https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

The best in melodic & progressive house.

Listen to our latest releases - https://ffm.bio/colorize

Music producers from Los Angeles.
IG/Twitter: @slanderofficial
Labels: @heavensentrecs @gudvibrations

Management
will@prodigyartists.com
steven@prodigyartists.com

Bookings
North America/Asia: cchapman@teamwass.com 
EU: paul@primarytalent.com

The Moon gets sung to by the wolf. The Sun rises the same for all of us. Open up your heart and pump the positivity.

booking : atzi.mago@crstodelaselva.com
Instagram: @crstodelaselva

Born into a world where beats and melodies were as vital as the air itself, Moojo's musical journey began in the vibrant heart of the South of France, Nice. From an early age, Moojo displayed an innate connection to rhythms and melodies. He surrounded himself with diverse musical influences, ranging from traditional African & Latin sounds to modern electronic beats, laying the foundation for his unique musical identity.
As Moojo grew, so did his passion for music. He embarked on a relentless pursuit of knowledge, honing his skills in production and DJing. With an uncanny ability to blend many cultural styles of music with contemporary electronic elements, Moojo crafted a signature sound that resonates with audiences worldwide.

 Moojo quickly garnered support from industry giants Black Coffee, Diplo and Blondish. His early releases such as ‘Simba’, ‘Makasi’ EP and Mo Black's chart-topping ‘Lora’ were an instant success, with Black Coffee featuring the ‘Lora’ at Tomorrowland.
‘Desperado’ & ‘Vamonos’ (4.9M & 1.9M Spotify streams respectively), caught the attention of stalwarts like Rufus du Sol, Diplo, and Bedouin.
Upon Diplo's invitation, Moojo remixed ‘Fortress’ released on Diplo’s Higher Ground. 2020 introduced ‘Jupiter’, with Caiiro on remix duties.
His breakout hit, a remix of ‘Moth To A Flame’ by The Weeknd & Swedish House Mafia became an anthem and has over 7.1M streams on Spotify, propelling the track to ‘the most listened-to Afro house track of 2022’.
More recent collaborations include Demayä with ‘Lotus’, Da Capo with ‘Secret ID’ and Bun Xapa with ‘Hate It or Love it’, all under Moojo’s label, Calamar Records.

Hannover-based record label & event series.

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Titanic’s End is following