As both a DJ and promoter, T:Mo's been an institution in the local underground electronic music scene since 2003. This includes helping to build the local outdoor festival culture and glitch hop community, while working to get Techno a seat at the table at some very nice festivals including Dragon Dreaming, Psyland, Subsonic and Burning Seed. Through his events he's given lots of 'first sets' to many now well-established performers and is respected by his peers for his hard work and commitment to the community.

T:Mo has constantly reinvented himself as he's chased new sounds and shared these with the local community. Getting his first drum machine in 1995 didn't distract T:Mo from the love of DJing - he chooses to focus his energy on finding, collecting and sharing excellent tunes.

Mixcloud - https://www.mixcloud.com/t-string
Soundcloud - https://soundcloud.com/tmodj

About DS Teo

DS Teo began DJing and dabbling with electronic music in the late 90’s.  He Experimented with vinyl, synthesiser and live instrument and vocal’s in his sets.  Over the following 15 years he developed his signature style which led to playing at some amazing parties/clubs and festivals in Australia. Wanting more from music than the scene in Australia could offer, and looking for a lifestyle change, after a trip to Europe, he decided to make a bold move and re-locate to Berlin. 

After a short time in Berlin being inspired by new kinds of techno that he had never experienced before, DS Teo begun his journey in producing techno.  The mission: to create a new and unique sound inspired by music he heard at the clubs and festivals in and Around Berlin.  This mission spanned just over 2 years, an endeavour searching for, learning and creating production techniques to deliver extreme bass orientated, hypnotic and psychedelic music.  

Ds Teo’s first EP was released on the Eclectic Limited Record label on the 10th of July 2017. This first EP already has support from numerous DJ's and electronic music authorities such as; Len Faki, Marcel Dettmann, DVS1, Dave Clarke, Marco Bailey, Faze Magazine, Kiss FM, MixMag (Germany).

Always looking to push the boundaries Ds Teo is creating new music consistently. His latest tracks focus on a technique he has developed which create a kick, bass line and synth line from a single synthesiser or Ableton sampler instrument within a single midi track only using a single voice. DS Teo is looking to make his mark on the techno world with something unique both in its sound and it’s production technique.

Here are some links to samples of the single Synthesiser element 
https://soundcloud.com/dsteomusic/to-saturn-and-back-instrument-only/s-RyeCb
https://soundcloud.com/dsteomusic/through-the-wormhole-main-synth-only/s-oPILP


Highlights from DS Teo Journey

Secret garden Festival Australia 2013
Supporting Mark Knight at the Greenwood in Sydney 2014
The Sydney Gay and Lesbian Madigras 2012, 2013, 2014
Resident at Candy’s Nightclub Sydney 2013, 2014
Regular Show on Bondi Radio 2013, 2014

Berlin
EP ‘Solar Architecture’ Release on Eclectic Limit 2017
https://soundcloud.com/eclecticofficial/sets/ds-teo-solar-architecture-ep-eclectic

Record Label | Music Publishing | Artist MGMT | A&R/Music Consultancy

Edmund Morris aka Moonstompa is an emerging bass lover/dj from Braidwood, rural NSW. With an obsession with anything deep and dark, Moonstompa mixes a variety of music from the bass spectrum. Supported
Amit(UK) ﻿[﻿Tempa, Metalheadz, Amar records﻿]﻿
wAgAwAgA(UK) ﻿[﻿Jungle Syndicate﻿]﻿
Alpha Steppa(UK) ﻿[﻿Steppas Records﻿]﻿
Compa(UK) ﻿[﻿Deep Medi Musik, Boka Records﻿]
Versa(UK) [System Music, Smokin' Sessions, ZamZam, Macabre Unit Digital]
Seba(Sweden) [Metalheadz, Secret Operations]
Djinn(UK) [Foundation X, Formless]
Ricky Force(Ireland) [Repertoire, Pressin' Hard Records]
Kahn and Neek(UK) [Bandulu Records]
Grooverider(UK) [Prototype Recordings, Metalheadz]

Der 19?? geborene DJ lebt die Technoszene seit 1989 und besuchte viele Clubs und Partys Weltweit.

Nur durch einen Zufall im April 2017 bekam er die Chance einmal selbst „Aufzulegen“ und von da an ging es rasend schnell. Ein zweiter Versuch bei einer befreundeten DJane im Mai 2017 und der Anschließende Kauf der nötigen Hardware war dann reine Formsache. Bereits beim ersten Set kam große Freude der Zuhörer auf, was sich bis heute nicht geändert hat. Die Crowd wächst stetig, nach einigen Auftritten in Clubs, auf Geburtstagen, Partys und selbst organisierten Veranstaltungen.
Seit Juli 2017 wurden reichlich Sets produziert und online gestellt.
Mit vielen seiner Sets landete er in den internationalen Charts, höchstplatziert auf Platz 17.
Wer Jahrzehnte vorm Pult stand weiß genau was er dahinter zu tun hat um die Raver bei Laune zu halten.
Plötzlich treten Booker an ihn heran, die merken mit welcher Freude er auflegt und die Crowd im Auge behält. Neue Projekte sind in Planung...

Yattarna isn't shy to hold up wistful memories of days gone by to be the fundamental inspirations and the historical touchstones informing this project.  Yattarnas sentimental, somewhat archaic beat structure, even as it returns again and again to a long-forgotten groove and all-too-familiar tempo, eventually resolves into a leit motif which clarifies and frames the project's more contemporary moments and experiments.

Despite embracing modern tools, Yattarna eschews certain technical modernities of the craft. Dated structural conventions and low fidelity tonalities of the progressive breaks movement are parsed though the shifting, sifted influences of more contemporary moments, Instrumental hiphop and festival-rocking psychedelica blend themselves into urban-inspired downtempo experiments which themselves turn to gesture back through history towards the loose authenticity of the 70s rock and punk movements, modulated by the self-conscious experimentation of the 80s and swept up into the kinetic nihlism of the 90s... all these unique moments are intended to fuse into a coherent, consistent whole with the aim of somehow inspiring that sense of whimsical familiarity in dancers, jaded veteran and eager neophyte alike.

Yattarna respectfully nods to almost every genre convention of the last twenty five years while pushing all such restrictions to the side in its introverted attempt to capture, frame and snapshot a self-synthesized, single-minded obsession with the ebb and flow, the cadence, the flavour of those kicking dancefloor moments, those copiously available entheogenic states, those life-changing peak experiences which have driven all of us back again and again to the warehouses, clubs and and open air dancefloors that are able to transcend the pain and sadness inherent to biological existence and make life worth living."

You actually read all that?? Yikes.. full marks for commitment though!

<3

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

T:Mo is following