Heaven to my ears. This needs to be in a movie or something!

A delicate and melancholic melody, like a memory fading with time but never truly disappearing. Until Our Paths Cross Again is a musical journey through longing, hope, and the bittersweet sorrow of a farewell that isn’t final. The piano notes flow gently, suspended between moments of quiet introspection and sudden waves of emotion, evoking images of paths diverging with the promise of meeting again.

Perfect for those seeking a soundtrack for silent thoughts, solitary evenings, or memories weaving between past and future.


Until Our Paths Cross Again

Composed in DADGAD tuning and played on a Bamburg FSC guitar (Carpathian Spruce/Macassar Ebony), Recorded February of '25. "There is Only Today" brings a hopeful and peaceful message to value what each and every day brings in this life. Hope you enjoy and thanks for following along!
 This picture was taken on a beautiful late spring evening at the very tip of the island where I live.

THERE IS ONLY TODAY

Le thème composé par Carlos d'Alessio pour la chanson du film de Marguerite Duras "India Song", et chanté par Jeanne Moreau, est toujours demeuré dans ma mémoire, depuis sa première écoute, comme un des plus belles formules magiques de l'amour; formule obsédante, entêtante, en décrivant tant le plaisir que la peine, l'élégance que la souffrance , mais nous emportant tous dans la seule immense danse qui vaille la peine d'être dansée toujours, quelle que soit l'heure, le lieu, l'acte ou la scène. il s'agit ici d'un tout petit hommage, sous forme de variation autour de ce thème inspirant
___________________________________________________________
The theme composed by Carlos d'Alessio for the song of Marguerite Duras' film "India Song", and sung by Jeanne Moreau, has always remained in my memory, since its first listening, as one of the most beautiful magic formulas of love; a haunting, heady formula, describing pleasure as much as pain, elegance and suffering, but taking us all into the only immense dance that is worth dancing always, whatever the time, the place, the act or the scene. This is a very small tribute, in the form of a variation on this inspiring theme

variation sur india song

“Savanna - Erin”  by Luke 

I have 5 granddaughters..
this is for granddaughter number 3.. 
I will be writing a song for each in hopes they will be listening to their own song one day with their grandchildren…Love Grampy Luke 

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
this is not a real photo , but Ai photo created by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Savanna-Erin”  by Luke

Song I wrote about overcoming pain and trials and choosing to find joy and meaning even in the hardest times.

"Weeping may endure for a night,
But a shout of joy comes in the morning"-Psalm 30:5

Music/Lyrics/Vocals/Instrumentals by Layna Claunch
                     
Rain shedding torrents all around
As the waves come crushing down
While in the ocean’s roar                                  
Hear all melodies surround and the   
Symphonies astound 
From sorrow you can soar 

Time for Joy            
Time for Sorrow
Time for Joy                         
Beauty through the pain
Dancing in the rain

Light as it sparkles on the sea
In your actions you are free
So choose who you will be
Time quickly fleeting on the breeze
Find your purpose choose to see
How joy will come to be
       
Time for Joy           
Time for Sorrow
Time for Joy
Purpose in the pain
Dancing in the rain
 
You know it’s gonna hurt, but it’s time to wake up now
This time you know for certain now is all that we’re allowed
Don’t let your moment pass away in time
Find the mountains only you can climb

Know, that each moment is a gift
Learn to value what is real
No matter how you feel
You can decide the life you live
Meaning in the gifts you give
Loving what is true brings joy to be

Time for Joy            
Time for Sorrow
Time for Joy
Beauty through the pain
Dancing in the rain
Dancing in the rain

Wonderful book about what brings lasting joy and purpose:
https://a.co/d/4pTsYYz

Time for Joy

Inspired by the beautiful short story by EM Forster

The words are an extract.

The Celestial Omnibus

'It does not pay. It was not intended to pay. Many are the faults of my equipage; it is compounded too curiously of foreign woods; its cushions tickle erudition rather than promote repose; and my horses are nourished not on the evergreen pastures of the moment, but on the dried bents and clovers of Latinity. But that it pays! - that error at all events was never intended and never attained.'

The base photo for the artwork is by Andrew741 on Unsplash

The Celestial Omnibus

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by cgmaness:
 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.

Weve Got It Made (Eclectic Collective with Jonathan Beckenstein)

car toons

"Dans un voyage, on évolue, on change, on se transforme. Et souvent, on rentre et tout est annulé par le retour".

"During a journey, we evolve, we change, we transform. And often, we return, and everything is undone by coming back"

(Raymond Depardon, Errance, Paris 2000, pag. 40).
From the same work, the cover picture (page 4).

Composed by Michele Ansani (2016-2025).
Sax (reworked by me) is courtesy of Komorebi Audio - Sunset Jazz.
Posted on SoundCloud: 2025, April 17.

Everything is undone by coming back *

.... band rehearsal / jam, rec. 23.05.2025 with Zoom H1n // www.youtube.com/@dephaze
dePhaze: AdmassD ... Groovebox,Vocals, Percussion // Biff Debris .... Guitar, Electronics, FX //
Marc Kirschvink ..... Bass // Ali Blue ... Drums // joerxworx ... Saxophone
... special treatment of the recording with UVR5* use of a De-Verb option and stem isolation of the sax which was not loud enough in the recording ;-) .... *free vocal remover and stemsplitter

dePhaze // Balcan Style // live jam

Seraph (orchestra)

...someday, I'll take a music lesson. 

Until then, I invite you into my different visions of what music is. I apologize in advance for not having picked a path, as I sometimes find it suffocating to stay to a particular sound.

Like life, I stumble through songs until I find my way. I truly hope you enjoy these "small journeys" I have posted. They are just a short glimpse into my absurd mind and sometimes fragile emotions. I hope that this music takes you somewhere as it did for me.

-T.
 

Seraph (orchestra)

Todd Radell

Recent comments

Joe Stroffolino

Todd Radell

User 533931906

Ricardo da Silva

Related tracks