KATELYN CLARK & MITCH RENAUD, Ouroboros, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2406
Ltd. vinyl / digital
Release date: 04.04.2025

On Katelyn Clark and Mitch Renaud's »Ouroboros,« astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-end drone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.

Working as composers, improvisers and curators in Canada's vibrant experimental and early music scenes, Clark and Renaud began developing »Ouroboros« through extensive improvisation with a reduced setup. Clark, who has worked extensively with historical keyboards since her studies in Amsterdam and Siena, played a small pipe organ modeled after a 14th-century instrument while Renaud brought a modular synthesizer and his interest in feedback systems to the collaboration. Later, the duo further refined their artistic dialog and the sonic interactions of the two instruments through the shared space of a two day recording session in Vancouver. Subtle crackling, acoustic beating and other (psycho-)acoustic effects in five pieces document this encounter, giving the music a profound physicality while hinting at the bodily presence of the two collaborators.

Just as the cyclicality of natural phenomena or the repetition of planetary movements is both a scientific fact and of the cultural imaginary, the sound worlds of »Ouroboros« are fundamentally rooted in time and space while transgressing the idea of a »here and now« through their conceptual links to geological and planetary time. The interplay of portative organ and modular synthesizer, which merge fluidly and in ever-changing ways, leads to a kind of circularity, a timelessness, a no-time. At the same time, the movements and subtle changes undermine the idea of repetition in the negative sense. After all, the Eternal Return, as Gilles Deleuze writes in regard to Nietzsche, is not the return of the same but a repetition of repetition. The only constant is change, the production of new intensities, of new forms of life – and of new frequencies.

Credits:
Music by Katelyn Clark and Mitch Renaud
Recorded and mixed by Aaron Klassen at Monarch Studios in Vancouver
Mastered by Stephan Mathieu (Schwebung Mastering)
Artwork by Laurin Huber

Ouroboros

Katelyn Clark & Mitch Renaud - Ouroboros (HG2406)

A beautiful track from the upcoming Sonmi451 release, entitled, "The Limbic System"...out in mid February...

Sonmi451..."The Limbic System"    Amigdala

monthly mix series curated by marine eyes. if you love the mix, a little help goes a long way: https://ko-fi.com/marineeyes. 
for full archives + short interviews with women artists on their creative process head to my newsletter: https://cloudcollecting.substack.com

women of ambient~ december '24
1. Dream Crease feat. Drum & Lace- Grotto (s/r) 
2. upsammy- Mazing (topo2) 4:10
3. Kayla Painter- For You I Won’t Forget (s/r) 8:00
4. Aisha Vaughan-No Past, No Present, No Future (Leaving Records) 11:30
5. Pefkin- Gossip in the Leaves (Nite Hive) 15:05
6. Cassandra Croft- Country of Your Mind (s/r) 17:10
7. amelia courthouse- Vihangi (s/r) 21:40
8. Gia Margaret- Mourning Dove (Red Hot Org) 23:27
9. Merely & Malibu- love hard (YEAR0001) 25:00
10. Alanna Crouch- to go out again 29:15
11. Celia Hollander- Air / Water (s/r) 31:10
12. VoxAxoV- VERT6 (s/r) 33:30
13. wood ear- Amethyst Deceiver (s/r) 36:45
14. Antonina Nowacka- Moth Spins (Mondoj) 37:40
15. Belly Full Of Stars- Swannanoa (Bakkerman) 39:00
16. Freya Arde- Falling In Love Again (s/r) 41:50
17. our dear friend the medic- cold clouds go over (avos records) 44:00
18. Veryan- Lift Hands (quiet details) 46:40
19. Moskitoo- Words Wardrobe (Headz) 49:37
20. perila- wish (Lapsus Records) 54:20
21. Sofi Paez- 1123 (OPIA Community) 58:00
22. Sun Swept- Mirror Lake (Aural Canyon) 59:25
23. Hollie Kenniff- What Carries Us (Nettwerk) 61:43

women of ambient ~ december '24

Sonance

~ LAAPS 044 ~ [SEQ.06 - LP44]

artist : Aiko Takahashi
album : The Grass Harp
duration : 41.11 mn
date : June 09th, 2025

edition :
-  vinyl : limited to 200 copies / apricot LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : May 02nd, 2025 / official release : June 09th, 2025
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Piano, Tape Loops, Drones recorded by Aiko between March and November 2024 in Aiko's former studio, a secluded spot near the River Isonzo, between Gorizia and Nova Gorica.

Mastered by Taylor Deupree
Artwork by Thomas Ratt
Design by Sprflxgrfzm
 
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Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://aikotakahashi.bandcamp.com/
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℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 4

Aiko Takahashi - Vases À Iris

This is a recording of what we believe is a culverted stream below Fallenbrunnen in Friedrichshafen. We noticed this almost as soon as we arrived there, the night before we played at VOD-Festival (19 July 2025), right across the street from Kulturhaus Caserne, the festival venue. The recording was incorporated into the live show, a hidden sound from somewhere almost beneath our feet as we played.

If you know more about the history of this, particularly the name of the stream if it has one, let us know.

Fallenbrunnen

Image (1983-1998)

Yume Uta (2025 Remastered)

Nisemono No Uta (2025 Remastered)

After decades of chasing, accumulating, and then sharing new music with you, I think I've hit some saturation point. I think I'm done spinning in the vortex of the "new", being pulled in all directions, catching up on all the "fresh" and "innovative" tracks. I'm not saying that I will stop covering new music. No. But I think I'll focus the virtual lens of my listening on a very narrow point, investing my time and attention over more extended periods. I think I will turn inwards... towards music and the artists that genuinely make me feel. This is the case with Rafael Anton Irisarri's A Fragile Geography, an album from 2015, which captured my attention then as it does now, triggering memories, triggering thoughts, and emotion. A decade ago, during a move between coasts, Rafael lost his possessions - stolen with the moving truck - along with all his audio archives, forcing him to rebuild his studio and sound from the ground up. The pain of this loss is reflected in almost every single track on the album. This music is slightly dark and melancholic. It's visceral, and it gets under your skin. And there it stays with you for ages. Becoming part of you, becoming part of your existence.

On September 19th, the album will be reissued, beautifully remastered by Stephan Mathieu at his Schwebung studio, along with a limited edition cassette of remixes by the most renowned artists, handpicked by Rafael. "This record has always been about letting go of one life and rebuilding another", says Irisarri, "It feels fitting to return to it now - ten years later, in a different country, a different world." These reworks are worthy of your precious awareness as well. I know that there are more than a few in the pipeline (at least six), which will be revealed one at a time. As of this writing, there is already a gorgeous rework by the one and only William Basinski, with his version of "Secretly Wishing For Rain" with Gary Thomas Wright, which incorporates field recordings of Reseda rain and birds captured by Basinski himself. You can check out a digital stream of that track here. *BUT!* Today, I am premiering for you a second rework by Abul Mogard! This piece bears not only the original elements of "Persistence" but, of course, Guido's extremely personal touch that breathes new life into this sound.

Head over to headphonecommute.com to read more about this release, including a quote from Abul Mogard on the rework.

TRACK PREMIERE : Rafael Anton Irisarri - Persistence (Abul Mogard rework)

Widely regarded as one of the most uncompromising works in experimental noise, Kevin Drumm’s Sheer Hellish Miasma is once again available on vinyl. First released on CD in 2002 on the original Mego label, the album remains a landmark in extreme electronic sound and is an essential and ferocious document of Drumm at his most inventive.

The history of Drumm’s Sheer Hellish Miasma is one of resilience to the twists of underground trends that have come and gone since its initial release. Using guitar, tape manipulation, microphones, pedals, analog synthesizers, and subtle computer processing, Sheer Hellish Miasma is an overwhelming experience: a sonic onslaught of storming feedback, fractured textures and  an unrelenting energy. At once brutal and meticulously composed, the album offers a singular vision at the outermost edges of sound art.

For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening – a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm’s journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. 

Drumm’s Sheer Hellish Miasma is an abstract noise classic with this 2LP reissue being an artefact of eternal power.

Sheer Hellish Miasma

Cloudy

Kevin Drumm 'Cloudy' (EMEGO053)

Jessica Moss • until all are free

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!