Pete Bromley has been Stoke On Trent's top House DJ since 1989 and it has been an interesting and varied journey for him! Resident DJ at Stoke's first successful Underground Dance night 'Introspective' back in 1989 he went on to play at the infamous Shelleys Laserdome as well as other influential clubnights across the UK. Pete's next residency was to be at the Freetown in Hanley which would see him play alongside DJ's like Sasha & Dave Seaman. This would become the stepping stone to his next residency, the legendary Golden. Pete was the main resident DJ at Golden for an amazing 11 years which saw him play with the worlds biggest DJ's bar none. During this time he played many guest appearances at places such as Cream, Renaissance, Ministry Of Sound and DJ magazine listed him as one of the most popular resident DJ's in the world, resulting in his Essential Mix live on Radio 1 alongside Pete Tong at Sankeys in 1996. Quite an accolade seeing as he has never bolstered his career with international gigs, remixes or a recording career as 99% of producer/DJ's do these days. After Golden's demise In 2003, Pete then went on to become one of the resident DJ's at Satchmo's which has now become part of Stoke clubbing folkelore and his position has been cemented over the last years as resident DJ for the Move and their parties at The Sugarmill, Spode Warehouse & The Underground  playing alongside Jamie Jones, Patrick Topping, Solardo, Skream, Annie Mac, Derrick Carter, Pete Tong, MK, Todd Terry, Seth Troxler, The Martinez Brothers, Steve Lawler, Hot Since 82, Eats Everything, Darius Syrossian,Micheal Bibi, Alan Fitzpatrick, wAFF,  Dimitri From Paris, Kenny Dope, Low Steppa, Dan Shake amongst dozens of House musics elite. You can catch Pete at Back In The Day, Blue Collar Disco & Move events @ The Underground/Sugarmill Hanley, Stoke On Trent to see for yourself why he's been at the top of his game for all these years and still going strong!

djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

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facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

:: Hailing from Southend-on-Sea in Essex, England, Nothing But Thieves make passionate guitar-based rock that balances indie rock artfulness with a pop sensibility. Formed in 2012, Nothing But Thieves feature singer Conor Mason, guitarist Joe Langridge-Brown, guitarist Dominic Craik, bassist Philip Blake, and drummer James Price ::

"Starry Eyed Surprise" w/ Mr. Belt & Wezol
https://lnk.to/StarEye

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Worldwide Bookings
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ABOUT ANTHONY PAPPA

Described as “The DJs, DJ” Anthony Pappa truly is a master of his craft and one of the most respected and revered DJs on the international circuit. The combination of his genuine love for his art, his down to earth, lovable personality and his constant desire to push the musical boundaries at performances all around the world has made Anthony one of the most sought after DJs on the planet.

An Australian of Italian descent based in the UK, Anthony Pappa is a true internationalist, with a self-imposed mission to share his music with people all around the world. And since gracing the cover of DJ Magazine in 2000 as part of the celebrated “Nu-Breed”, Anthony Pappa has taken his rightful place at the top table of DJ royalty.
Running alongside that has been Anthony’s parallel career as a producer. As a classically trained drummer who can both read and write music, Anthony is rare amongst DJs in really understanding the music, and in the process of piecing it together. The man knows his way around a studio as well as a DJ booth, prompting DJ Pete Gooding to quip he’s “the best DJ, technically, I ever saw”. Anthony was the first man Global Underground turned to front up their Nu-Breed series, and several of Anthony’s mixes for Global and for Renaissance have clocked up100,000 in sales.


New album from The Black Keys 'Dropout Boogie' out now.

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