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ابراهیم شریف زاده - نوایی

Exclusive short edit of The Mothmen's epic theme song "Mothman" form the expanded reissue of 1981 album 'Pay Attention!' on On-U Sound.
https://bleep.com/release/59582-the-mothmen-pay-attention
http://www.amazon.co.uk/Pay-Attention-Mothmen/dp/B00VB3DA1G

The Mothmen - Mothman Edit

Craig - Pruess - Sacred Chants Of Shiva Excerpts（印度 冥想 能量）

Persian,,
,,
Tu Kareemi Man Kamina Barda Um
Laikin Az Lutf E Shuma Parwarda Um

Zindagi Aamad Bara’ay Bandagi
Zindagi Be Bandagi Sharmindagi

Yaad E Oo Sarmaya E Eeman Bo’ad
Har Gada Az Yaad E Oo Sultan Bo’ad

Sayyad O Sarwar Mohammad Noor E Jaan
Mehtar O Behtar Shafi E Mujrimaan

Choon Muhammad Pak E Shud Az Nar O Dood
Her Kaja Roo Karad Wajhullah Bood

Shahbaaz Lamakani Jaan E Oo
Rehmatal Lil Aalameen Dar Shaan E Oo

Mehtareen O Behtareen E Ambiyaah
Juz Muhammad Naist Dar Arz O Samaa

Aan Mohammad Hamid O Mahmoud Shud
Shakal E Abid, Sorat E Ma’bood Shud

Auliyah Allah O Allah Auliyah
Yani Deed E Peer Deed E Kibriyah

Her Ka Peer O Zaat Haqra Aik Na Deed
Nai Mureed O Nai Mureed O Nai Mureed

Maulvi Hargiz Na Shud Maula E Rum
Ta Ghulaam E Shams Tabraizi Na Shud

English Translation,,

You are the Gracious One and I am the ignoble,
Now waiting at Your door Oh my Cherisher

With devotion life becomes beauteous,
And without, what is life but disgrace

Remembrance of Him is the foundation of faith,
Beggars transform into kings due to His Remembrance.

Liege lord, Oh Muhammad you are the light of our lives,
The mighty and the best intercessor of the wrong-doers

Since Muhammad was purified of worldly things,
Whatever direction He turned is found the Face of Allah

The noble soul of his is like a falcon of the highest heavens
Being ‘the mercy of the worlds’ is his eminence

The mightiest and the best of all Prophets is he,
Except Muhammad in land or sky there is none worthy

He is the praise of God, divinely praised in abundant
He is the reflection of God in the shape of a worshiping servant

The friends of God are like God because God is their friend
And in this way he who has seen his Master, has seen God’s Glory

If one doesn’t see his spiritual Master as reflection of God
He is not a disciple, not a disciple, not a disciple!

Molvi could never be Mevlana Rumi
If he had not devoted himself to Shams e Tabrizi.

SUFIANA FARSI KALAM (TU KAREEMI MAN KAMINA BARDA UM)(BY MOLANA RUMI R.A),, NUSRAT FATEH ALI KHAN

نامدگان و رفتگان

NFAK live in NY

Dam Mast Qalandar Mast Mast

Moebius & Plank - News [1979]
Cabaret Voltaire - Do the Mussolini (Headkick) [1978]
Robert Rental - Paralysis [1978]
Cabaret Voltaire - Seconds Too Late [1980]
R.N.A. Organism - Yes, Every Africa Must Be Free Eternally [1980]
Moebius & Plank - Missi Cacadou [1979]
Holger Czukay - Fragrance [1981]
The Flying Lizards - The Window [1979]
Muslimgauze - Death of Saint Jarnaii Singh Bindranwale [1985]
Joy Division - Autosuggestion [1979]
Front 242 - Deceit (Behind Your Face) [1984]
Stoffwechsel - Fly, Fliege, Fly [198?]
Annie Anxiety - Third Gear Kills [1983]
Holger Czukay, Jah Wobble, Jaki Liebezeit - Twilight World [1981]
Zerox Dreamflesh - Squids Can Fly [1982]
The Dreams - Sick Palm Dub [2011]
Modern Art - Tropic of Cancer [1982]
The Mothmen - Afghani Dub [1981]
Sir Horatio [A Certain Ratio] - Abracadubra [1981]
African Head Charge - Off the Beaten Track [1985]
Creation Rebel & New Age Steppers - Earthwire Line [1981]
New Age Steppers - Observe Life [1981]
Lifetones - Travelling [1983]
Steel an' Skin - Afro Punk Reggae (Dub) [1979]
Lizard - Sa Ka Na [1980]
The Flying Lizards - Steam Away [1981]
Family Fodder - Organ Grinder [1980]
Throbbing Gristle - Distant Dreams (Part Two) [1980]
Holger Czukay, Jah Wobble, Jaki Liebezeit - How Much Are They? [1981]
Fad Gadget - State of the Nation [1980]
The Upsetters - Red Hot [1970]
King Tubby, Lee 'Scratch' Perry, The Upsetters - V/S Panta Rock [1973]
Dub Specialist - Pepper Roots [1975]
The Congos - Congoman [1977]
Anthony Red Rose / King Tubby - Tempo [1985]

Dub/Reggae influenced Post-Punk, Industrial, Experimental, etc. from the late 70s and early/mid 80s. A huge influence of the era, especially in England (see Public Image Ltd., The Slits, The Pop Group etc.). There's also some representation here from Japan, Germany, Belgium, and Australia. Some of my all-time favorite tracks bear this influence, from Cabaret Voltaire's "Seconds Too Late" to Holger Czukay, Jah Wobble, Jaki Liebezeit's "How Much Are They?", amongst a handful of others here. 

I tried to maintain a nice upwards arc in the tempo/funkiness, but also made sure to have some interesting ups and downs, with an ear to similarities in sounds, for segues and sound compatibility. The beginning of the mix just happens to feature some of the earliest dated tracks I chose. The On-U Sound suite here wasn't intentional actually, but just happened to work out that way when sequencing the tracks. Funny how that happened, but makes complete sense. There are also some songs towards the end with only a vague dub influence (see Fad Gadget, TG), but are some of my favorites and worked nicely. The Upsetters track is more funk than dub so… That takes us to the end, with a suite of particularly unique, authentic dub/reggae/dancehall(!) tracks that showcase a nice range of styles.

Noteworthy… I finalized the track selection for the mix just a couple days before the death of Holger Czukay. The legend himself appears on a whopping four tracks here; the three bearing his name, and Moebius & Plank's "Missi Cacadou". So, in a way, this is also a farewell ode to the immensely inspiring Mr. Czukay. Surely his deeply psychedelic interpretation of the dub sound was influential in itself. Rest in peace. 

Image: Prince Jammy at King Tubby's mixing console. 

Volume II here: 
https://soundcloud.com/diskono/dub-influence-vol-ii-post-punk-etc-1978-84
.

Dub Influence Mix [Post-Punk/Industrial/Experimental 1978-85]

Dub Influence Vol. I [Post-Punk/Industrial/Experimental 1978-85]

Shivoham

DC Promo Tracks #189: "Bamboo Brainwave" by @sorcerermusic is part of the re-release of "White Magic" on Be With Records @bewithrecords

Buy Now: https://www.bewithrecords.com/products/sorcerer-white-magic-double-lp

A perfect summer record, White Magic was the lauded CD-only debut album by Sorcerer (Californian Dan Judd, one half of Windsurf with Hatchback). Just in time for Spring/Summer, Be With Records present the first ever vinyl issue, completely remastered, as a double gatefold package with freshly updated artwork throughout. 

Subscribe to our weekly email: http://dreamchimney.com/subscribe

DC Promo Tracks #189: Sorcerer "Bamboo Brainwave"

Universal Chants

Order Pay It All Back Volume 7 here: https://on-u-sound.lnk.to/payitallback7

On-U Sound is proud to share the first music from the forthcoming seventh volume of the legendary Pay It All Back series, the first entry in 23 years!!!

Pre-order

Sherwood & Pinch (ft. Daddy Freddy & Dubiterian) - One Law For The Rich [Pay It All Back Vol.7]

Order Pay It All Back Vol. 7 here: on-u-sound.lnk.to/payitallback7

Pay It All Back Vol. 7

Roots Manuva & Doug Wimbish - Spit Bits

Full version available: https://timecapsule.lnk.to/Shravanam

The fourth Time Capsule release presents a transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.
 
During its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio). 
 
For their fourth effort they’ve selected one of classical Indian vocalist “Bombay” Jayashri Ramnath’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi. 
 
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music.  Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kali Maheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine. 
 
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
 
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

Shravanam

5 - Raghavam

Full version available: https://timecapsule.lnk.to/Shravanam
The fourth Time Capsule release presents a transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.
 
During its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio). 
 
For their fourth effort they’ve selected one of classical Indian vocalist “Bombay” Jayashri Ramnath’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi. 
 
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music.  Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kali Maheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine. 
 
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
 
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

4 - Keshvaya Namaha

Full version available : https://timecapsule.lnk.to/Shravanam

The fourth Time Capsule release presents a transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.
 
During its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio). 
 
For their fourth effort they’ve selected one of classical Indian vocalist “Bombay” Jayashri Ramnath’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi. 
 
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music.  Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms - her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kali Maheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine. 
 
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
 
As professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.

2 - Bhajeham Bhajeham

Time Capsule