A portrait of the 59 tram line in Budapest, Hungary for the Tiny Portraits project
flamingpines.com/tiny-portraits/
At their end station in the hilly suburbs of west Budapest, the trams of line 59 have to go around in a small circle before heading back towards the city. While doing so, they squeak and creak loudly as the wheels graze against the rails. This recurring noise is without doubt the signature sound of the place and depending on time of day, topography and weather, it can even be heard 1-2 kms up the hills.
Peter Terner, Budapest, Hungary

Endless59 - Peter Terner - Tiny Portraits

With over two decades actively searching for music and with a bunch of legendary dj sets behind his back, [d.y] is one of the most experienced and significant figures of Hungarian electronic underground. To date he is a restless selector, and makes no compromise when it comes to style – his sets are characterized by musical versatility and unmached mixing skills.


Két évtizednyi aktív zenegyűjtéssel és legendás fellépésekkel a háta mögött [d.y] a hazai színtér egyik legelőremutatóbb és legtapasztaltabb alakja. Mindmáig megalkuvás nélkül, fáradhatatlanul kutatja a zenét, szettjeit a sokszínűség és a csalhatatlan mixeléstechnikai rutin jellemzi.


https://www.instagram.com/jjjhhgguiikj?igsh=bW9mYTF1bXQ5eXVx

A Flaming Pines project:

Tiny Portraits: 

Small renderings of place in memory and sound. 

Sound and place are two terms often thrown together, but what actually connects the two? Sure places sound differently, or may shape the sounds that enter them in particular ways but in what ways is sound actually able to capture and convey place? Is place something to be captured at all? 

In Listening to Noise and Silence, Salomé Voegelin talks of soundscape compositions occupying a site 'between preservation and invention' – an attempt by the composer or field recordist to retain the essence of a site inevitability results via the processes of recording, composition and listening in the creation of somewhere new. 

Tiny Portraits asks each participant to dwell on these connections and disconnections between sound and place, representation and invention by starting somewhere small, somewhere overlooked or obscure, and to interrogate this site using sound. 

In listening to these pieces we ask you to bring only some stillness and imagination, as together we create new places, connections and silences out of these traces of forgotten and hidden sites. 

To visit the Tiny Portraits map by Arash Akbari visit: 
http://www.flamingpines.com/tiny-portraits/

Credits: 
Tiny Portraits is conceived and curated by Kate Carr and is distributed via the record label Flaming Pines. 
Website design and programming by Arash Akbari 
All pieces by listed artists. 
All artwork by Kate Carr 
Mastering by Taylor Deupree at 12k Mastering. 

If you would like to pitch a portrait for this project contact: flaming.pines@gmail.com

We Define Each Other:
"Very inventive great tune. An extraterrestrial corporate ringtone! I'm imagining E.T. doing a TED talk"  - Weerthof

" have a bunch of creatures moving things around in my head...from left to right and back again. they are scattering and running, like night bugs in the light. too cool....pure headphone sugar".  - Pretzels Malone

"Awesomely beautiful and relaxing! The organic/synth sounds are an amazing contribution to the atmosphere...phew, wonderful!" - Utu Lautturi

"ah, here we have some mouse on mars meets the doors ... nice nice" - valeska jakobowicz 

"Intricate. The best things happening where styles are in collision - the indie sway and industrial grittiness abrading at the lightly elastic dub-step" - 

"Naughty-sneaky, with a quirky stomp. A bit like tiptoeing in an 8 bit landscape with gluey sneakers.."
Placement

"Sounds like thinking :) Great job!"  - Sect-on

"Great drums and and sample tweaks, amazing sonic experiementals and analog inputs!"  - Pfaender

"Wonderful sense of time's contiuum, but it's hard to associate with deleuzeian theories"  - _Ginko_

"Great style you've created. I bought your album because it's so unique and interesting. Plus I like to support other bay area bands!"  - Hemorrhage

"have not heard anything like this before but like it a lot"  - Papuna

 . . .you guys are too kind . . .


Music is Vital and this website is a dream come true, so please don't spam us, ask us to "check out my track" or otherwise use this community to bastardize relations in this way.  

Homunculus Rex is:
Ryan Morgan - Acoustic Guitar, Electric Bass, MIDI Bass
Josh Sonstroem - Ableton: Drums, Glitches, Samples; Synths, Melodica, iPhone

ArtworkS.don.e/.with.car.e/.music.discovery.to.shar.e/.inspir.e/.breath.e/.feel.the.air.e/.
#e/.