Reminds me that it’s time to stop and enjoy life. Reflect on the past but continue to find that inner peace. So difficult when you see and hear the stories around you. The struggles within your community and the world. Thanks for sharing. Sandra

man thats wonderful! is it digital strings or real ones?

it reminds me of ennio moricone a lot, it's truly beautiful. It could make a famous scene of a movie

Great work! Very natural and expressive strings.

A very elegant and beautiful work, with fine orchestration!

Well done production, lovely use of strings and piano...thumb's up!

You have a very endearing musical style accompanied by philosophical thoughts of great reality .... That's for sure.

© Joe Liberty 2025, all rights reserved

* Subjective observations
* Selective square dance calls
* Abbreviated golden rule

DoRight

Never have a care or want
Sing out a playful tune
By the famed authority 
Of the silver spoon

Weave the Ring
Dosado 
Alamo style

Fortunes of the pedigree
Afforded to few
Among peers so cavalier 
The devil gets his due 
 
Do right
Do right to
Do right
Do right to you
Do right
Do right to
Do right
Do right to you
  
Ladies In
Men Sashay
Couples Trade
Wheel and Deal 
Yea

Write the rules for all the fools
With style and a smile
Another game played without shame 
Leaving all beguiled

Bend the Line
Ferris Wheel
See Saw 

A never ending story
Of natural selection
For all the fame and glory
And progression of succession  

Do right
Do right to
Do right
Do right to you
Do right
Do right to
Do right
Do right to you 

Spin the Top
Walk and Dodge
Box the Gnat 
Shoot the Star 
Yea

DoRight

My first solo song in a little bit…


Cover art by Henk Monster, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

Antarctic Dark

Return to the Light (cello, solo viola, viola sections and piano)

The basic bed tracks of this composition were done back in 2013 with just piano and cello and then placed carefully and hopefully on the back burner. I then decided to resurrect it as it just seemed to resonate recently, so I added some other solo viola and minimal viola section parts. Hope you enjoy listening to it as much as I did composing it. 

I must add that the cello part is a virtual instrument called Blackus. At the time in 2013 it was in beta form, and programmed for Kontakt Sampler by an “actual” cellist from Australia by the name of Blake Robinson. And best of all, it was free. The little VI company Embertone picked it up later on and developed it further, but I really like the sound of the original version as well. Grit and all. The solo viola is by Audio Modeling. 

The title, Return to the Light was inspired in part by the condition of the world in 2025 as it seems to be heading to a very uncertain and dangerous place. I feel that eventually we will realize that we can’t keep doing things with unprecedented greed and corruption. Our technology is also getting much too advanced for our collective maturity especially in the war department. Science and technology when used for good is a very good thing but for some it is becoming the new God. Science without morals or caring is just materialism, but to be fair, spirituality, religion/morals without science can be superstition. They must agree.

PS: Cover artwork and design by yours truly. All Instruments whether acoustic or plug-ins are performed by myself, unless otherwise indicated. No AI or phrases included. 

Return to the Light

Super impressed by my buddy @dough-factory 's rhyming skills on here! This one started out as a beat from Ryan, I added trippy synth, organ and guitar noodling then sent back to him. He mixed, arranged and added the killer vocals as well as some record skips that add a nice touch.

Faded (What a Day)

Gentle Rain

The worst is not certain but it happens sometimes.
Le pire n'est pas certain mais il arrive parfois.

Minimalist piece of music for Quartet and Choir. Created with Session Strings 2 and Sonara (Komplete Suite).
Pièce de musique minimaliste pour Quatuor et Chœur. Réalisé avec Session Strings 2 et Sonara (Komplete suite)

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War

Years ago, my brothers and I had spent several weeks getting my dad's house ready to sell after he had passed. I was in the realtor's office ready to sign the paper work when the prospective buyers asked why I wasn't buying the house I grew up in.  I said (not thinking) "Too many ghosts".  The realtor immediately jumped in and said, "he means memories" to which I smiled confirming the needed clarification:)  It does beg the question however, how many "ghosts" haunt our lives; bad decisions, fractured relationships, things we did or failed to do.  I have found hope and forgiveness in the Christian faith, others have found healing in the passing of time, others still carry a heavy burden of what could have been or should have been.  Peter explores the theme in poignant verse to Seagull's quixotic soundtrack.  I am honored to  contribute a few colors to the tapestry;)
Acoustic guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Master of the music, lead guitar solo, mix & production;  Seagull @farout-music-studio
Wonderful voice: Clara Sorace
Track art: Bing images
Ghost of a Sense:

Yes, I know you.
I can feel your presence.
I can touch you, smell you.
I see you not by sight of eye
And yet I ken that you are I
That vespered wraith that writhes within
To test my faith, try my sin
Push the bounds to cause offence
A moral, soul thing, ghost of a sense recalls myself, so well defined
Entrenched, walls behind, built so sound of dust that crowned the pity, falling soft amiss,
Deep inside the tears I cry as here I find my self-abyss.

Whispers bringing shadows, filled of secrets therein held,
Memories, morose, piece me still, to wear in time, my wasted face.
And now reside, cast aside, to forge and ever meld,
Of haunting, ringing echoes, that will alone their chime erased.

Ah! But you won't twist me, nor bind me fast, to the sandy doctrines of the misty past,
With its beards and staffs and crinkled testaments.
My future's sprinkled here present with your crass irrelevance and matters not that sat right there,
The blackest chasm in my simpling world so spare,
Where space and time have overspilled the leaking psyche of a crippled mind,
That barely copes, unfulfilled, a crooked, limpid moral health of broken shrines
That hopes to find ....
.......some worthwhile inner self.

Ghost of a Sence (Seagull, Peter, David)

CANDLE IN THE DARK (Timeless floating in Space - Paploviante)
Backing Track Paploviante:
https://soundcloud.com/paploviante-and-friends/timeless-floating-in-space-open-collab-offer
Vocals Alley ( Gosthack)
https://www.ghosthack.de
Lillithe: Mix, Arrangement and Production
Lyric:
A candle in the dark
And in your own fashion
You burned it to the ground
Its sad but it's true
I can't get over you
I'm trying to breath 
But I'm choked by the fumes
Set me free
I'm just trying to breath
Let it go
Cus I can't keep hold
If I told you that I love you
Would you let everything slide
If I told you that I want you
Would I run and hide?


CANDLE IN THE DARK (Timeless floating in Space - Paploviante)

We are all gods

'From Now Till Then' a mixed genre track of jazz fusion and ambient fusion. 

CON-FUSION

From Now Till Then

transforming thwarted hope into incremental change soundscape in a mix of urgency acceptance resignation and resolve to keep hoping, imagining and looking for possibilities ;)) and beauty in swirling layers of sadness decay and longing

Way Too incremental change_1

Del Carry is a composer and musician who plays contemporary classical, film music, jazz and some rock and blues. He plays piano, Bb trumpet, C flute, EWI wind controller, guitar [electric and acoustics and a wide range of virtual sampled instruments as well as having played in a few jazz-rock "Chicago" type live bands]. The pieces offered on SoundCloud are a very small sample of over 450 compositions.

If you are so inclined, I would also encourage any constructive criticism of my music. If my music does not fit in your musical taste and experience, it’s probably not wise to comment, but if it does, and you notice obvious things that I have overlooked or I could do better, I am open. It does not take long to lose one’s objectivity when hearing the piece possibly hundreds or times. 

But please be kind. I may not always agree, but will appreciate your effort, care and feedback.

Return to the Light

Del Carry

Recent comments

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