Update to this demo of a recent idea:

If I loved you, would you love me too?
If I was true, could I count on you?
And if I wanted more, would you close the door
Or slip on through?

If I said stay, would you fly away
Into the clouds, shape-shifting gray?
Will I ever know all the games you play?
Or will you let go this masquerade?
The glittering show

Oh don't leave me on tenterhooks
I've seen those smiles, those sideways looks
If I loved you, would you love me too?

Are these star struck eyes, am I hypnotized?
Is it you I see or your disguise?
If I said you're my prize, would you answer likewise?
Or disappear, would you vaporize
And bring more tears?

Oh don't leave me standing on this fence
Don't strand me here in such suspense
Now is this my penitence?
If I loved you, would you love me too?

If I Loved You (update)

Whiskey glass

“SERAPHOS” glows like a midnight lantern, pulsing at ~76 BPM in the shaded hues of E minor. Its medium stereo width (~0.50 Side/Mid) balances closeness with cinematic expanse, while a ~18.9 dB dynamic range lets pads and chords move like tides beneath a still night sky. With spectral energy centered around 2.8 kHz and a smooth roll-off at 7.8 kHz, the track feels luminous yet soft, never harsh.

Lo-fi textures and subtle analog grain ground the mix, while cinematic layers open wide, letting neo-soul chords and jazz undertones flicker like faint stars. Designed for late-night study, creative flow, or solitary walks, “SERAPHOS” is both intimate and infinite—sound as quiet firelight in a vast horizon.

Technical Notes: ~76 BPM • E minor • Stereo width ~0.50 • Spectral centroid ~2.8 kHz • Rolloff ~7.8 kHz • DR ~18.9 dB • RMS ~-17.1 dBFS • 48 kHz

Genres: Primary: Lo-Fi Chill / Cinematic Ambient Secondary: Neo-Soul / Jazz-influenced Downtempo

Fusion Breakdown (%): Lo-Fi Chill 40% / Cinematic Ambient 30% / Neo-Soul 15% / Jazz 10% / Experimental 5%

SERAPHOS

With Feline, Tree, Bird and Human Power. Let's get that Peace for the planet. Please and Thanks 🔆 Oh and a Spider Mite showed up on the page at one point. Mite power too ❤️‍🔥


Instrumentation
-Live Run of Acoustic and Vocal
-Additonal Acoustic run
-Piano run (Needs a take 2)
-Additonal Vocals

Make Peace with Love

Good memories heal
All memories teach
Food for our souls
Greater good we can reach
Measured discern
Spread butter for spirit
Make peace with love
Listen
You'll hear it

'Aint no point in crying over spilled milk
Save your worries and woes
For survivalist silk
Concern is control flying with wings of dove
Our chance is to change
And make peace with love

Make peace with love

Just call on your soul
Talk to your spirit
Human quality control
Listen
You'll hear it
Clean up together
Spread the load
Make peace with love
Historic future is told

Make peace with love

The gauge is your family
Great spirits at rest
Potential in code
DNA left of best
Biological verve
Inside fits like a glove
All known moral ground
Make peace with love

Make peace with love

Listen to caring
Listen to honest
Hear those who qualify
Good truths upon us
Hone wonderful answers
And feed that new known
Make peace with love
Light of Lennon is known

Make peace with love
Make peace we own
Light of Lennon is known
Make peace with love
Peace we own

All life is precious
Systematic and synced
Let's protect it and grow
Good future of think
Locked to our moment
No below
No above
No pedastal proud
Make peace with love

Make peace with love
Make peace with love
Make peace we know
Light of Lennon we own
Peace we own
Make peace with love
Inside fits like a glove
Make peace your own
Make peace we own
Make peace we own
Peace we own
Make peace with love



Make Peace with Love

Return to the Light (cello, solo viola, viola sections and piano)

The basic bed tracks of this composition were done back in 2013 with just piano and cello and then placed carefully and hopefully on the back burner. I then decided to resurrect it as it just seemed to resonate recently, so I added some other solo viola and minimal viola section parts. Hope you enjoy listening to it as much as I did composing it. 

I must add that the cello part is a virtual instrument called Blackus. At the time in 2013 it was in beta form, and programmed for Kontakt Sampler by an “actual” cellist from Australia by the name of Blake Robinson. And best of all, it was free. The little VI company Embertone picked it up later on and developed it further, but I really like the sound of the original version as well. Grit and all. The solo viola is by Audio Modeling. 

The title, Return to the Light was inspired in part by the condition of the world in 2025 as it seems to be heading to a very uncertain and dangerous place. I feel that eventually we will realize that we can’t keep doing things with unprecedented greed and corruption. Our technology is also getting much too advanced for our collective maturity especially in the war department. Science and technology when used for good is a very good thing but for some it is becoming the new God. Science without morals or caring is just materialism, but to be fair, spirituality, religion/morals without science can be superstition. They must agree.

PS: Cover artwork and design by yours truly. All Instruments whether acoustic or plug-ins are performed by myself, unless otherwise indicated. No AI or phrases included. 

Return to the Light

So, our friend (assuming he really is our friend) is no longer alone at home. The work week is over, it’s been a hard one. Maybe for both of them: for him, and for the woman now leaning out the window. There’s a touch of unease in the air, and it’s not necessarily connected to how things are going between them. Maybe something is about to happen. Or maybe not. The only sure thing is that they’re not interested in finding out.

This is the fourth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. This time I struggled to make it to the end, adding and removing, changing and restoring and working to the mix. I probably messed things up a bit (thirty recorded tracks, twenty of them muted...), but never mind.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon

Composed by Michele Ansani (2025).
All the ambient noises are taken from public sound archives. Saxophone is courtesy by Diamond Hues. Male vocals are mine, female by Spitfire Labs.
Posted on SoundCloud: 2025, September 19.

In case nothing happens - part 4 (late afternoon)*

I don’t sing well! I’ve been told I can’t hit a pitch! .. If you agree.. okay .. if you enjoy.. okay! Not reinventing the @ wheel! .. Just trying to sing! Not anywhere true singers.. just for fun!🙌🙏🕺🏼

Is It My Move,Yet?  Mostly Vocals

"three steps to the moon"
Francesco Cartocci- classic guitar, double bass.
our other pieces together:
@soundcloud.com/rosindust/sets/grazie-francesco
I'm so happy to have the opportunity to play with such a musician (and dear friend).

a tre passi dalla luna with Francesco Cartocci

Hoping you are having a lovely weekend....Just a little French inspired number !
Thank you for your very kind plays reposts and playlists.

Une Histoire

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

CON-FUSION

Shadows In Fallen Clouds

Fly Away (Jam Session) with Martin Jansen

Here you will find little acoustic pop songs; melancholy, dreamy-folk things. Sometimes some jangly, fuzzy rock tunes or ambient pieces as well. Work-in-progress demos to finished tracks, informal playlists to official album releases. Enjoy.

If I Loved You (update)

Tom Hanson