In Plain Sight is a Cybercrime Magazine podcast series brought to you by NetAbstraction. In this episode, host Shannon McKinnon is joined by Scott Greaux, VP of Products at NetAbstraction, and Chuck Brooks, Cybersecurity Expert & Influencer, to talk about ransomware, many of the high profile breaches that took place in 2021, what companies can do to bolster their security, and more. NetAbstraction is a zero-trust network privacy and security company that disguises and protects your enterprise’s online presence and privacy. To learn more about our sponsor, visit https://netabstraction.com

In Plain Sight. Ransomware Risks. Scott Greaux, VP of Products, NetAbstraction & Chuck Brooks.

Look at me now

In Plain Sight is a Cybercrime Magazine podcast series brought to you by Conceal. In this episode, host Hillarie McClure is joined by Conor O’Brien, VP of EMEA Sales at Conceal. Together, they discuss the dark web, cybercriminal activity, and more. Conceal is a zero-trust network privacy and security company that disguises and protects your enterprise’s online presence and privacy. To learn more about our sponsor, visit https://conceal.io

In Plain Sight. The Dark Web. Conor O’Brien, VP of EMEA Sales, Conceal.

THIS WILL BE THE LAST TRACK FEATURED BEFORE THE RELEASE OF MY EP "THE DRACONIS IGNIS COMPLEX" PRODUCED BY TOKYIO SHRYMPZ. 

FOLLOW ME ON INSTAGRAM @SIR_MATCH_MCKENZIE 
FOLLOW TWITTER: TWITTER.COM/MATCH-MCKENZIE

DOWN FOR ME PRODUCED BY TOKYIO SHRYMPZ

Classic Hip Hop by @timsavage, Blue Collar & Pit Boss supported by a solid beat from Obvious and DJ cuts from EF Cuttin. Production by Steve White with @DojoRecrodings.

Glare

Ted Dibiase - King Lee x Vegas Posada

"where the days are all night"

produced by el-p
additional guitar by matt sweeney
additional keys by nick hook
mixed by joey raia
mastered by joe laporta

Stream digging for windows
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Connect:
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Thanks to the late Manuel Alvarez Bravo for creating the cover art photo “Fireworks for the Infant Jesus”, 1990 (Castillo en el barrio del Niño), by Manuel Álvarez Bravo (c) Copyright 1990 Archivo Manuel Álvarez Bravo, S.C.


fuck that bright shit
the spot or the flashlights 
we in la ducking both 
in the shadows with lead pipes 
the days are all night

see if i pay edison
no medicine
these blues ain’t more better when
my fever rise in the jungle 
as quick as the price spikes
the days are all night

my future snapped like a rubber band
off my fold on a hand to hand
he drew from his waist
i put two in his roof
and i can still hear his screams 
all night 

now they ride their portfolios 
like rodeos
rise every time my cherry glows
on the end of my cig as 
the smoke blows through the bars
and the co’s laugh fades
as he strolls away 
says i gotta pay 
off that roll away 
or its fuck your visitation days
and i pop off so in solitaire 
i dream of offing these fred astaires 
and the skin off my fingers tear 
we digging for windows here 
where the days are all night 

this city’s a trap my partner
under the lights of they choppers
bodies tools for they coffers
not worth the cost of our coffins
i stare at a future so toxic
no trust in the dust of a promise
won’t mark the name on a ballot
so they can be free to devour our options 
and just like you I’m a target
ill defined by the guap in my pocket
but the stage make figures 
as quick as it off em 
what marley  and pac get? 
i put these caps in capitals 
leave minds blazed in they capitols 
i step with a fury so actual fact 
that my offense could be capital 

we digging for windows here


digging for windows (single)

digging for windows

Eye to Eye 
prod / Kathy Sommers, Matt Anthony, & Alex Forbes 
cover / @claudinecarbs

Eye To Eye

This track represents or depicts  my personal questions about purpose and destiny ...hence the name of the project "Destiny"