From Upcoming Album: Whatever
https://itunes.apple.com/us/album/whatever/id690259313

Leron Thomas - Trumpet
Taylor Eigsti - Piano
Eric Harland - Drums
Harish Raghavan - Bass
Matthew Stevens - Guitar


Silly Ass

Carlton Jumel Smith is back on Timmion Records, doing what he does best: grooving, testifying and romancing his way into your heart. His last album for the label 1634 Lexington Ave. left many contemporary soul fans in awe – some in tears of joy – and they will be pleased to know that he has something new cooking in 2022. 

The first release from an upcoming trilogy of singles, "Devoted To You" packs everything you could want from a mid-tempo jam. A steady tambourine beat rides the mellow Cold Diamond & Mink groove, leaving Carlton all the pockets he needs to fill with his ever-funky but delicate delivery.

Keep tuned this year for a bunch of new soulful tracks from Carlton and Cold Diamond & Mink. They will keep you warm and cozy through any kind of weather!

Devoted To You EP

Devoted To You

2nd mixtape of musician Moses Boyd. 

personnel 

Moses Boyd :drums, composition and production
Binker Golding: Tenor Saxophone
Artie Zaits : guitar
Theon Cross: Tuba
Reuben James: keys
Tyrone Isaac Stuart: flute

mastered by Red1productions


Time and Space 

Axis Blue

Marshall Allen presents Sun Ra And His Arkestra: 'In The Orbit Of Ra'
Mastered from the original tapes, out now on Strut

iTunes: http://geni.us/SunRa
Amazon (LP): http://bit.ly/OrbitOfRaLP

Marshall Allen on Sun Ra:
As a Sun Ra fan, it has been a pleasure to be able to do an edit of Sun Ra material. Sometimes its more of a restoration project, than it is an opportunity to do an edit. In any case, the goal is always to preserve the original integrity, and direction of the song, while somehow making it appealing to an new and emerging fan base of listeners from the traditional school, and emerging electronic market. Sun Ra's fan base, and listeners might be changing and expanding, but you can always expect the end result of my work to highly respect the integrity of the original version. My version emphasizes the flute and percussive parts in this song. 

More from Mike Huckaby:
https://soundcloud.com/mikehuckaby

More from Strut Records:
http://www.strut-records.com
https://www.facebook.com/StrutRecords
https://www.youtube.com/user/strutrecords

More from Sun Ra:
http://www.sunraarkestra.com
https://www.facebook.com/SunRaMusic

Sun Ra - "The Lady With The Golden Stockings" (Mike Huckaby edit)

Idris Muhammad - Loran's Dance

Buy / Stream: https://BBEmusic.lnk.to/VestibuleAMSE
'Vestibule' and 'A Mere Subjective Experience' open the doors to a new voyage called 'Ravine', courtesy of The Incognito Traveller. This time around the music takes an introspective twist and looks within to discover what lies beneath the skin, beyond all exterior definitions and right into the deepest definition of self. Through proper jazz-infused trip-hop, 'Vestibule' and 'A Mere Subjective Experience' unveil unexplored interior spaces and beautifully complex inner worlds.
Milton Erickson’s “A Special Inquiry with Aldous Huxley into the Nature and Character of Various States of Consciousness” serves as the conceptual basis for a whole album’s worth of cinematic jazz explorations. In the study Aldous Huxley is guided into a deep hypnosis and, in such state, he describes meeting with his own self at different ages and revisiting his own stages of growth and intellectual development. 'Vestibule' and 'A Mere Subjective Experience' reference closely two specific instants in the author’s recount of the experience.
Eyes closed, the listener gets easily carried away within, into a grand voyage of self-discovery and inner aperture. 'Vestibule' is a classic jazz/trip- hop piece with an imposing break and uplifting release to bring illumination to the spirit; whereas uptempo quasi-freejazz piece 'A Mere Subjective Experience' offers internal divine light and harmony for the soul.

The Incognito Traveller - Vestibule

After lamenting on the emotional baggage of Hurricane Katrina on his last single "After The Storm" Willie West offers another sonic angle on the city of New Orleans, his place of birth. "Give It Back" is the closest example of Mardi Gras funk that Willie has recorded since his cult classic "Said To Myself" on Warner Brothers from 1975.

There is something very particular about the rhythmic texture of NOLA r&b, obviously referencing heavily to the second line parade tradition, to which some argue the whole concept of modern western rhythm music can be traced back to. As for the backing provided by Cold Diamond & Mink, obviously the Soul Investigators under disguise, this classic roots sound is not reaching too far from home. When these boys from Espoo started to cook up their primitive funk quartet back in the 90's, they were feasting on a steady diet of Allen Toussaint produced Meters, the same bunch, who played behind Willie West back in his prime.

In many ways "Give It Back" is rejuvenating things in full circle, the same way as, when Willie performed his funk classic "Fairchild" live in Helsinki with The Soul Investigators in 2014. This funk is not made for the deep funk purists, it is meant for the human race. And it displays that Willie West can still rock to that Louisiana bounce.

28/04/2017

Give It Back - Willie West & Cold Diamond & Mink

Deluxe, Will Sessions’ debut LP of original material, is made of tracks previous available as limited press 7” records, freshly remixed and remastered. The album contains guest appearances from Detroit legends Allan Barnes (The Blackbyrds), Amp Fiddler (Parliament/Funkadelic), Florida’s ‘King of Funk’ Rickey Calloway, and relative newcomer Coko (Funk Night Records). Deluxe is packed with songs reminiscent of classic soul and funk, deep breaks, tight rhythm tracks, blazing horns and raw vocal performances.

Deluxe

Run, Don't Walk Away

Ernie Hawks' debut album "Scorpio Man" is nearly here, and about to be released during the first quarter of 2018. The way will be paved with a fresh 7" single that lifts the gritty jazz funk of "Scorpio Walk" from the album on the A side and pairs it up with the mystic groover "Message of Love", a non-LP track only available on this release.

As the track to start up the upcoming album, "Scorpio Walk" rushes on like a manic villain from an art house spy film. A groove made of a murmuring fuzz bass and a surf guitar is suddenly released into heavenly choruses, where the man of the hour lifts the ambiance with a series of lyrical flute solos.

"Message of Love" sounds like an homage to the gently pulsing library music funk from the mid 1970's. Ernie's flute lead is accompanied by bubbling Fender Rhodes, which carries the track forwards like a shy cousin of Michel Sardaby's "Welcome New Warmth". Seductive male vocal wailing haunts in the background, while the track proceeds without haste in its realm of lost budget X-rated movie soundtracks.

The Scorpio Walk

Mixed and produced by Adam Scrimshire
Mastered by Walter Coelho
Artwork from a painting by Jonny Drop
All kit drums played and recorded by Chris Boot.
All other instruments including Fender Rhodes, piano, Juno-6, percussion, drum programming, guitars and bass by Adam Scrimshire. 

His fourth album, musically, 'Listeners' draws from Scrimshire's passion for jazz, soul and electronic music of all styles; from an energetic combination of Afrobeat and garage on 'Won't Get Better', to the lushly orchestrated neo-soul of 'Thru You', and the harmonious jazz experimentations of 'I Never'. The album features a host of esteemed guest vocalists and musicians telling their own personal stories, including Georgia Anne Muldrow, Emma-Jean Thackray, Joshua Idehen, Madison McFerrin, Chip Wickham, and James Alexander Bright.

"With this album I wanted to get a more focused sound after six years of relearning and development in the studio. But I also struggled to find my own words, to speak about where I/we are now. So I allowed my collaborators total freedom to tell their own story and as they came back to me, they were telling the same stories I wanted to. It's resulted in some deeply personal confessional pieces: mourning family, collapsing relationships, extremes of self doubt and analysis, trying to balance public and inner persona, and a reminder that life in all forms is important.

It’s called 'Listeners' as I am a listener here, I feel like I've been given these very personal experiences to care for. Listeners because, the travesty of the last few years is that we stopped listening to each other, everyone is shouting at each other and no one is learning. And Listeners because I hope I've made something that is for other people more than I have before. I've tried to craft something warmer and more enjoyable, made for those who give me their time in listening to my music."
- Adam Scrimshire

Since joining the Wah Wah 45s label in 2007, Scrimshire has released three albums of experimental cinematic jazz, and electronic sounds. Following his 2009 debut ‘Along Came The Devil One Night​’, his second album ‘The Hollow’ (2011) was a BBC 6 Music Album of the Week, with Gilles Peterson calling it “A late contender for album of the year”.

In the time since the release of his last album ‘Bight’ (“An eclectic range of influences ranging from disco to fusion to more contemporary electronic styles” XLR8R) in 2013, Adam has worked with long-time musical accomplice Dave Koor on new project Modified Man, and launched Albert’s Favourites releasing projects by The Expansions, Hector Plimmer and Jonny Drop. He has continued to gain radio and DJ support for his successful “Scrimshire Edits” series and has produced and mixed records for artist including Stac, Daudi Matsiko, Bastien Keb, Rōnin Arkestra, Jonny Drop. He has also continued to develop the Wah Wah 45s label, where he is now a co-owner and director.

Listeners

Theme For Us feat. Joshua Idehen & Chip Wickham

About 
Hard to believe its been about 16 years since I last put a compilation together and nearly 20 years since I was asked to raid my collection to put together a selection of rare hard to find music from days gone by..

The music on this compilation is for me a very personal journey tracing back to my earliest experiences as both a DJ and collector on the jazz dance scene.

Early memories of frequenting clubs like Jaffas above The Horseshoe on Tottenham Court Road hearing Paul Murphy play these amazing records and then going to his shop pick up tracks like Johnnie Walker’s ‘Dipping’ and Jayne Cortez – I See Chano Pozo.

DJ’ing on a Monday night at The Wag in Wardour Street was really special. Working with the likes of Gilles Peterson, Sylvester, Bob Jones and Chris Bangs was a musical education.

The on going friendly DJ competitiveness to break and play recently discovered ‘old tunes’ like Reverie ‘In Every Way’, Irakere’s ‘Chekere Son’ and Olli Ahvenlahti’s dancefloor fusion classic ‘Grandma’s Rocking Chair’ was all part of the appeal.

When Gilles Peterson, Bob Jones and myself originally started the Talkin Loud Sunday Afternoon at Dingwalls sessions little did we know what a major part that would play in the history of jazz dance culture. Again it became a ‘one-stop’ to hear exciting and up until then undiscovered gems from both the jazz and soul scene. Tunes like Kamal Abdul Alim’s head nodding funk ‘Brotherhood’, The Pharoah’s ‘Freedom Road’ and Roy Porter’s ‘Jessica’ all became ‘Camden anthems’ mainly because of the open-mindedness of both the DJs and the Sunday afternoon regulars as well as the hunger to hear new music.

So here is my ‘Private Collection’. I hope the music on it moves you in some way, whether you know the tracks or not, as it still does me.

 

Kev Beadle, 2013



Bio


DJ, radio presenter, music producer and event promoter Kev Beadle’s bio reads like a journey through the halcyon years of the jazz, jazz funk and soul scene in the UK from the early 80s right through to today’s various musical manifestations.

From early DJ experiences working with fellow spinners Paul Oakenfold and Trevor Fung in the early 80's, and then hooking up with Gilles Peterson and playing alongside him at various residencies including Dingwalls, The Wag, Special Branch, The Fez and the legendary Sunday night jazz sessions at The Belvedere Arms in Richmond. 

Through the early nineties Kev put together a serious number of compilations for various labels. These included six albums for the 'Essential Argo/Cadet Grooves' series for Charly Records, which also included two ‘Best Of’s - Terry Callier and Lou Donaldson and also the very successful 'Capitol Rare' series for Blue Note.

After a period of working at Timewarp Records in Croydon he then went on to working at two of the West End’s top vinyl outlets - Soul Jazz Records (now Sounds Of The Universe) and Mr Bongo.

During his time at Mr Bongo he set up the Clean Up Record label – a small independent dance music that specialized in jazz beats, trip hop and drum & bass, releasing music from the likes of Koop, Aquasky, Valerie Etienne and Line Of Flight Productions.
In 1995 the label was then picked up by independent giant One Little Indian and so Kev moved on from Soho record salesman to A&R and Label Manager at OLI right up to 2000.
The Clean Up label went from strength to strength in that period and hit a major high point when original signing Line Of Flight evolved into 1 million+ sales selling indie dance act the Sneaker Pimps. In the five year period at One Little Indian Kev was responsible for commissioning some huge club remixes for both One Little Indian and Clean Up including the anthemic Armand Van Helden remix of the Sneaker Pimp’s ‘Spin Spin Sugar’.

More ‘musical boundary pushing’ compilations also followed in that period including the ‘Nu Jazz Generation’ series for both Clean Up and Vol. 2 for BBE.

Aside from his many DJ residencies and worldwide guest appearances over the years, he has maintained a strong radio presence from pirate radio shows on KJazz and Starpoint in the 80’s right through to his current weekly podcast and show on internet soul and jazz station Solar Radio.

He can also boast to being one of the longest-running DJ residents at the legendary Southport Weekender where he is also the musical consultant for the events most cutting edge room – the Beat Bar and in more recent years the extremely successful SunceBeat Festival In Croatia.

With all this under his belt, Kev is not content to sit on his laurels, preferring to push the musical boundaries, create and showcase innovative new sounds rooted in soul & jazz, and with a DJ career spanning 30 years he is regarded as one of the leading tastemakers in his field.
Kev Beadle – September 2012








Devoted To You

timmionrecords

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