Name: Atari Warriors - Between The XMAS And New Year Demo 2021 version by TANGO NOVEMBER PRODUCTION DJ SCHOOL
Duration: 4 min
Description: started in the end of 19th... reworked & remastered at 21st... some kind of winter tale....

somestuff_223233_up100cents

True Awakening

Countdown The new Year

clock ticking

nightly office music - impro-set live (r.s.stropharia + pantoclast + dac insomniac) 24.10.2019

a rework from M.Nomized of "piano patterns n°13" by Marco Lucchi

for "piano patterns" vol. 2, a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns-vol-2

dicembre 2020

Marco Lucchi - piano patterns n°13 (minimal phase 13) - reworked by M.Nomized

A little jam session that I recorded. Only samples from the old AEMC albums were used. greetings to my dear AEMC family

AEMC Timetravel Sample Jam

For https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell

Thanks to the lockdown and the lack of proper work on these past 2 months I decided to (finally) open and old box of DAT I got from my storage place in Argentina when I was forced to close it and decide what to keep (bring it home on the plane), what to sell, what to discard.
These DAT (my go-to recording/archival media in the 90s)  included loads of tapes with Jams and impromptu encounters that I recorded there live and never ever listened to.
I realize now how good that attitude was,( just tape everything that happens at home or archival purposes), I did that all the time, stopped later, I promise to do it again in the future.

I discovered many gems, funny and intense moments, I include here one rehearsal for a song I composed in 1985 (one of my first proper composition) . I make a little bass solo that's pretty lame, but my partners live-at-home performance is awesome and I'm glad to make this available for you to listen and criticize.

This happened in Buenos Aires, March 9th 1995 at my home/studio in the Julian Alvarez street of the Palermo Viejo area. Recorded live to DAT (one mic for the guitar, one for the bass, a stereo AT mic for the percussion set.

Gabriel Kirschenbaum: spanish guitar
Ricardo Hambra: percussion (tabla, bombo) @udfmusic1
Daniel Diaz: acoustic bass guitar


Photo: Palermo Viejo, Plaza Cortazar by DD, Circa 2000.

La China (live studio rehearsal) - disquiet0467

“The thing with analog circuits is they follow very simple, natural laws,” says synthesizer designer and builder Jessica Rylan, “just like breaking a tree branch, or like water, or even like birds flying in a V — they push and are pushed into that pattern because it’s the path of least resistance … like you turn on the power, it’s just following whatever the vibration would do. And the sound it produces is the exact same as the electricity producing it.”

There are many such nuggets to be found in Tara Rodgers’ excellent book Pink Noises, which compiles interviews with twenty-four women working in electronic music and sound art. Rodgers’ conversation with Rylan, coupled with pandemic isolation, inspired Suss Müsik to explore the craft of DIY synthesis and digital instrument hacking.

As a result, Suss Müsik’s toolbox is now teeming with circuit boards, jumper cables, soldering equipment, resistors / capacitors / inductors of all sizes, a kaleidoscope of LED lights, touch-sensitive / knob potentiometers, plastic casing of varying sizes, and a lifetime supply of 9-volt batteries. It’s great fun.

A key learning was that acoustic instruments create sound by moving air — a string is plucked, a drum is hit, a mouthpiece receives wind — while electronic instruments make sound by moving voltage. Nature is a rich ecosystem of patterns, and the ability to manipulate patterns of electrical current is the core of synthesized music. 

This short piece is an excerpt from a series of compositions played mostly with custom-built and hacked instruments. In this particular instance, you’ll hear an piezo-amplified kalimba, a homemade sawtooth oscillator, and a photo-sensitive harmonic generator played with a flashlight and touch-ring interface.

The cover image is by visual artist B.G. Madden.

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

SixOverEight [Disquiet0467]

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Dan Allison, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/3pXRU

https://creativecommons.org/licenses/by-nc/2.0/

Calendar view (disquiet0470)

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started in the end of 19th... reworked & remastered at 21st... some kind of winter tale....

Atari Warriors - Between The XMAS And New Year Demo 2021 version

Record Label, DJ and Electronic Music Producer School, Audio and Video Production Studio and Creative Agency

Atari Warriors - Between The XMAS And New Year Demo 2021 version

TANGO NOVEMBER PRODUCTION DJ SCHOOL

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