Wehbba is an electronic music artist and performer featured on labels such as Drumcode, Mute, Mote Evolver and his own HIFN

contact: info@djwehbba.com

deadmau5 'Ameonna' out now :D https://deadmau5.ffm.to/ameonna

Management: contact@anna.dj

WORLD:
carolina@oneworldartists.agency

N & S AMERICA:
jon@liaisonartists.com

BRAZIL:
bookings@entourage.com.br

Bookings Worldwide/Contact: contact@henrybrooksmusic.com

Hailing from the legendary birthplace of techno, Detroit, and now an emerging figure in the global techno scene, Henry Brooks is an innovative techno artist redefining dance floors and stages across the world. With roots in Western Michigan and a background in the metal and hardcore punk scene, Brooks transitioned seamlessly into the world of dance music, deeply drawn to the rich history and relentless energy of Detroit’s techno landscape. 

Since his debut as a DJ in 2016, Brooks has been captivating audiences for over seven years, continuously honing his craft with unwavering dedication. His journey has been marked by stellar performances at Detroit’s iconic Movement Festival where he has graced the stage in both 2022 and 2023, with his most recent set at the Underground Stage leaving an indelible mark on the festival's storied history. 

Notably, Brooks has become a core artist in Richie Hawtin's groundbreaking "From Our Minds" tour and events, and has also  forged strong ties with Charlotte De Witte and her acclaimed KNTXT event series. In May of 2023, Brooks made his mark in Europe by closing the basement at the iconic Tresor Berlin during his first European tour, solidifying his status as one of the next global techno sensations. 

Recognized by Paxahau as one of “Detroit's Next Generation of Techno Artists”, Henry Brooks' ability to mesmerize a crowd is no accident; he draws parallels between the transcendental state he and his audience experience while he's behind the decks and his own spiritual practices. His DJ sets traverse a spectrum of styles, from driving, high-intensity techno to deep, intricate rhythms and melodies.

As both a DJ and a producer, Brooks seamlessly combines the visceral and otherworldly aspects of dance music while remaining on the cutting edge of today's techno vanguard. He remains committed to the foundations of classical techno while constantly pushing the envelope towards the future, blurring the lines between hypnotic, industrial, and hardgroove techno. He draws inspiration from the classics like Jeff Mills and contemporary techno artists, all while staying true to his unique artistic expression, evident in every original release and electrifying club performance.

Henry Brooks' sonic explorations have taken him to many places including Los Angeles, New York, Miami, Phoenix, Boston, and Calgary, as well as prominent cities in Europe such as Berlin, Stuttgart, Košice, and Manchester. With a release on the prestigious American-based label Crisis of Man and a slew of new productions in the pipeline, Brooks is set to make an even more significant impact on the techno scene in the near future. His relentless pursuit of techno excellence and unwavering commitment to pushing boundaries ensure that he will continue to captivate audiences and make a lasting mark on dance music.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

I grew up on the trance sound as a kid 13 to be exact the last 5 yrs I grew my craft of music based on the influence of Paul van dyk I love to mix and put Passion into my craft enjoy the sets and enjoy reliving the sounds we grew up on wanna push the sound back into the clubs one day.

As I am transitioning into the acid techno it's now a new chapter in my life I'm pushing a new direction a new vision time to move to a sound that everyone can enjoy.

It’s all about the music. New York stalwart and beloved DJ, Boris, lives by that statement each and every day. He is a man wearing many hats; one as a touring DJ, another as a producer dynamo and lastly as a label boss of Transmit Recordings. A career forged over decades of long nights in the Big Apple’s most revered rooms. From the infamous Roxy to Crobar to the once dominating Pacha NY on 46th Street, Boris maintained a following so devout, so loyal they were truly ‘Believers’. Pioneering a music movement in a city filled with those who have so little time to pay attention, Boris has been a production powerhouse when not performing for the masses. He’s been tapped by industry leaders such as Carl Cox for his label Intec, Dubfire for his label Sci-Tec, Paco Osuna and his Mindshake records, amongst countless others.

His ability behind the decks and in the studio has not only made him a New York favorite, but his music has taken him places all around the world ranging from the shores of Playa Del Carmen to the magical White Isle known as Ibiza. Known to many as the ‘DJ’s DJ’, Boris has had the career most DJs can only wish to have. The trends, they may change but the New York native has stayed true to his drum driven sounds and created his own niche in the wide and vast world of electronic music. Taking bits and pieces from every part of the globe he visits, Boris always maintains a piece of home in his music. 

Even though his career spans nearly three decades, the journeyman DJ has yet to falter. We currently find him playing leading to destinations across the globe and his music is in high demand with forthcoming releases many sought after labels, Boris will is constantly on the tips of the younger generation’s tongue. Why? Because talent, like wine, gets better with age.

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