshe-(shadow-of-the-earth 2.

Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of per- cussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and se- ven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt, Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demen- ted Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these two titans will make you swing your pants like a Crash Bandicoot victory dance...so stretch out and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergar- ten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1. Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece; but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excel- lent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom, the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for mental health.
(wordsmith: Patrick Ryder!)

Instrumentalmusik von der Mitte der World

Wolf Mueller & Niklas Wandt - Weltraumsandalen (6:32) snippet

This is one mix of podcast H.O.P.E (Human Of Planet Earth), this podcast will show you the beauty of the ethnical music from all over the world. It is mix of Mali-Blues, Ethiopian jazz, Ethno-elecetro music e.t.c.

Sunrise

Fortuna Records Presents:

• Moontribe - Moontribe LP •  

Fortuna Records return with a mysterious album by the anonymous artist known only as Moontribe. A deep-space journey between tribal percussion, hypnotizing organs and long echo ripples, all joining in for a snake-charming voodoo ritual of which Moontribe is the Shaman. Expect African drums, hints of cumbia, and distant galaxy exploration in unmeasured doses. An absolute must-have For fans of Sun Ra, Moondog and Idris Ackamoor.

Release Date: 28th September 2018
Format: 12'' LP / Digital
Catalog Number: FTNLP004
℗&© Fortuna Records 2018.

More info:
info@fortuna-records.com
www.fortuna-records.com
www.facebook.com/fortunarecords
www.fortuna-records.bandcamp.com

Moontribe - Osmium (FTNLP004 - B1)

Call them Tryck & Ton, call them Tiedye, call them Swedish cosmic conjurors, call them unashamed groove connoisseurs.
Call them Anton Klint & Edvin E: two long time friends who’ve been crafting sounds and spirits together for more years than they care to admit. So long in fact, this release is the result of a session they can’t even remember having. A session that was almost lost when Edwin’s ex threatened to throw out an old hard drive of his.

And so we have ‘Kaarusha’. Fittingly hazy for a Tiedye jam neither of them can recall, it’s a heady fusion of swampy 60s psych rock, cosmic funk and sudden splashes into something pure and uplifting, it’s a wild cadence of ideas and feelings that’s been incubating and maturing in digital ex partner’s attic stasis for over a decade.
It’s galvanised by three different remix translations: Anton adds a mystic chug to the affair, switching uplift for grit that tastes all the better after 3am. Edvin counters this with a stunning Balearic affair that sucks you right into an ambient hole before shooting you beyond the ozone of a rocket of euphoria. Finally we have the General Purpose mix that takes the full musicality and spirit of the original but gives it just that little extra percussive impact for the dancefloor. Call it cosmic, call it disco, call it unclassifiable dancefloor bliss, this covers every sonic shape, style and size Anton and Edvin have ever stood for. Bliss in all directions.

Anton Klint & Edvin E - Kaarusha EP

LISTEN ON YOUTUBE

PREMIERE : Anton Klint & Edvin E - Kaarusha (General Purpose Remix)

Artist: Gigi
Title: Illuminated Audio
Cat Num: TIME003
Label: Time Capsule
Format: 180g Heavy double vinyl LP with liner notes by Tyran Grillo. Japanese Obi for the first pressing. Original artwork by Russell Mills and photography by Jean-Baptiste Mondino.
Remastered: Claudio Passavanti at Doctor Mix Studios, UK
Curator and Coordinator: Ken Hidaka

01 Abay

Full version available: https://timecapsule.lnk.to/Shravanam
The fourth Time Capsule release presents a transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.
 
During its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio). 
 
For their fourth effort they’ve selected one of classical Indian vocalist “Bombay” Jayashri Ramnath’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi. 
 
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music.  Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kali Maheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine. 
 
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
 
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

Shravanam

4 - Keshvaya Namaha

2 - Bhajeham Bhajeham

this is a variant version again done live on traktor, same m.o., based on this other mashup i've made without the tiktok meme trappy/rap shenaningans. checkout the first version here: https://soundcloud.com/perrengue/whatchu-doin-in-the-sundown-jeune-fille-perrengues-tiktok-live-mashup 
TRACKS: 
- para one & arthur simonini - la jeune fille en feu
- cando - sundown

with samples from:
- baiuca - mangüeiro feat. aliboria
- umeko ando - iuta upopo mrux remix (perrengue batucada loca edit)
- lonski & classen- the dream (feat. miranda) mrux bootleg
- thomash - all my pretty horses

checkout @candouk and all the other artists i've shamelessly used in this track! 

ALSO, PLEASE SUPPORT THE ORIGINAL ARTIST! this would never be possible without them, follow their social media, buy their track if you can:
- get the original mix @ cando.bandcamp.com/album/bleak-sundown
- and follow them on instagram.com/ukcando/

follow me on facebook: fb.com/djperrengue